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Monday, November 24, 2025

The Shadowless (At the corner of Eden and Darkness #1) by RJ Garcia

Modern Faerie Tale Meets Murder
 
The Shadowless (At the corner of Eden and Darkness #1)
by RJ Garcia
Expected Release Date: November 26, 2025
Genre: Dark Romantasy
🥀 Modern faery tale vs real-life suspense
🥀 White and black magic
🥀 Family dysfunction
🥀 Hidden realms
🥀 He falls first
🥀 Twists and turns
Modern Faerie Tale Meets Murder

Mae Dawson returns to her family’s cabin in a mysterious forest to search for her missing sister. One night, she goes to sleep in her bed only to awaken in the depths of the woods surrounded by eerie and indiscernible voices that lead her to her sister’s grave.

A year has passed. Mae has pieced her life back together. She has a supportive boyfriend and is completing her first semester in college. However, everything begins to unravel when strange late-night calls come from the beyond, and a malevolent force begins to invade her friends.

Adding to her unease is the presence of a mysterious stranger, Brandon Sills, who seems to lurk in the shadows, watching her every move. Despite the warning bells ringing in her mind, Mae feels an inexplicable attraction to him.

As mortal and magical forces conspire against them, Mae must trust Brandon to uncover the secrets of the fae. Secrets that will change her life forever, that is, if she even survives.

Amazon


About the Author:

website
R.J. Garcia is a wife, and proud mom of two smart kids. She earned her MSW and worked with foster children and as a school social worker. Writing has been her other great love. She has been writing short stories for as long as she can remember. To her amazement, those short stories became novels!

Friday, November 21, 2025

Excerpt: The Quest for Freedom (The Conquest Trilogy Book 1) by Matthew Devitt + giveaway

One man against the world
 

The Quest for Freedom (The Conquest Trilogy Book 1)
by Matthew Devitt
Oct 17, 2025
Genre: Dark Epic Fantasy, Action, Adventure
Affer was once a peaceful planet, until a war broke out between its six inhabiting species. The humans, who were once the mightiest force on Affer, were massacred in droves, and the ones who survived the onslaught were reduced to mere slaves. The five other species divided the humans amongst themselves and returned to their respective kingdoms.

The years passed, turning into decades and centuries, without any change. Eventually, the humans had accepted their fate as slaves. All except one. Four hundred and seventy-three years later, Fletcher Rush starts his journey to free his kind...and conquer the planet. 


**Use the code “silver” for $3 off the paperback at The Author’s Website!**
 

Excerpt:
"Death is a part of freedom. Blood will be spilled whether we fight this war or stand down and stay as slaves. I'm trying to put humans back at the top where we belong. It's all I've ever thought about…freedom and victory. My only purpose in life is to rectify the disposition of this damn world, and I'll do whatever it takes to do that." - Fletcher Rush

“They should be here any minute,” Fletcher muttered.

They’d managed to take care of all the preparations Fletcher had planned, and now he was standing on the city wall by the main gate along with Ji.

“I’m surprised we finished everything,” Ji said, glancing across the field in front of them.

“Me too,” Fletcher admitted. “I think we have a good chance to win this fight.”

“We either win or we die,” Ji said, shuddering after he said it out loud.

“Or they capture us and enslave or torture us.”

“Not helping.”

“Just fight like your life depends on it, because it kind of does,” Fletcher said, casting his gaze out to the path.

“What if they don’t come?” Ji asked.

“Trust me, they’ll come. I might not have confirmation, but based off what that elf said, and Light’s temper, I would bet my life on them attacking.”

The two didn't say anything after that; instead, they just kept watch. The light breeze swayed the leaves and small branches of the many trees that dotted their vision. It had grown quite dark and was hard to see, but Fletcher and Ji still saw the dirt kicking up from the large convoy of vehicles headed toward them.

“Looks like that’s the elves,” Ji said, pulling out an arrow and notching it in his crossbow.

“This should be fun,” Fletcher said, taking the remote control from his pocket and getting ready to use it.

The vehicles got closer and the two saw truck after truck approach, stretching out as far as they could see, each of them packed with bloodthirsty elves.

“Hey, Ji, no matter the outcome of the battle, I just want to say thanks. I wouldn’t be here today without your help,” Fletcher said, turning to his friend.

“Don’t be getting sappy on me now, man,” Ji said, giving Fletcher a light shove. “But seriously, I feel the same… Thanks, Fletcher.”

The car in the lead started closing in and the two of them saw it had a large metal ram built on the front of it.

