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Tuesday, October 20, 2026

Romantasy New Release: Our Dark Incantations by Wanda Hellmund

  
Our Dark Incantations

by Wanda Hellmund
October 20, 2026
Genre: romantasy, paranormal fantasy 
This deluxe first edition hardcover features a gorgeous jacket with effects, beautifully illustrated endpapers, striking stenciled edges, and a decadently designed case!

In this achingly romantic dark academia fantasy a young woman must embrace Dark Magic and an alliance with a deadly Wielder to fight a powerful threat cloaked in shadow.

After the war, ex-healer Mira Winters swore she’d never touch magic again. And yet here she is attending the newly reopened Ivercrest University, enrolled in the wrong magic department, paired up with the absolute wrong partner—the infuriating Aidric Dawson.

Instead of learning how to make a potion strong enough to heal her incurable scar, Mira attends demonology lessons, casts deadly spells…and is accidentally dragged into a murder investigation on campus—one with devastating ripples that bleed into the magical world far beyond the university.

Even more devastating? Aidric Dawson. Rumored to have been a high-ranking soldier during the war, the lethal Wielder is arrogant, aristocratic, and shrouded in secrets…but with his own wounds from the war, he may also be the only one who truly understands Mira.

A labyrinth of clues pulls Mira and Aidric deep into a sinister plot hiding in the shadows of magical society, threatening war once more. Can the two enemies work together without losing their hearts—or their lives—in the process?
 
About the Author

website
Wanda Hellmund grew up in Germany with a penchant for storytelling and a love for spooky books. She wrote her first murder-mystery in fourth grade and hasn’t stopped writing since. After studying politics in London, she moved to New York where she earned her master’s degree in journalism at Columbia University. In her ten years as a journalist she lived in several states before settling in Southern California with her husband and their rescue dog (who is whatever breed you want her to be). When she isn’t immersed in a fantasy book, you can find her watching horror movies and drinking copious amounts of coffee. Our Dark Incantations is her debut novel.

Monday, October 19, 2026

Book Review: When the Night Comes Knocking by Katherine Daniel + excerpt

When the Night Comes Knocking
by Katherine Daniel
Oct 20, 2026
In this Appalachian horror novel, two estranged siblings become trapped in a convenience store under attack by a monster from the mountains who feasts on guilty hearts.

Rattle, rattle in the dark…
The mountain’s bones seek out a heart.

Jane has not spoken to her brother Thomas since the accident that nearly killed them both. Their drive from college through the North Georgia mountains is uncomfortably silent, until they stop at a roadside convenience store, where a man stumbles in with a mutilated body, claiming to have been attacked by a monster.

At first, no one believes the man’s ravings, but when the next person to leave the store is brutally killed, they fear that local legend might be true:

There’s a beast in these mountains who feasts on guilty hearts… and someone among them has lured it out of hiding.

Jane and Thomas each harbor secrets, but so do the other patrons, and as the monster claims more hearts, the survivors turn on each other, desperate to save themselves by uncovering the guiltiest among them.

If the siblings can’t overcome the rift between them, they’ll surely become the monster’s next victims…or worse, become monsters themselves.

Amazon

Using present tense to tell the story let the reader flow into the explanations of why the character's heart was in danger was very well done. I wanted to continue on to the next chapter and not stop.

As a first novel, it is a winner from the first chapter to the epilogue. As folklore, drama, and horror, I really liked it and hope the author continues in the same manner, using stories from all areas of the country. This book should appeal to all readers: young, middle-aged, and old like me, but maybe not as a bedtime story.

4 Sheep




Vivian Dalton - Grandma Sheep


Excerpt. © Reprinted by permission. All rights reserved.
One

Once upon a time,

Jane looks at her brother and knows that he hates her. It is not something she has to guess at; rather, she feels it imprinted deeply against her bones and knows it is mingled in with the blood they share, as though it has claimed its very own sequence of DNA.

She understands his hatred for her. She feels it too, if not more strongly.

Between them, the music that plays from the car's speakers keeps pausing as her phone struggles to stay connected to Bluetooth. They are deep into the North Georgia mountains now, surrounded by white oaks and tall, looming pines that hold the ribbon-thin road in place. All around them the Chattahoochee-Oconee National Forest stretches outward, beautiful and threatening in its enormity.

