GtPGKogPYT4p61R1biicqBXsUzo" /> Google+ I Smell Sheep: YAlit
Showing posts with label YAlit. Show all posts
Showing posts with label YAlit. Show all posts

Friday, December 9, 2022

YA Sci-fi Fantasy Excerpt: The Torch: The Rising Darkness by Bertrand Coruscare

by Bertrand Coruscare 
September 18, 2022
YA Sci-Fi / Fantasy
Publisher: ‎Mindstir Media
A group of young adults searching for a friend that goes missing. Amid the searching, they find themselves thrust into a war they never knew existed, which spawns more conflicts than those with which they started out.

"He wanted more power, and more control. When I was with him, that seemed to be his main goal."

"What other power was there?"

"Oh, more than you could ever know."


PROLOGUE
The man sat patiently upon his throne-like chair—formidable to all who dared enter into his dark splendor. The throne, as he called it, was supported by a raised platform, several stairs leading up to it. Shrouded in pitch black robes, he appeared only a silhouette—his red eyes striking fear into anyone who was brave enough to peer into them. The circular room had no windows. Massive clusters of blood diamonds gleamed furiously on the walls, glistening in their geometric designs. Two doors stood in front of him, though they were merely vague outlines in the darkness.

Any minute now, he thought.

Just then, the doors in front of him swung open, revealing his most trusted assistant. The assistant reached the stairs to the throne and bowed.

“Arise,” spoke the voice upon the throne, gazing down upon the man.

“My Lord,” said the assistant. “They are ready.”

“Excellent,” said the man upon the throne.

His voice was a deathly calm, almost as if a cat was purring just before it devoured a bird. The assistant knew this, and he knew what the cat’s true temper looked like—and he knew to avoid it with his life.

“Bring me my hunters,” said the man on the throne. He gleamed at his assistant, drilling him with a red stare of menace as the assistant arose and left the room hastily, not speaking a word—not daring to stoke the fire of a temper that would burn him alive—the stalking cat that would pounce out of the shadows.

About the Author
Bertrand Coruscare's first novel, Rising Darkness, is the beginning of the epic "The Torch series." Lover of the mysterious, the heroic, and the refined, he fills his days with dark stories, warm drinks, and a touch of sarcasm.

Bertrand resides in the Pacific Northwest, where he is pursuing a degree in English. He often wanders the ancient forests of imagination, guided by ambition, that azure flame.

Virtual Book Tour - December 5 - January 6
December 5 - RABT Book Tours - Kick Off
December 6 - Book Reviews by Virginia Lee - Spotlight*
December 7 - Living in a Book World - Excerpt
December 8 - Momma Says to Read or Not to Read - Spotlight
December 9 - I Smell Sheep - Excerpt*
December 12 - Crossroad Review - Spotlight
December 13 - The Avid Reader - Interview
December 14 - The Faerie Review - Spotlight
December 15 - Texas Book Nook - Review
December 16 - My Reading Addiction - Interview
December 19 - Jazzy's Book Reviews - Excerpt
December 20 - Nana's Book Reviews - Spotlight
December 21 - Matters That Count - Review
December 22 - Books Blog - Spotlight
December 23 - Liliyana Shadowlyn - Spotlight
December 26 - Book Junkiez - Spotlight
December 27 - Sapphyria's Book Blog - Spotlight
December 28 - Novel News Network - Review
December 29 - Tea Time and Books - Spotlight
January 2 - Buffy Kennedy - Excerpt
January 3 - Mythical Books - Excerpt
January 4 - The Indie Express - Review
January 5 - Valerie Ullmer - Excerpt
January 6 - RABT Reviews - Wrap Up

Monday, July 2, 2018

Sheep Thoughts: PULSE Vampire Series Omnibus Vol. 1 Books 1 – 4 by Kailin Gow

 
PULSE Vampire Series Omnibus Vol. 1 Books 1 – 4
by Kailin Gow
March 1, 2018
Genres: Paranormal, Romance, Young Adult

 
This Omnibus contains 4 Full-length Novels in the PULSE Vampire Series, now in development as a Film starting with its Prequel, Mysterious Teacher.