"Fuck, I think they're going to ram into the gate," Fletcher said, turning to the inside of the city where two dozen soldiers were waiting. "GET READY FOR THE FIRST TRUCK, AND DON'T LIGHT THE OIL UNTIL I GIVE THE ORDER!"

Fletcher turned back to look at the approaching army just before the truck slammed into the main gate. The gate exploded, sending splinters of wood flying in every direction and shaking the strong stone walls.

“Damn—” Fletcher said, getting thrown to the ground by the impact. He got up and looked at the inside of the city. Elves were already rushing out of the vehicle, drawing their weapons before advancing forward.

"I'LL HEAD DOWN!" Ji shouted, shooting off an arrow before he dropped the crossbow and ran down the stairs.

Fletcher turned his attention back toward the convoy that was approaching very fast.

“Wait…” Fletcher softly muttered to himself, his finger resting on the trigger to the makeshift bombs.

The sound of the engines grew louder as the cars neared the city, none of them slowing down in the slightest.

Just a bit more…

“SEE YOU, MOTHERFUCKERS!” Fletcher shouted as he pressed the button, causing the bombs to go off.

The ground ripped apart as the explosions detonated, making contact with the trucks milliseconds later and blowing them to hell.

A fire quickly took over the front lawn of the city as the explosions mixed with the gasoline in the vehicles’ fuel tanks. Over two dozen trucks were obliterated, another five had caught on fire, and the pathway had been completely destroyed. The cars that weren't affected by the blast stopped in their tracks, and the one in the front got rear-ended after stopping so fast, making Fletcher smile.

About the Author:
I've always had a love for fantasy, and to this day LOTR and The Inheritance Cycle remain some of my favorite books. There are limitless possibilities when you're writing, but with fantasy, it's different. You don't have to adhere to rules or logic; you can create whatever type of world you want. Characters can live in a dystopian society, a grand futuristic city, a picture-perfect world, or a medieval wasteland. Time, technology, and magic are all there for the taking, and as a writer, you get to choose what defines your story.


Follow the tour HERE for special content and a giveaway!


Thursday, November 20, 2025

Wicked Witch of the West: The Enduring Legacy of a Feminist Icon + excerpt



While researching this book, I discovered just how much world history has culminated to give us what we now recognize as the icon of the Wicked Witch. Her evolution was absolutely fascinating to trace. We tend to think of witches in fiction as timeless villainesses who have “always” existed in a fixed way, but that couldn’t be further from the truth. The figure of the witch reaches back to ancient civilizations—where she could be feared, revered, or misunderstood—and over the centuries she has been shaped by religion, politics, gender norms, and folklore. What struck me most was how, in the last hundred years especially, the witch has transformed from a symbol of evil into one of independence and feminine strength.

That journey mirrors so much of women’s history itself: the push from suppression to empowerment, from being silenced to reclaiming voice and agency. Even on the set of The Wizard of Oz, you can see this cultural tension at play in the contrast between Margaret Hamilton’s “wicked” witch and Billie Burke’s “good” one—both the characters and the actresses were shaped by typecasting, the misogynistic “old studio system,” unrealistic beauty standards of the Golden Era of Hollywood, and class perceptions of their time. This was heartbreaking, yet important for me to better understand, because we—so many decades removed from their era—tend to see everyone in films like The Wizard of Oz as glamorous stars, but in real time, there were studio system biases that caused great woundedness for many like Hamilton who dared to be different. The harmful stereotyping in bygone eras not only shaped the icon of the Wicked Witch, but actresses like Hamilton who portrayed her.  

Digging into these layers made me realize that the Wicked Witch isn’t just a fictional figure, she’s a cultural mirror. Every generation redefines her based on what it fears—or celebrates—about powerful women. That discovery gave the project a deeper meaning and made me fall even more in love with her story.

Wicked Witch of the West: The Enduring Legacy of a Feminist Icon
by Lona Bailey
October 2, 2025
Genre: Popular Culture in Social Sciences, Movie History, Literary Criticism & Theory
An empowering look at one of pop culture's most enduring feminist icons, The Wicked Witch of the West.

More than 125 years after her introduction, the Wicked Witch of the West remains an icon of popular culture. Known by many names-from “The Wicked Witch of the West” to Evillene, Elphaba, and Theodora-she consistently defies expectations and wields her power unapologetically. At the heart of her everlasting appeal is her embodiment of feminist ideals that resonate today.