Countless hikers will have taken off on the Appalachian Trail today, hoping to either find or lose themselves amidst the isolation. It turns Jane's gut cold, the thought of disappearing into the mountains for weeks or months on end, watching the trees all blur together into one sentient cage-of sleeping in the woods all alone at night, telling yourself that the footsteps crunching through the leaves outside your tent only belong to a harmless animal.

Though at this point, she might actually prefer that to this car ride.

When the music gives up completely, discomfort spills into the empty silence. The car's navigation system shows their arrival time at their family's cabin rental on Blood Mountain as thirty-six minutes away.

We'll never make it, she thinks, then throws another glance toward the passenger seat. Thomas looks even more inclined to fling himself out of the moving car, if that's possible.

The wind picks up through the trees, lending a momentary white noise as leaves scatter down across the windshield in melodic succession. It's been miles since they've seen another car on the road-perhaps for the better, as any passing driver might catch a glimpse of Thomas and assume he's being held in a hostage situation.

Jane reaches toward the radio, ready to settle on a station playing good old-fashioned static, when she recalls her mother's parting words on the phone that morning: He's your only brother, Jane. Just try talking to him.

She clears her throat a few times, taps her thumbs on the steering wheel as though that might tick down the seconds faster. "There's probably not going to be any service at this place," she says.

For a moment, she thinks he didn't hear her or is perhaps fully ignoring her-this would be normal behavior, after all. But then there is the smallest nod in her periphery. She tightens her grip on the wheel as the silence drags out again and forces her attention out toward the passing forest.

The rolling hills of treetops below are a sea of burnt oranges and jeweled reds from this height, waiting to catch the sun as it falls. This used to be her favorite time of year, and yet now she can't recall having even noticed the leaves change.

"You know why they decided to not have Thanksgiving at home, right?" says Thomas, thoroughly startling her; he's barely said anything in the past hour except for What's with the hack job? in regards to the new haircut she gave herself a few days before.

Jane tucks a strand of short, choppy hair behind her ear, not yet used to it barely skimming her shoulders. "I didn't think there was any big reason," she says, shrugging. "Mom just said she and Dad wanted to do something different this year."

"Ha. I'm sure they do."

The slight sneer that reaches his mouth looks unnatural to her, as if at any moment her brother will take off the icy mask and reveal a total stranger has been beneath this whole time.

She eases the car around another steep turn, noting the way Thomas braces himself in the passenger seat. "Well, why are they doing this trip, then?" she asks, hoping she sounds calmer than she feels as the wind surges through the trees.

Thomas pushes a hand through his dark hair, messing it up with his fingers. It's a nervous tic of his, one he has had since high school, though Jane doesn't think he notices.

"The nice mountain getaway, the pre-planned family activities-it's all to soften the blow for when they tell us they're getting a divorce," he informs, far too casually. "It's about time, honestly."

Jane's foot briefly slips from the gas pedal. The red leaves spiraling down around the car suddenly turn her head dizzy as she waits for her brother to admit that he's only bored and joking.

"Oh come on, Janey," Thomas says, and she tenses at the use of his old nickname for her. He does as well, seeming to have momentarily forgotten where they stand with each other.

He clears his throat. "We're both in college now," he says. "There's no reason for them to keep up the charade anymore."

To think of their parents' marriage as nothing more than a charade makes her feel as empty as she does naive. Of course she has known her mother and father's love for each other isn't perfect, but whose is? Every couple has disagreements. No one smiles all the time.

Especially in the Wilson family.

"But I don't understand. Why now?" she asks, racking her brain for any obvious signs of discontent between her parents recently; of course she knows they're unhappy with her, but that doesn't mean they have to feel the same way about each other.

"It's not such a bad thing," her brother continues, leaning his face against the window to stare out at the passing blur of trees. "Worse things can happen," he adds quietly.

These words, Jane knows, are aimed only at her. Her knuckles turn white as she grips the wheel harder, taking another tight turn in the road.

"Does Cassie know?"

"Who do you think first guessed it?" replies Thomas, readjusting in his seat again. "Mom told her 'it would be best if Wyatt sat this one out' or some cryptic shit like that. I wouldn't want my kid's boyfriend in the audience for my breakup either."