17 year-old Kalina didn’t know her boyfriend was a vampire until the night he died of a freak accident. She didn t know he came from a long line of vampires until the night she was visited by his half-brothers Jaegar and Stuart Greystone. There were a lot of secrets her boyfriend didn t tell her. Now she must discover them in order to keep alive. But having two half-brothers vampires around had just gotten interesting….
 


Let me start off by coming clean that this is 100% a young adult book. I've read some YA that have a more "adult feel", but this one is way into the whole teen angst and weird teen emo moments. It was a bit much for me, but it might work better for the younger crowd or people who like to read about that age group. 

I only read book one in the series which is called Pulse. While I do love me some vampires, this whole world was just not my cup of tea. This author is going to have some movies hitting the world very soon and I'm sure she will find the right group to market. 

Check other reviews out there, I was not a fan. But that's due to the fact that I could not connect with any of the characters or dialog as a whole. Too much hot/cold teen moments had me rolling my eyes and wanting to end the story as soon as I could. 

No Rating Given
KD  
Excerpt
Pain seared Puck, shoving a roar past his lips. A demon had entered his body, and now tore into his organs. It bit and clawed, too, and yet he experienced no outward signs of injury. Frantic, he dropped his sword to rake his nails over his chest, slicing skin and muscle—to no avail. The creature remained inside him, a dark presence, howling with a toxic mix of hate and pleasure. The blood in Puck’s veins might as well have been fuel; every cell in his body seemed to catch fire, melting him from the inside out as he...changed? Two rings of fire erupted on the crown of his skull, as if circles had been burned into the bone. He reached up and felt...horns? Breath wheezed through clenched teeth as he yanked at hanks of brown fur sprouting on his legs. Next, a hard shell grew over his feet—hooves?—as his leather boots ripped apart at the seams. Changing shapes wasn’t new to him, but this transformation had control of him, not the other way around. He couldn’t stop it. Jagged black lines appeared on his chest, small rivers of lava burning as they spread. An image formed. A butterfly with wings as sharp as shattered glass. Different colors shimmered in the firelight, one after the other, altering as various emotions flooded him. Mostly, panic grabbed Puck by the neck and held firm, choking him. Was this a hallucination, caused by smoke? Or was he becoming a monster for good? His knees gave out, unable to support his weight. As he lay on the ground, panting, the panic died. His gaze landed on the sword, and the pride he’d experienced only moments before faded before disappearing altogether. The devotion he bore for his realm and people...gone. He felt nothing. The sword was a scrap of finely honed metal, the realm a meaningless lo- cation, its citizens a nonentity. Puck searched for emotion, any emotion, hidden anywhere. There! Love for Sin, a shining beacon. He would protect the younger male from this...whatever this was. But, as he attempted to reach for his brother, muscle locked on bone, holding him immobile, and panic returned. “Sin!” Sin wouldn’t meet his gaze. Something’s wrong... A terrible nothingness began to creep through Puck a second time—this one directed at his brother. Precious Sin. Treasured Sin. Puck’s reason for...everything. But an invisible dagger cut into his heart, affection draining out...draining... Still he fought. “Love you,” he rasped. Can’t lose Sin. Can’t... But even as he spoke, his heart emptied. One moment his love blazed, a light inextinguishable by war, persecution or travesty, the next it was nothing but a snuffed-out torch. Puck blinked up at Sin and felt...nothing. He hadn’t forgotten their past, or the many ways his brother had aided him throughout the centuries, or everything Sin had given up on his behalf, but he cared not at all. Muscles unlocking from bone at last, he stood. Silent, he backed away from his brother. He would go for a walk, think about what had happened and what he should do next. “Puck—” He strode out of the tent, never once glancing back.


About the Author:
website-FB-twitter
Kailin Gow loves things that are edgy, cool, bright, exciting, hopeful, glittery, and jaw-droppingly awe-inspiring. She loves writing, reading, and filming stories about people whose journeys take them beyond their boundaries – physically, psychologically, intellectually, and emotionally to arrive a point and a place of inspiration and hope. Her works have been recognized by the leaders in the industry in book publishing and entertainment to be “innovative” and “disruptive”, earning her awards from ALA, The IBPA, and festivals.