In Wicked Witch of the West: The Enduring Legacy of a Feminist Icon, Lona Bailey explores the radical feministic undertones of one of the most enduring characters in popular culture. Introduced in 1900 through L. Frank Baum's The Wonderful Wizard of Oz, the Wicked Witch has captivated generations as both a symbol of fear and empowerment. More than just a villain, she embodies rebellion and resistance, refusing to conform to the roles historically assigned to women. This book traces her transformation over the past century, highlighting how she has evolved through countless adaptations from The Wizard of Oz to the film adaptation of Wicked while maintaining her core identity as a powerful, defiant figure.

To understand why the Witch remains captivating more than a century after her creation, Bailey delves into the radical feminism underlying her character and examines how she has been reinterpreted since her debut. From the suffrage movement to the fight for reproductive rights, and from the #MeToo movement to ongoing battles against gender stereotypes, the Witch symbolizes the struggles and triumphs women face. Her presence transcends mere performance; she serves as a reminder that the fight for justice, equality, and autonomy continues. By exploring the Witch's feminist evolution, readers will gain insight into why her character resonates with generations of women.

Excerpt: 

It’s quite impossible to explore the icon of the Wicked Witch without acknowledging Margaret Hamilton’s unforgettable portrayal of the character, as she is widely credited with introducing her to the world in a way that has captivated audiences ever since. Was it the green skin, broom, cackling laughter, exaggerated hook to her nose, or sharp-tongued quips that embedded her into cultural consciousness? Perhaps all of those things and more initially made the world fall fast and hard for the fiendish character, but only in the context of Margaret Hamilton’s simply splendid portrayal.

“I was walking down Fifth Avenue in New York not long ago when a nice-looking young man called to me. ‘Miss Hamilton,’ he said, ‘you don’t know me, but I know you. You scared the pants off me when I was a little boy,’” Margaret Hamilton recalled.1 The barely five-foot-tall Margaret “Maggie” Hamilton has managed to terrify millions for more than eighty-five years in her characterization of L. Frank Baum’s Wicked Witch of the West. What began as a fairly one-dimensional antagonist with few descriptives beyond her general reputation for wickedness, was suddenly and frighteningly brought to life thirty-nine years after she was penned in Baum’s book and the legend of The Wizard of Oz truly began. In following suit with what “that little animation company” Walt Disney did in the successful film adaptation of the children’s fantasy story Snow White and the Seven Dwarfs, MGM bought the rights to adapt Baum’s novel The Wonderful Wizard of Oz to brilliant Technicolor in 1938. The demigod of MGM, Louis B. Mayer, purchased the book’s rights in the fall of 1937 upon the suggestion of Mervyn LeRoy. Mayer saw grand potential in a musical version of the children’s novel and with LeRoy and Arthur Freed on board, revisions toward final production were initially promising. The script went through a merry-go-round of revisions from its initial draft to its on-screen presentation with cuts, edits, rewrites, and additions from legions of hired, fired, and rehired writers.

The only mainstays were the leading cast—well, sort of. Judy Garland was cast as Dorothy, Frank Morgan as the Wizard (and several other supporting roles), Ray Bolger as the Scarecrow/Hunk, Bert Lahr as the Lion/Zeke, Jack Haley as the Tin Man/Hickory, Billie Burke as Glinda, and Hamilton as the Wicked Witch of the West/Miss Gulch.

Originally, actress Gale Sondergaard was cast as the Wicked Witch, but being a bit too glamorous for such a haggy and undesirable part, Sondergaard withdrew from the production and Hamilton was offered the role just three days before filming began. Hamilton had appeared in several films for MGM by 1938, and with her distinct features and knack for spinster supports, Director Victor Fleming thought she was a natural choice for the queen of mean.

Whether or not Hamilton knew of Matilda Joslyn Gage as “the woman behind the curtain” of Baum’s novel, in her portrayal, she creatively matched the feministic intentions of the original story’s creator. While the Technicolor Wizard of Oz fostered the stereotypical image of what “witches” were believed to look like in the 1930s.

Witches were generally considered sallow, sexless figures whose rebellious and/or peculiar behavior had caused them to be ostracized by the general public. One early exception to this is Edmund Spenser’s The Faerie Queene (1590) with the character of Acrasia, the enchantress who uses her beauty to seduce and corrupt knights. Unlike the longstanding, older, and malevolent image of witches, Acrasia is described as physically alluring and beguiling, using her appearance and charm as weapons to achieve her goals. Though still a nonconformist in Spenser’s story, Acrasia’s beauty masks her dangerous nature, a theme that has been echoed in later depictions of witches in literature and folklore, though most classic literature purports “witch” to be synonymous with “ugly.”

