Confessions of a Young Nero (Nero #1)
by Margaret George
March 7, 2017
522 pages
Berkley
The New York Times bestselling and legendary author of Helen of Troy and Elizabeth I now turns her gaze on Emperor Nero, one of the most notorious and misunderstood figures in history.
Built on the backs of those who fell before it, Julius Caesar’s imperial dynasty is only as strong as the next person who seeks to control it. In the Roman Empire no one is safe from the sting of betrayal: man, woman—or child.
As a boy, Nero’s royal heritage becomes a threat to his very life, first when the mad emperor Caligula tries to drown him, then when his great aunt attempts to secure her own son’s inheritance. Faced with shocking acts of treachery, young Nero is dealt a harsh lesson: it is better to be cruel than dead.
While Nero idealizes the artistic and athletic principles of Greece, his very survival rests on his ability to navigate the sea of vipers that is Rome. The most lethal of all is his own mother, a cold-blooded woman whose singular goal is to control the empire. With cunning and poison, the obstacles fall one by one. But as Agrippina’s machinations earn her son a title he is both tempted and terrified to assume, Nero’s determination to escape her thrall will shape him into the man he was fated to become—an Emperor who became legendary.
With impeccable research and captivating prose, The Confessions of Young Nero is the story of a boy’s ruthless ascension to the throne. Detailing his journey from innocent youth to infamous ruler, it is an epic tale of the lengths to which man will go in the ultimate quest for power and survival.
This was my first foray into the historical crafting of Margaret George. The critically acclaimed author sets her current release in ancient Rome with young Nero as our protagonist. My knowledge of ancient Rome was mainly related to its art, but rather limited in terms of its leadership and politics. I was aware of the more legendary and salacious tales such as the depravity of Caligula and the ‘fiddling’ of Nero, however, was unaware of the finer details.
Confessions is an education in all things Roman. I found myself constantly fact-checking as much of its content is too wild to be believed. I found, however, that true history can be stranger than pure fiction. Nero proves to be a formidable subject for riveting history. What George does best, perhaps, is allows her readers to sympathize with a ruler who has been historically maligned. The reader’s journey begins with Nero as merely more than a toddler being victimized by his uncle Caligula. From there, Nero, initially a dreamer and poet, must learn to fight for his survival in a real game of thrones where those closest are often times posing the biggest threat.
I absolutely recommend this book for fans of historical fiction. It’s fascinating and riveting. It is, however, hella long with no detail left unexplored. It has consumed much of my winter reading calendar. It requires careful reading and a true love of knowledge.
Four sheep
Bianca Greenwood
About the Author:
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Margaret George specializes in epic fictional biographies of historical figures, taking pains to make them as factually accurate as possible without compromising the drama. Her THE AUTOBIOGRAPHY OF HENRY VIII had its 30th anniversary this past September, and continues to be popular. ABC-TV based its 1999 Emmy-nominated “Cleopatra” miniseries on her THE MEMOIRS OF CLEOPATRA. All of her books have been bestsellers, with twenty-one foreign translations.
Margaret’s father was in the Foreign Service and so she lived overseas for her early life, in such different places as tropical Taiwan, desert Israel, and cold war Berlin, all of which were great training for a novelist to be. She started writing ‘books’ about the same time as she could write at all, mainly for her own entertainment. It was a diversion she never outgrew. Her published works are: THE AUTOBIOGAPHY OF HENRY VIII, MARY QUEEN OF SCOTLAND AND THE ISLES, THE MEMOIRS OF CLEOPATRA, MARY CALLED MAGDALENE, HELEN OF TROY, ELIZABETH I, and an illustrated children’s book, LUCILLE LOST. Her newest one, THE CONFESSIONS OF YOUNG NERO, is coming out in March 2017.
Margaret lives in Madison, Wisconsin, and Washington DC, and has a sextagenarian tortoise as a pet.
Showing posts with label Italian. Show all posts
Showing posts with label Italian. Show all posts
Tuesday, March 7, 2017
Book Review: Confessions of a Young Nero (Nero #1) by Margaret George
Sunday, May 17, 2015
The Massacre of the Mermaids by Alessandro Manzetti
The Massacre of the Mermaids (k_noir Book 4)
by Alessandro Manzetti
Publisher: Kipple Officina Libraria
ISBN: AISN: B00WANT2OK
April 16, 2015.