Jane's eyes begin to blur, but she quickly forces the tears away. She will not cry in front of her brother, not now while they're stuck in a car with nowhere to go but down.

The space fills up with silence again, but Jane's mind is too preoccupied to be bothered by it. Instead, she forces her eyes to stay trained on the winding road ahead. The hardest part of this trip was meant to be coexisting with Thomas, or enduring the occasional slip in their father's Mr. Optimist mask to reveal nothing but simmering disappointment hidden underneath.

But a divorce?

It is a dull ache sinking roots inside her, ready to grow and intertwine with the rest of her flowering pain that the past few months have planted. But as Thomas so rightly reminded her, worse things can happen.

She exhales shakily, trying to ignore how high up the mountain they are now, how close the looping road is to the earth's edge. "I wonder if they'll wait till after they cut the turkey," she says, attempting Thomas's light, unbothered tone.

"I'm thinking during the toast," he replies. Beneath his words, there's a hint of a smile as he mimics their father's heavy South Georgia accent. "I'm thankful for my family, but I'm also thankful that I can break it apart. Cheers, y'all."

A bubble of sad laughter erupts from Jane, and Thomas joins in, momentarily brightening the frozen space between them. She can't remember when they last laughed about anything together; there is only a sharp before and after in her mind, where their relationship was and then wasn't.

Thomas quiets quickly, schooling his face back into the cool indifference that shatters her. The words are there on the tip of her tongue.

Don't say it, she pleads, straightening her posture. Don't say it, Jane.

But the idea of their parents' divorce and the sound of his laugh has stripped something from her, leaving her carefully placed armor for this trip askew. The drop-off in the trees to their left is too prominent, too eager, and that hungry dip in gravity claws away at her exposed flesh.

Nowhere to go but down.

"Are you ever going to forgive me?" she whispers.

In the passenger seat, Thomas's slouched-over form goes stiff. His brown eyes are firmly fixated on the cast and sling on his right arm, and she can barely watch as his jaw tightens around what he really wants to say.

"Leave it alone, Jane," he tells her, like stones being cast.

By now, she knows how this pitiful moment goes, how she will offer another useless apology-words that will fix nothing but poke and prod at wounds that have barely begun to scab-before Thomas ensures they go without seeing each other until the next familial obligation.

Will we even see each other at all if Mom and Dad divorce? Is this it, then?

He opens his mouth to say something. Then his eyes go wide as she drives around another bend in the mountain.

"Jane!"

She's barely able to stop the car before it collides with the carcass. The screech of the tires against the road ricochets through her body, and she anticipates the breathless feeling of falling, of sailing off the road down and down through the endless red trees until it all goes black again, their joint screams echoing through the mountain valley.

Tremors tear through her limbs as they remain perfectly grounded with the glittering fall trees swaying gently to their sides. "I'm sorry," she gasps, swallowing down bile. Her voice is a trembling wire as she faces Thomas. "It just came out of nowhere. Are you okay?"

Her brother barely nods. There is a bright terror in his eyes that she is certain matches her own, and he clutches his right arm tightly to his chest, squeezing it every few seconds as if to make sure it is still attached to him.

"Pull off here," he mutters.

She eases the car around the roadkill and into a patch of dirt alongside the road. Thomas hops out before the car has even stopped moving, and he leans against the rocky mountainside with his eyes squeezed shut.

She presses her forehead against the steering wheel. "Shit."

Talking was a bad idea.

After a few more deep breaths, she gets out of the car, not entirely certain her legs will hold. "Oh God." Her hand flies up over her mouth, just as Thomas comes to stand at her side.

The animal in the road used to be a deer. Now it is a smear of blood and crushed bones with its chest cavity split open down the center in a precise, clean cut.

Jane shrinks against the car as Thomas shifts closer to the carnage. His eyes trail the spill of guts onto the pavement followed by the wide radius of sticky red that surrounds it.

"How could a car do this?" he says. "The cut looks nearly perfect," he adds, beginning to circle it in the same pattern as the large vultures flying overhead in the dark orange sky.

"It looks like it just happened," she says, swallowing hard. She twists to eye a puddle of fresh blood, where the wispy clouds overhead reflect back in crimson hues.

Thomas stares at the eviscerated animal, squinting closer at its chest before assessing the entrails hanging out. "That's weird," he comments, looking around at the nearby road.