Nonconformist characteristics (described in horrid terms) usually included degrees of unsightly yellow or red complexions, unkempt, stringy hair, exaggerated facial features, and of course, warts. For example, William Shakespeare’s witches, the “Weird Sisters” in Macbeth, are described as dirty, haggish rebels who live separately from society and possess not only mystical powers but also distinctively masculine features such as beards. Any beauty that was ascribed to a witch before the postmodern reinvention of her image was usually only a magical cover for her “true” haggish nature, which she ruthlessly used to further her evil agenda. For better or for worse, MGM began the reinvention process of the witch, and Margaret Hamilton’s face was the canvas on which they painted—literally. With a hooked nose, green skin, pointy chin, crystal ball to spy on her enemies, and dressed all in black with a flying broom, Hamilton herself subtly fostered a more progressive approach to villainy in that inch of redemption she gifted the character through her own touch of feministic essence despite her convincing malevolence on screen.

Contrary to most villainesses in early literature, film, and television, the Wicked Witch was not a masculine character. Perhaps we wouldn’t call her “pretty” in the green paint and prosthetics, but still Hamilton brought a subtle, yet undeniable femininity to the role that changed the “look” of a “witch” in the general sense. The paradox of Hamilton’s portrayal in such a traditional era was that she brought both femininity and feminism to the characterization. Billie Burke, on the other hand, certainly brought femininity to “Good Witch Glinda,” and her delicate, docile characterization stuck closely by Baum’s original non-feministic “Good Witch.” Burke seemed to naturally exude a dainty energy and sense of glamour as Glinda, which is also what the role required, but as far as MGM was concerned, Margaret Hamilton’s subtle artistic strokes of feminism weren’t of importance just so long as she, as the “bad one” was scary and not too “pretty.”


About the author
website
Dr. Lona Bailey is an award-winning, Amazon-bestselling author and a leading researcher on the Golden Age of Hollywood. Her books include Uncredited: The Life and Career of Actress Virginia Gregg, Voice of Villainy: The Betty Lou Gerson Story, Mrs. Radio: The Cathy Lewis Story, and Some Small Nobility: The Biography of Joan Banks Lovejoy. As a PhD and former therapist, Dr. Bailey is passionate about telling the untold stories of women who perhaps weren’t finished using their own voices during their earthly journeys. Her biographical works offer a balanced perspective on the multidimensional elements involved in feministic legacy maintenance, with particular interest in the preservation efforts surrounding the Golden Age of Hollywood.

Dr. Bailey's Voice of Villainy biography was a finalist in the 2023 International Book Awards and won the Gold Medal in Dan Poynter's Global Ebook Awards that same year. She has been featured on The Wolfe Den Show, in Film Daily, and The Los Angeles Tribune.

Dr. Bailey’s most recent books include Lead Thou Me On: Titanic's Countess of Rothes (Ambassador International) and The Wicked Witch of the West: The Enduring Legacy of a Feminist Icon (Bloomsbury), which Gregory Maguire praises as “a riveting analysis of one of the most fearful and beloved characters in our national psyche.” One of her upcoming books, Wasp Woman: Hollywood's Susan Cabot (Histria Press, 2026), is the basis for a recently completed docuseries with Embankment Films, set to premiere at the 2025 Sundance Film Festival.

Tuesday, November 18, 2025

Excerpt: A Sabre in the Hemlock (Blade Bound Saga, #2) Dorothy Dreyer + giveaway


A Sabre in the Hemlock (Blade Bound Saga, #2)
Dorothy Dreyer
November 18th 2025
Genres: Adult, Fantasy, Romance
With enemies closing in and magic slipping from her control, Celeste draws closer to unraveling a prophecy that could cost her the man she loves—as well as her soul.

In the wake of the carnoraxis attack on Ivystone Citadel, Celeste Westergaard’s battle for her future has only just begun. Trapped under the king’s watchful eye and hiding the magic awakening within her, Celeste must play the role expected of her, all the while uncovering secrets buried throughout Terre Ferique.

As the royal court embarks on a tour to solidify Dante’s claim to legitimacy, whispers of war and treachery follow their every step. The Shadow Tsar’s reach is growing, and the prophecy that fuels his reign foretells the rise of a power that will bring his downfall—one tied to the blood of the fae.

From glittering courts to bloodstained battlefields, Celeste must walk a knife’s edge between duty and desire, deception and truth. Because if the tsar discovers who she really is, he won’t just come for her magic, he’ll come for her soul.