Kailin Gow is a multiple Award-winning author, film and tv director/producer, and speaker. You can learn more about her at: KailinGow.com.

Tour-wide giveaway (INTL)
$25 Amazon gift card
a Rafflecopter giveaway

Wednesday, June 13, 2018

Ted Neill: Ink Well--Want to write something good? Then take time NOT writing.

Want to write something good? Then take time NOT writing.

One of the most confusing but important things one of my writing mentors once said to me was: The time you spend NOT writing is just as important as the time you actually spend writing. Said another way, every work of writing is a combination of the time spent writing and the time spent thinking about the writing, whether consciously or not (often not).

So here are my ten steps to writing a complete work, be it a novella, novel, short story, poem, screenplay, or whatever. . .

1. Write—Randomly. On scraps of paper, envelopes, increasingly I find myself taking notes on my phone. These come at the WORST times. I find there is an inverse relationship between the ease of writing in the moment and the quality of the idea. For example, while merging into traffic, standing in the shower, or when I am about to fall to sleep at night. . .BAM I get walloped with a winner and the gearshift, bar of soap, or my Teddy Bear (don’t judge) are lousing writing instruments.

2. Take Time—To Live your Life. Go and do the thing you were doing in the first place, driving to your destination, running to work, or getting a good night’s sleep. Go gather the experience that feeds your writer’s soul in the first place. You’ll thank yourself later.

3. Write—Freely. I’m a person who likes structure so this part is REALLY hard for me. But I’ve learned that I need to take time to do character sketches, jot down scenes. They might be out of order, they might just be background experiences of characters that never make it into a single draft, but this is still an exploratory stage. Throw things at the wall and see what sticks. Don’t get in your own way. Let yourself enjoy the fun of it. Don’t stress if you don’t have a word or page count (yet) to look at, at the end of the day. This step isn’t something measured that way.

4. Take Time—For your unconscious to work. This is also a hard part for me because I’m also a person who likes control. But I’ve found that this is where the most mysterious part of the process begins for me. Having sketched out scenes, and characters in step 3, I move on. I work on other things (See Step 2). I go for a hike, I read other books, watch movies, gently feeding images, experiences, and other’s art into my brain where it (somehow) seeps into some weird place in my unconscious where the ideas germinate.

5. Write—An Outline. I remember a business major roommate of mine in college asking me if I wrote my papers using an outline. I responded, “You mean you don’t?!” But I was an English major so I took the writing process a little more seriously. Here is where I (FINALLY) start adding some structure to the story, with scenes, character arcs, maybe even initial chapter headings. Sometimes I even write summaries of the chapters on 3X5 cards and lay them out of the floor, trying different sequences is possible. Throughout the process, even up to the final stages, be open to surprises your characters might throw at you or side plots that might pop up. I still do this all in long hand.

6. Take Time—For your idea to gestate. Congratulations, you are officially pregnant at this point (or at least that is what I think of it as). Once the outline is out, for me, the story is THERE. It’s a thing and its growing. But again, I find I can never force it. Just have to let it ripen at its own pace (although I wish I could force it, when I do, it’s ALWAYS a disaster). Often, I find listening to music, reading other authors I like, watching movies, and hiking and being in nature help, not to mention getting enough sleep—some of my best ideas have also come from REM sleep (See Step 2 again). Sometimes, being a writer is like having a ghost as a business partner, you’re never quite sure when he or she is going to show up to actually do the damn work, but when they do, and the story feels ready, you know intuitively, like the hairs on your arm or the vibrations in your chest, it’s inspiration and you can’t not start writing.

7. Write—The First Draft. I write mine in longhand on college rule loose leaf. It’s slower, but it makes me think through my sentences more carefully. It also allows me to be messy. I still liken this stage to being a bit like sketching as opposed to the pressure I feel to have something more polished on a computer screen.

8. Take Time—To Walk Away! Yes, walk away! Unlike REAL babies, this one may benefit from a bit of neglect. I take a few days between completing that first draft and typing things up. Treat yourself!