Jane takes a small step closer. "What is?"

He frowns down at the deer, and she swears she sees something like a shiver pass through his shoulders. "I think its heart is gone," he says.

Jane gags, forcing her eyes to the sky. The vultures have multiplied, creating various circles over the treetops the farther the forest stretches. She tries to ignore that the swirling patterns of black seem to lead north up the mountain, exactly where she and her brother are headed.

A shiver reaches her own shoulders. "Can we leave, please? It doesn't feel safe to be parked here like this."

Thomas finally steps back from the deer and nods. They turn to leave, but Jane freezes when an icy chill starts at the top of her neck and traces its way down her spine. She turns and looks both ways down the empty curve of the road, then straight across into the line of spindly trees where the sun has begun its slow amber descent.

Thomas follows her gaze to the tree line across the road. "What is it?"

Her throat is bone dry as she lifts a wobbly finger. There on the forest floor, mixed in with the dirt and dead leaves, lies another deer.

"Jesus," he mutters, shaking his head.

The baby is in a similar state as its mother, though its unblinking stare seems to fall directly on Jane. "What could have done this?" she asks. She is certain that when their father slices the Thanksgiving turkey tomorrow, this is all she will see.

Thomas scans the tree line once more, his eyes dragging along where the blood's red shine catches against low-cutting beams of sunlight. "There are bears up here," he says, shrugging. "These guys were probably just in the wrong place at the wrong time."

I know the feeling, Jane thinks while forcing her eyes away from the fawn's dead ones. Her entire body feels cold, and not because of the fast-fading sun.

"Cassie's calling," says Thomas. He swipes the screen of his phone and brings it to his ear. "Hey, Cas. Yeah, we're not too far out." His eyes only briefly meet Jane's before he slides into the passenger side of the car.

She can still feel the deer lying there as she gets into the driver's seat, but Thomas's agitated voice grabs her attention.

"She's right here, Cas. Yes, I'm telling the truth. For the love of-" He turns on the speakerphone. "Say hi to her, please."

Jane raises her eyebrows. "Hi, Cas."

"Fine, fine," their older sister says. "I just wanted to make sure you two were actually coming up together." Then Cassie sighs, long and dramatic in a way that Jane has learned is like a gun going off at the start of a long-distance race.

"Things have been an absolute nightmare so far," she says. "We got a flat tire coming down the driveway to this place because there's this ridiculous pothole. You'll have to be super careful driving in, because we need to borrow your spare, Jane."

Thomas sighs deeply. "Jeez, that sounds rough, Cas-"

"So after the car situation, Dad lit up a cigar as soon as we got inside, and you know how Mom just despises the smell," Cassie continues. "So naturally, Mom's now half a bottle deep on the chardonnay, talking about how she would have been a flight attendant if she'd never had kids. I swear she's told me this on three separate occasions now. Like, girl, just go be a flight attendant-"


About the Author:

website
Katherine Daniel is a fiction writer based in Atlanta, Georgia, where she loves to explore the dark and twisty parts of what it means to be human through storytelling. She received a bachelor’s degree in English and creative writing from Georgia State University and is represented by Cheyenne Faircloth of Handspun Literary Agency. Her debut horror novel When the Night Comes Knocking is being published by Penguin Random House on October 20th, 2026.

The Story Behind Ludovico: A Tale from the Royal Academy of Arts by Walter Rodriguez + excerpt

Some books start with an idea. Mine started with a place I had never seen.

I wrote the first notes for Ludovico years before I ever set foot in London. I was living in Buenos Aires then, and Britain was calling me. I can't fully explain it. The history, the literature, the art. Art, above all, is the root of everything for me. I studied it, specialising in drawing the human figure, painting technique and sculpture, and I fell in love with a culture I had only met through books and films. So I did what writers do. I wrote my way towards it.

A sculptor who really lived
The narrator of Ludovico is John Flaxman, and he was a real man: one of the great sculptors of his age, a member of the Royal Academy, someone who walked those rooms when they were lit by candles.

When I started researching, I found him and knew I had my voice. Who better to tell a story about art that refuses to stay still than a man who spent his life giving shape to stone?

My Flaxman is not the historical one, not exactly. I took liberties. This is a Gothic tale, not a biography. But his spirit is there: the patience, the devotion, the quiet belief that making something beautiful is worth a lifetime.