A Sabre in the Hemlock is the thrilling sequel to the award-winning A Dagger in the Ivy, weaving romance, danger, and dark intrigue into an unforgettable tale of power and sacrifice.


EXCERPT:
His jaw flexes. “You used your magic again.”

“Dante—”

“You promised you wouldn’t,” he says, voice quiet but taut, threaded with frustration. “You said you’d wait. You said you’d let Ezra figure it out.”

“I never promised,” I snap back, chin lifting. “You asked me not to, but I never agreed.”

“You bled, Celeste.” He leans closer, his voice low, heated. “I could tell something was wrong, even from the water. And what I couldn’t see, Nadya filled me in on.”

Of course she did.

“I had to help you.” The words come out louder than I intend, sharp with the emotion I’ve been burying all day. “They sent armed soldiers after you. You were bleeding underwater. You could have been pummeled by a f***ing tsunami. You don’t get to ask me to sit and watch you die.”

His hands flex, fists clenching just beneath the surface. “And what if helping me had killed you instead?”

I stare at him, my breath shallow. I don’t have an answer—not one that would make him feel better.

He paces a few steps through the water, raking a hand through his hair until it curls wild and damp around his temples. “Gods, you’re so damn stubborn.”

“And you’re so damn arrogant if you think you can tell me when and how I’m allowed to use a power that’s mine.”

He turns sharply, water sluicing off his chest, his gaze fierce enough to stop me in place. He crosses the space between us with quick, sure strides—and suddenly, he’s there, his hands finding me beneath the water, one arm locking around my waist, the other curling so that his hand is tugging the hair at the nape of my neck.

The heat of him burns through the chill. My breath stutters.

“Of course you’d fight me,” he mutters, his voice hoarse against my cheek. “Even when I’m trying to protect you.”

“And of course you’d push me,” I breathe back, “even when I’m trying to save you.”

The air thrums between us, thick with something neither of us is willing to yield. My pulse hammers as his thumb grazes the side of my throat, slow and reverent, like he’s trying to memorize the beat of my heart.

“I told you,” he says, his forehead almost brushing mine, “you bleed for no one.”

“And I told you,” I whisper, “you don’t get to decide that.”

His jaw tightens—and then, in one breath, his lips are on mine.



About the Author: 
Dorothy Dreyer is a Philippine-born American living in Germany with her family. She is an award-winning, USA Today Bestselling Author of fantasy, romance, and horror books that usually have some element of magic or the supernatural in them. Aside from reading, she enjoys movies, binge-watching series, chocolate, take-out, traveling, and having fun with friends and family. She tends to sing sometimes, too, so keep her away from your Karaoke bars.

Monday, November 17, 2025

Violet Thistlewaite Is Not a Villain Anymore by Emily Krempholtz + excerpt

Perfect for readers craving the magical romance of Sangu Mandanna with the cozy vibes of Travis Baldree and Julie Leong, the novel follows a powerful plant witch—and former villain’s assistant—and a grumpy alchemist who must work together to save their home from a magical plague.
 
Violet Thistlewaite Is Not a Villain Anymore
by Emily Krempholtz
November 18, 2025
Genre: Romantasy
A powerful plant witch and a grumpy alchemist must work together to save their quiet town from a magical plague in this debut cozy fantasy romance about starting over, redemption, and what it really means to be a good person.

Guy Shadowfade is dead, and after a lifetime as the dark sorcerer’s right-hand, Violet Thistlewaite is determined to start over—not as the fearsome Thornwitch, but as someone kind. Someone better. Someone good.

The quaint town of Dragon’s Rest, Violet decides, will be her second chance—she’ll set down roots, open a flower shop, keep her sentient (mildly homicidal) houseplant in check, and prune dark magic from the twisted boughs of her life.

Violet’s vibrant bouquets and cheerful enchantments soon charm the welcoming townsfolk, though nothing seems to impress the prickly yet dashingly handsome Nathaniel Marsh, an alchemist sharing her greenhouse. With a struggling business and his own second chance seemingly out of reach, Nathaniel has no time for flowers or frippery—and certainly none for the intriguing witch next door.