If you like to read the weird literary fiction, this book is for you. The author gives it to his readers in spades. Just be prepared for a gory ride of your mind that will leave you shuddering, but panting at the end.
I give Massacre of the Mermaids 4½ monstrous sheep.
by Alessandro Manzetti
Publisher: Kipple Officina Libraria
ISBN: AISN: B00WANT2OK
April 16, 2015.
From the Bram Stoker Awards® nominee Alessandro Manzetti comes a new horror, weird, gory, and dystopian short story collection. “The Massacre of the Mermaids” includes six visionary and disturbing stories set in the future and the past: the apocalyptic and bloody Rome dominated by the first She-Pope who organizes shocking exhibitions in the new Coliseum; the bloody and cannibalistic Jerusalem during the First Crusade with gangs of rapists, criminals, and anthropophagy addicts; the future ultra-violent district Paris Sud 5 with a human landfill; the Nakara, a slaughterhouse-prison dug into the bowels of the moon, the first organized human breeding in history, managed by the diabolic Slicer; and the subterranean rooms of Mictlan, the Aztec hell that destroys Spanish victims, sacrificing them through unthinkable and brutal rites. “The Massacre of the Mermaids” will leave you breathless. The limit has never been so violated.
Though I write horror, I admit to not delving much into writing gore in my stories as others do. But digging past the gore, Alessandro Manzetti shows us the bizarre is more than horror. More than blood and guts. That Rome’s past is not any different than its apocalyptic future, in how people do what they do to others in such monstrous ways. That mankind may be always the true monster.
Though I write horror, I admit to not delving much into writing gore in my stories as others do. But digging past the gore, Alessandro Manzetti shows us the bizarre is more than horror. More than blood and guts. That Rome’s past is not any different than its apocalyptic future, in how people do what they do to others in such monstrous ways. That mankind may be always the true monster.
If you like to read the weird literary fiction, this book is for you. The author gives it to his readers in spades. Just be prepared for a gory ride of your mind that will leave you shuddering, but panting at the end.
I give Massacre of the Mermaids 4½ monstrous sheep.
About the Author:
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Horror, science fiction, weird fiction, and dark poetry writer, Alessandro’s published work in Italian includes novels, long fiction, short story collections, and collections of dark poetry, as well as many short stories published in anthologies. English publications include The Shaman and Other Shadows, Venus Intervention with Corrine De Winter as co-author, Dark Gates with Paolo Di Orazio as coauthor, and stories and poems that appeared in both print and online USA and UK magazines and anthologies, such as Dark Moon Digest, The Horror Zine, Disturbed Digest, Bones III, Rhysling Anthology 2015, and others. His dark poetry collection Venus Intervention was nominated for the Bram Stoker Awards 2014 and the Elgin Award 2015. His poem “The Man Who Saw the World” was nominated for the Rhysling Award 2015 and his poem “Interiora” received the Sinister Poetry Award 2014. He’s a member of the Horror Writers Association, the Science Fiction Poetry Association, and the British Fantasy Society. He lives in Rome, Italy.
website-FB-twitter
Horror, science fiction, weird fiction, and dark poetry writer, Alessandro’s published work in Italian includes novels, long fiction, short story collections, and collections of dark poetry, as well as many short stories published in anthologies. English publications include The Shaman and Other Shadows, Venus Intervention with Corrine De Winter as co-author, Dark Gates with Paolo Di Orazio as coauthor, and stories and poems that appeared in both print and online USA and UK magazines and anthologies, such as Dark Moon Digest, The Horror Zine, Disturbed Digest, Bones III, Rhysling Anthology 2015, and others. His dark poetry collection Venus Intervention was nominated for the Bram Stoker Awards 2014 and the Elgin Award 2015. His poem “The Man Who Saw the World” was nominated for the Rhysling Award 2015 and his poem “Interiora” received the Sinister Poetry Award 2014. He’s a member of the Horror Writers Association, the Science Fiction Poetry Association, and the British Fantasy Society. He lives in Rome, Italy.
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