The idea that wouldn't leave me alone
Once I had done the reading and learned all I wanted about the Royal Academy, it was time to find the idea for the novel. And the idea simply came. I don't know why, but suddenly I couldn't stop thinking about it: “What happens when a creation won't obey its creator?”

There is something I always do with my stories, published or not. I need to have the whole book complete in my head before I sit down at the computer. I need it clear, start to finish, before I type a single word.

This story arrived that way, from beginning to end. I love mystery. I love quality horror, the kind with a reason to exist.

In the story, Flaxman becomes assistant to a mysterious professor at the Academy, Ludovico Sarti, a man whose paintings seem almost alive. Then, one day, they stop seeming.

I have always loved that moment in Gothic fiction when wonder turns into something darker. Mary Shelley knew it. The old ghost-story writers knew it. Admiration and dread are neighbours. We stand in front of a great painting and feel something looking back. I wanted to push that feeling until it broke.

And because this is a Gothic story, it goes where those stories go. Creation turns violent, and the most dangerous experiment of all is the one Sarti never finished: a clergyman, left incomplete. I'll say no more about him. 

Writing it around a day job
People sometimes imagine authors in quiet cottages with endless mornings. That was never me. I wrote Ludovico the way I have written all my books, in the gaps: evenings after work, weekends, the hours other people spend watching television.

I work in tech, and I like my day job. But the stories don't care about my schedule. They arrive when they arrive, and I have learned to keep the door open. Small chapters, written one by one, growing from a simple summary of what has to happen. Slow work, but it adds up.

 The strangest chapter of all

Then life did something I couldn't have written.

Years after those first notes in Buenos Aires, I moved to London. The culture that had been calling me became my home.

One of the first things I did in the city was spend a good amount of time at the Royal Academy. I took every visitor from Argentina there. For me each sculpture has a special meaning. Sir Joshua Reynolds, the Academy's first president, is part of my story too, and standing in front of his statue, I got goosebumps.

This year I wondered whether the novel could find a place in the Academy's own library. It did. The Royal Academy accepted a copy of Ludovico for its shelves.

Think about that. A story I dreamed up about that building, from thousands of miles away, now sits on a shelf inside it. Flaxman went home.

If that isn't the best argument for writing the thing you're afraid to write, I don't know what is.

Ludovico: A Tale from the Royal Academy of Arts is out now, published by ETMW Publishing. If you like your galleries candlelit and your paintings restless, it's waiting for you.


Ludovico: A Tale from the Royal Academy of Arts

by Walter Rodriguez  
November 13, 2025
Genre: Gothic, supernatural
132 pages  
The Regency Era. A time of elegance, refinement, and secrets best left unspoken.

Amid London’s candlelit galleries and marble halls, whispers spread of a foreign artist whose portraits seem almost alive. His name: Ludovico Sarti.

To his students, he is a visionary.
To his rivals, a danger.

But beneath the glow of oil lamps and the perfume of turpentine, something stirs — something bound to the heart of his art itself.

As one man seeks to uncover the truth behind the painter’s brilliance, he will enter a world where inspiration and insanity intertwine, and where every masterpiece demands a price.

A gothic tale of art, mystery, and the perilous beauty of genius.


EXCERPT
The warmth struck me immediately, as always, and the air carried that heavy scent of oil and ash. The room was in disarray. Brushes scattered, rags stained with pigment, a half-filled cup of turpentine left to stagnate. Yet it was the canvas on the central easel that stopped me cold.
It depicted a clergyman, seated in profile. His robes of black trimmed with fine silver, the folds painted with exquisite precision. The light across the fabric was soft and divine, the hands delicate and alive. But the face. The face was wrong.
"I kept looking at the figure about to be finished," I wrote later.
For the eyes were missing. Not merely incomplete, but absent. Two pale ovals where life should have been. The effect was chilling. The painting seemed to wait, as though aware of its own incompleteness.
Just then, I heard footsteps behind me.
 
 
About the Author:
Website-Work LinkedIn
Walter Rodriguez is the author of three novels: Venus, a techno-thriller; Away: Family, Betrayal, and the Price of Dreams; and Ludovico: A Tale from the Royal Academy of Arts, a Gothic novella. He began writing in Buenos Aires and now lives in Epping, Essex, where he writes around a day job in tech. His love of British culture brought him to the UK eight years ago, and Ludovico, already in the works before the move, is his love letter to it.