When a mysterious blight endangers every living plant in Dragon’s Rest, Violet and Nathaniel must work together, through their fears, pasts, and growing feelings for one another, to save their community. But with a figure from her previous life knocking at her door and her secrets threatening to uproot everything she’s worked so hard to grow, Violet can’t help but wonder…does a former villain truly deserve a happily-ever-after?
"Krempholtz’s novel, a mostly cozy fantasy with just a touch of grumpy/sunshine romance, takes a story of redemption and second chances and mixes it delightfully with a town full of secrets, creating a tale about surviving dysfunctional family to become the person you were meant to be. Readers of cozy fantasy will adore Krempholtz’s debut, and fans of Wooing the Witch Queen by Stephanie Burgis, The Keeper of Magical Things by Julie Leong, and the “Wicked Years” series by Gregory Maguire will find a new home in Dragon’s Rest."
—Library Journal (starred review)



Excerpt. © Reprinted by permission. All rights reserved.
Prologue: Be Good

Until very recently (eight minutes ago, in fact), the blood spattering the outside of Karina's brand-new tunic had pulsed inside the heart of the dark sorcerer known as Shadowfade. Brock, the knight she traveled with who did most of the laundry, would be appalled when he saw it. But Karina the Tempest, Protector of the Queen's Realm of Mereth, chose to think of the stain as a rather dashing and intimidating addition to her look as she strode through the castle grounds, blade in hand.

Karina searched for movement atop the black stone battlements that stood watch like hulking sentinels over the expansive gardens. The carefully groomed paths flanked by topiaries and flower beds were full of poisonous blooms, no doubt, but greener and more cheerful than she would have expected from a villain like Shadowfade.

None of this was as she expected. With as fearsome a reputation as Guy Shadowfade had amassed, vanquishing him should have been much more of a trial. Her lingering concern whispered that this had been some elaborate trick.

But Karina would have time for those thoughts later. One way or another, the sorcerer was finally defeated and his minions scattered, meaning it was up to Karina and her companions to make sure they could cause no further harm to the Merethi people.

"She went into the hedge maze!" Maggie cried, her long legs a blur as she sprinted in the opposite direction, her staff in hand as she chased another foe-hopefully that dreadful alchemist who had burned through Karina's favorite pair of boots with his poisons. "Brock and I will take care of the others!"

Karina nodded curtly, her eyes dragging on her partner's form for only a second longer than necessary before she took off into the hedge maze, sword gripped tightly in her fist. As she navigated the twists and turns of the maze, she kept an eye out for danger. She wouldn't have put it past Shadowfade to fill his grounds with tricks and traps, but the maze was strangely pleasant, its greenery on full display despite the late-winter season, and its corners staged with cheerful pots of colorful flowers. Like everything else about today, it didn't meet her expectations, and it only put Karina further on edge.

At the center of the maze, in a wide, round clearing, she found the one they called the Thornwitch.

To look upon the Thornwitch, it was said, was to look your death in the eye as it reached for you with vines that strangled and flowers that poisoned. The Thornwitch had destroyed the crops of an entire county with a single wave of her hand, dooming them to famine. She had torn buildings from their foundations by roiling the roots beneath them and disrupted trade routes by tearing apart roadways and growing impenetrable forests of the poisonous thorny vines for which she'd been named. She could command anything that grew and twist it to her dark purposes.

She was a monster, or so Karina had always heard. Hideous and deformed, some said, though others swore she was a temptress more beautiful than Evry, fearsome goddess of the second moon. When she'd fought her back at the castle, Karina had gotten only an impression of thorns, spiny like the quills of a porcupine, and eyes glowing like fox fire.

But the woman in front of her was sitting serenely on a garden bench like a young lady enjoying afternoon tea, not like an infamous trafficker of cruel poisons and punishments for the sorcerer's enemies. Gone were the thorns that sprung from her skin like spines and harshened her facial structure. Gone was the unearthly glow from her eyes and the vines that sprouted from her back like wings, slinging clouds of toxic pollen. If not for the iconic purple cloak puddled at her feet, Karina wouldn't have recognized her at all.

She was young, late twenties if Karina had to guess, and without the thorns that she had been named for, her face was soft and round. Pretty, in a homespun sort of way, with pale, freckled skin, thick brown hair that tumbled over her shoulders like vines reaching for a hold, and honey-tinted eyes beneath soft-angled brows. A white scar, perhaps the length of Karina's thumb, tracked down her face just to the right of her nose, slightly puckered where it bisected the edge of her lips and tugged one side of her mouth upward in a permanent smirk.

She would have been popular in a tavern, Karina judged, though of course she had nothing on Maggie's elegant beauty. Still, there was little to liken her to the monster of the stories or the villain she'd seen just minutes ago.

"Hello," the witch said softly, her voice high and clear.