9. Write—On a Keyboard. Finally, this is when I actually start typing. Note: there have been a whole lot of steps and time leading up to this. When non-writers picture you “working” this is what they picture. But that’s a disservice. The preceding steps, especially the even numbered ones, might not look like writing but they ARE. They are just as critical an ingredient and it’s important to give yourself permission, space, and time for them.

10. Take Time—To Edit. Another writing mentor once told me that “There are no good writers. Just good rewriters.” So true. So get some distance from your work while someone you trust edits it and provides you some honest feedback. I ca never edit my own stuff adequately. Good writers need good editors.

Then repeat steps 9 and 10 until ready to publish!

Jamhuri, Njambi & Fighting Zombies
by Ted Neill
February 25, 2018
200 pages
A Delight for Young Readers and the Young at Heart. A princess trapped in a high tree and a brash young man determined to “rescue” her; a devoted daughter searching for a magical spring to save her ailing father; a teenage girl who is forced to replace her mobile phone with a machete to protect her family from zombies—all their stories interweave in a stirring alchemy set in a rich African backdrop. Ted Neill moves readers from folktale to action, comedy to cosmology, rural to urban, material to spiritual, with the ease of a master storyteller, crafting an adventure along the way that will appeal to the head, the heart, and the soul.



About the Author:
website-FB-amazon
Globetrotter and fiction writer Ted Neill has worked on five continents as an educator, health professional, and journalist. His writing has appeared in The Washington Post and he has published a number of novels exploring issues related to science, religion, class, and social justice. He wrote his most recent young adult novel Jamhuri, Njambi & Fighting Zombies after living and working at an orphanage for children with HIV/AIDS in Kenya. The children he met there requested stories featuring people and places that reflected their own culture and their own world. Jamhuri, Njambi & Fighting Zombies was written for them and anyone else who might enjoy, fun, adventure, and zombies.


Monday, June 4, 2018

Book Review: Wings of Flesh and Bone by Cathrina Constantine + giveaway

by Cathrina Constantine
April 8, 2018
Pages: 384
An Angel. A Witch. A Demon. And A Choice.

Creatures from outer realms suck, as any gatekeeper worth their salt will tell you. Welcome to Rogan’s life, an orphaned seventeen-year-old who lives and trains with other misfits under her uncle’s roof, keeping Earth safe from non-human realm jumpers. Rogan’s biggest issue concerns her uncle’s short leash with her freedom—that is of course, until she’s taken by a notorious witch, and her life begins to unravel. Soon, the supernatural beauty discovers there’s a reason her uncle kept such a tight lock on her whereabouts, and that she has more than angel blood running through her veins.

Eighteen-year-old Max is an angel, and Rogan’s mentor and guardian. He’s well aware of her tenacious inability to obey orders, though he also knows she’s a fierce fighter. When he’s involved in a scheme that ultimately gets Rogan kidnapped, he must battle his way back to her in an attempt to save her from the darkness threatening to possess her.



Rogan’s parents died when she was young and she was taken in by her Uncle and trained to be a gatekeeper. As she trains with others like herself, she is mentored by an angel named Max who she has fallen in love with. Rogan wants to patrol on her own like the other trainees but Castle and Max continue to prevent it.

This Young Adult story is a good read for those looking for romance, secrets, demons, witches and angels. Rogan faces many challenges that teens will relate to in their world which keeps the story interesting. Max falls under the category of gotta have what you aren’t supposed to and what girl doesn’t love that? I hope to see another book to continue this intriguing story.

Getting 4 sheep





Denise B

About the Author:
Cathrina Constantine is the Best Selling author of Don't Forget To Breathe. Her book won Readers' Favorite International Book Award for 2015. New Apple Medalist for 2016. Literary Classics Gold Award. Literary Classics Seal of Approval. Her Paranormal Fantasy, Wickedly They Come has been awarded the 5 Star Seal from Reader's Favorite. Tallas from her dystopian series received Literary Classics Silver Award and Literary Classics Seal of Approval.

Cathrina resides in Western New York. I am blessed with a loving family and forever friends. My world revolves around them.

I grew up in the small village of Lancaster, NY, where I married my sweetheart. I'm devoted to raising 5 cherished children, and now my grandchildren.