Friday, October 16, 2026

The Pythonist (Weary Souls Trilogy Book 1) by Loren Little

The Pythonist: A second chance, friends-to-lovers gothic dark romance (Weary Souls Trilogy Book 1)

by Loren Little
October 13, 2026
Genre: A second chance, friends-to-lovers gothic dark romance
The Damned
I made a bargain with a daemon when I was a child.

For the last twelve years, I never saw any reason to crave my freedom from Kingsley Manor and the dark, lost entities who inhabit the lonely estate. But then he came back for me—like he promised he would when we were children.

He doesn’t remember that I’ll die if I leave Kingsley Manor.

And they’ll kill him if he stays.

The Dreamer
I was told to burn Kingsley Manor to the ground.

They want me to get rid of the melancholy girl occupying the estate and hosting strange guests who scream in their sleep, but I can’t. Not when something inexplicably draws me to her—when I watch her and I can’t look away.

She thinks her ghosts and daemons will scare me, but she’s wrong.

I possess her now.
Triggers: death/murder, taboo kink exploration (somnophilia/dormaphilia, voyeurism), hauntings, gun violence, abduction/kidnapping

About the Author:
Loren Little has been writing stories since before she learned how to spell. Her books are dark, sexy, and hopelessly romantic with themes of found family and love growing from the most dismal odds. Loren still believes that faeries are real, and she enjoys scattering little pieces of her Australian upbringing into her books. You can find her most active on Instagram.


IG: @lorenlittlebooks @rrbooktours
TIKTOK @loren.little @rrbooktours

Tags: #rrbooktours #thepythonist #gothicromance #darkromance

Tuesday, October 13, 2026

5 Sheep Book Review: World's Okayest Oracle (Reluctantly) Seeks Demon (Supernatural Entanglements) by Olivia Dade

World's Okayest Oracle (Reluctantly) Seeks Demon (Supernatural Entanglements)
by Olivia Dade
Aug 11, 2026
Genre: paranormal romance, romcom
An oracle who can see the future teams up with the far-too-hot demon from her past to avert catastrophe, in this steamy paranormal romance from the USA Today bestselling author of Zomromcom.

Gwen Wexloff might be able to see the future, but not when it matters. Her visions invariably involve piddling issues, which means—unlike most oracles—she’s spent her life predicting for everyday humans instead of international power brokers. After a clutch of brain-slurping zombies escapes from their walled-off compound, though, Gwen experiences the first genuinely world-altering vision of her life . . . and now she needs help.

Unfortunately, that help comes from Hugh Blacke, the same starchy (but annoyingly cute) demon who watched her bomb her oracle verification test years ago. To Gwen's dismay, the two of them will need to work together to unravel the deadly conspiracy behind the zombie breach, despite their complicated past and the secrets they’re keeping.

Even with her newfound power, she couldn't have foreseen how quickly they'd both want more than a simple partnership. But the clock is ticking—and with the fate of humanity at stake, Gwen and Hugh will have to decide how much they’re willing to risk for an unexpected, passionate love...and a future together that might prove very short indeed.

Amazon

What a read. Ms. Dade out did herself with this novel. I really enjoyed all the characters, comedy, excitement, sexy commentary, and her story setting explanations were just too real not to believe--like "a demon rules Hell in the lap of luxury, and the Devil doesn't exist." 

Her writing "imagination" is just as amazing as the characters she creates to make that imagination become a reality. 

I would give this novel by Ms. Dade a deserving 5 Baaarts.




Grandma Vivian


About the Author:

website
Olivia Dade grew up an undeniable nerd, prone to ignoring the world around her as she read any book she could find. Her favorites, though, were always, always romances. As an adult, she earned an M.A. in American history and worked in a variety of jobs that required the donning of actual pants: Colonial Williamsburg interpreter, high school teacher, academic tutor, and (of course) librarian. Now, however, she has finally achieved her lifelong goal of wearing pajamas all day as a hermit-like writer and enthusiastic hag. She currently lives outside Stockholm with her delightful family and their ever-burgeoning collection of books.