Karina raised Flamebright, putting the sword between her and the witch, though she was realizing now, too late, that she was surrounded by plants. Here, the Thornwitch could incapacitate her with a twitch of her fingers, which were covered in dirt and curled tight around a long, sharp branch, still filthy with blood from the fight. The Thornwitch followed her gaze and allowed the branch to crumble to dust, leaving dark stains on her fingertips that matched the black silk of her tight clothing.

"Why haven't you killed me yet?" Karina asked, her voice like brittle steel.

The witch only blinked her long lashes. "Should I have?"

"We're surrounded by plants."

"Well, yes. This is my garden, after all." The witch paused. "Are you here to kill me now?"

Karina hesitated. If anyone had asked her even twenty minutes ago, her answer would have been a resounding yes. "I don't know. Do you want to die?"

She lowered her gaze. "I don't deserve to live."

"That's not what I asked."

The Thornwitch's chin trembled, though she quickly got herself under control. Karina hid her surprise. The witch in the stories felt no fear, only anger and hatred. But stories-she knew well, being one herself-were just stories in the end. Made of equal parts truth and lies, and it was often impossible to be certain which was which.

There was more to the Thornwitch than Karina could fathom, and more still she didn't understand. She had fled to the hedge maze, but why did she stop here? Why wasn't she fighting back? Her mind snagged on something the witch had said. Karina looked around at the center of the maze-the ivy-covered bench where the Thornwitch sat beneath a large flowering shrub heavy with pink flowers, the koi pond edged with round, smooth stones, the lush flower beds filled with buttery daffodils and the tall jut of foxgloves. "This is your garden?"

The Thornwitch looked around, fondness shining in her eyes. "Yes."

Karina remembered the tidy room she'd found in the castle, with a small bed and potted flowers and leafy vines crowded in the doorway to the balcony.

And a lock-on the outside of the door.

"You made all of this."

The witch did twitch her fingers then, but instead of carnivorous plants or thorny vines, a flower burst from the ground next to Karina. From amidst its splayed, fingerlike leaves sprung several clusters of vibrant purple flowers.

"It's gorgeous," Karina murmured, her fingers stretching toward a flower, half afraid it would sprout teeth and sever her fingers.

The witch tossed her head back and laughed. "It's monkshood. Incredibly toxic."

Karina snatched her hand back.

"All of this is poison." The witch gestured at her garden. Bitterness stained her words. "Nightshade. Foxglove. Oleander. Even the ivy-it might look pretty but all it does is destroy."

"But what else could you do?" A thought bloomed in Karina's mind, tickling her with the gentle press of a hunch. "With Shadowfade gone, you could create something good."

"Good is not in the Thornwitch's nature." The witch's words were scornful, but there was curiosity in her brown eyes.

"And the woman behind the Thornwitch?"

She jerked back as though Karina had drawn her sword, her jaw tight. The hero studied the villain whose name was spoken at a whisper throughout the countryside. There was something in her expression, behind that angry, suspicious mask, that looked a lot like wistfulness. Uncertainty. Hope. Karina thought back to the castle, to Shadowfade's final moments. The words on his lips with his final breaths.

Truth and lies, she thought. Both stand before me, but which is which?

Karina decided. "The Thornwitch dies here today. But you-whoever you are without her-don't have to. You could do so much better. You could be good."

The Thornwitch looked confused as Karina sheathed her weapon. The ivy on the bench detached itself to curl gently around the witch's ankle in what looked like a gesture of comfort.

"Just be good," Karina told her. "And don't make me regret this."

Chapter 1: Welcome to Dragon's Rest

Grimy puddles filled the missing cobblestones in the streets of Dragon's Rest, pockmarks of muck that spoke louder than words of what had become of the town. In the decades since Shadowfade had built his fortress on the craggy peak that towered over the edge of its borders, Dragon's Rest had gone from a prosperous community to a mountainside ghost town full of closed shutters and chipped paint.

The letter Violet had retrieved from the post office said she could meet her new landlord at Wingspan Green, and the postmaster said she'd know the town's largest park when she saw it, but despite the directions she'd scrawled on the back of the parchment, Violet was hopelessly lost.

"How does anyone navigate this place?" she wondered aloud, looking up at the darkening sky. Rava and Evry, two of the three moons, had already come to life for the evening, illuminating the hand-painted street signs on the corner. Evry was nearly full, and Violet was glad-she could use some of the goddess's bold nature now. Dragon's Rest wasn't a large town, but its winding, sloping streets curved and twisted like an errant vine creeping up a stone wall, looking for purchase.

"Are you lost, dear?" A tall elf woman with pale skin and a saffron-colored hair wrap approached Violet, her smile kind.

Violet ducked her head behind the potted plant in her arms. There was no reason for anyone in Dragon's Rest to recognize her, not unless she lost control of her magic, but still, she felt a spike of concern at having to interact with strangers.

No one will recognize you, she convinced herself. Still, Bartleby the pothos, with his broad, heart-shaped leaves, was a good disguise. Sensing her hesitation, the potted plant patted her on the shoulder, his flat leaves either smoothing the wrinkles in her cloak or trying to strangle her. It was often hard to tell with Bartleby. "I'm looking for Wingspan Green?"

The woman pointed back in the direction Violet had just come from. "You just missed the turnoff. Head that way and take a left at the first corner, then keep going straight. You can't miss it."

"Thank you," said Violet, peeking out from behind Bartleby to offer the woman a smile she hoped didn't look threatening. She was leaving that life behind. She was going to be good now, like Karina the Tempest had told her to.

Sure enough, now that she was headed in the right direction, Wingspan Green was easy to spot from several blocks away. The large, circular park was surrounded by battered storefronts with faded awnings. It was carpeted with green grass and lined with trees, which were just beginning to bud in defiance of these last stubborn days of winter, and the very presence of the greenery made Violet breathe a little easier. Paths meandered through the space, dotted with benches and a few small tables as well as what seemed to be a platform near the center, though it was blocked by a huge rock formation that looked as though it had tumbled down from the mountains sometime in the last thousand years and had since been tucked into bed beneath a blanket of moss.

Bartleby shuddered.

"Oh, shush you," Violet scolded him.

Before he had been turned into a plant, Bartleby wouldn't have just argued with her, he'd have towered over her and threatened bodily injury for shushing him like a child. He still managed to find ways to menace Violet on a near-daily basis, but she'd been careful to remove all sharp implements from within reach of his vines before they set off for Dragon's Rest.

"I think it's lovely," she said now, both to herself and to him. "The place has loads of potential." She stepped onto the grass, wishing she were barefoot so she could feel the soil beneath her toes. No flowers anywhere, but then, without magic like hers, it was too early in the season yet. Cesenne, the goddess of the third moon, whose phases heralded the changing of the seasons, would soon wax anew as spring began, and Violet suspected the park would liven up then. Perhaps once she'd settled and opened her shop, she could add a few flower beds to give it some splashes of color. A pang of longing for her gardens struck her, quickly suppressed by complicated relief for her own freedom.

She would plant a new garden here in Dragon's Rest and open a shop where she could sell her flowers. Just the thought of surrounding herself with blooms all day made her feel lighter. No one would have to know who she once was or how she'd once used her magic. She bent to stroke the grass and couldn't resist releasing just a bit of power from the well deep in her core. As easy as exhaling, especially under the moons, her magic spilled into the grass, making it grow tall enough to tickle Violet's wrist and wrap lovingly around her fingers in the one embrace she'd cherished her whole life. It was hard sometimes, when she did little things like this, to remember that her plant magic was evil at heart, but she'd done enough terrible things as the Thornwitch that she couldn't deny it.

Your own mother knew the truth about you, whispered a voice in her head nearly as recognizable as her own. She saw the darkness in your magic and she abandoned you for it. You are so lucky I found you, petal. You will always have a home with me.

But now Shadowfade was dead and that home was gone.

If she could keep that dark part of herself locked away, perhaps Violet could call this place home. Yes, it was dingy and a little weather-beaten, but then, so was she. Here, she could finally start over. Maybe she would learn who she could be without Guy Shadowfade. Without the Thornwitch.

The Violet who opened a flower shop in Dragon's Rest would have no idea what it was like to watch the life leave someone's eyes. She'd never have heard the wails of an entire village as she sank their homes into a bog that hadn't existed before she swept into town. Bartleby was simply a fondly named houseplant, not one of her former adversaries who'd spent the last half decade transformed into a potted pothos.

About the Author
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Emily Krempholtz has never quit her day job to open a flower shop, but that’s because she’s already doing what she loves. As a bestselling ghostwriter, editor, and book coach, Emily spends all day every day in the world of books and is delighted to finally have one with her own name on the cover.

When she’s not writing or reading, Emily bakes cakes that look like book covers and changes her hair color like some kind of mood ring. She lives in sunny Colorado, where you’ll often find her in the mountains—either hiking (and pretending to be a character in a novel) or curled up in a hammock with a book (also pretending to be a character in a novel). She’s on a lifelong quest to discover the magic in the world and has a sneaking suspicion the written word is where she’ll find it.