I love to immerse myself in great books of every kind of genre, which helps me to write purely for entertainment, and hopefully to inspire readers. When not stationed at my computer you can find me in the woods taking long walks with my dog.

Giveaway:
Tour-wide giveaway (INTL)
$10 Amazon gift card


Sunday, May 20, 2018

Book Review: Furyborn (Book I of The Empirium Trilogy) by Claire Legrand

Furyborn, young adult, Claire Legrand, epic fantasy, trilogy
Furyborn (Book I of The Empirium Trilogy)
by Claire Legrand
May 22, 2018
Publisher: Sourcebooks
ASIN: B07B3FTJDM ISBN: 9781492656623
When assassins ambush her best friend, Rielle Dardenne risks everything to save him, exposing herself as one of a pair of prophesied queens: a queen of light, and a queen of blood. To prove she is the Sun Queen, Rielle must endure seven elemental magic trials. If she fails, she will be executed...unless the trials kill her first.

One thousand years later, the legend of Queen Rielle is a fairy tale to Eliana Ferracora. A bounty hunter for the Undying Empire, Eliana believes herself untouchable—until her mother vanishes. To find her, Eliana joins a rebel captain and discovers that the evil at the empire's heart is more terrible than she ever imagined.

As Rielle and Eliana fight in a cosmic war that spans millennia, their stories intersect, and the shocking connections between them ultimately determine the fate of their world—and of each other.


This YA fantasy is two stories set a 
thousand years apart. One story is about Rielle, who saves her friend and exposes her abilities, maybe showing she may be one of a pair of prophesied queens. One queen is of light, the other, of blood. 

The other tale concerns Eliana, a bounty hunter for the Undying Empire. She does this for her mother and brother, but suddenly, her mother vanishes. She joins the rebels and learns terrible things about the Undying Emperor who she works for.

The book would have been better if they'd written
 two different books for each character. The formatting of the back and forth of each character’s story made it confusing and irritating. Also, both female heroines behavior irritated me. I didn't like them that much.

I hope the next book's format will be better thought out.

I give Furyborn (Book 1 of The Empirium Trilogy) 3 ½ sheep.






Reviewed by Pamela K. Kinney

About the Author:
Claire Legrand used to be a musician until she realized she couldn't stop thinking about the stories in her head. Now she is a librarian who writes novels for children and teens. Legrand is the author of THE CAVENDISH HOME FOR BOYS AND GIRLS, THE YEAR OF SHADOWS, WINTERSPELL, SOME KIND OF HAPPINESS, and FOXHEART. She is also the author of the upcoming YA epic fantasy FURYBORN, the first book in The Empirium Trilogy (May 22, 2018), and SAWKILL GIRLS, a YA horror novel (October 16, 2018). She is one of the four authors behind THE CABINET OF CURIOSITIES, an anthology of dark middle-grade fiction. She lives in New Jersey. Visit her at claire-legrand.com and on Twitter @clairelegrand.

Thursday, May 3, 2018

Tips for being a really great and scary ghost, by Constance Laughter + giveaway

Tips for being a really great and scary ghost, by Constance Laughter

First, you really must consider a detached limb. Try to arrange for that before you die—preferably right before you die if it's your head or something, but earlier is totally fine too if you're going for a hand or toe. You must make sure you have this item—your detached thing—when you croak. If you don't, you've lost out on some serious scarability because it won't "cross over" with you. That would be a shame.

A detached limb is great because with it you can: a) wear it backwards and scare people, b) throw it at people from a tree or something, c) leave it in a spot to "mark your territory" if you want to come back to that place later, and d) exchange your detached limb with a friend.

Second, you need to perfect your grimace. You know, the kind with teeth that cause old ladies to break wind and old men to drop their toupees? Instant ghost points and you barely had to do anything. I can't stress enough how important a really great grimace is.

Third—and this is the part that will really seal the deal—you need a theme song. I don't mean like Hulk Hogan's "Real American" theme song, but like something you can sing and totally freak people out with. Living people HATE it when ghosts sing. Which isn't fair if you ask me. Living people can sing. Why can't we? Anyway, a theme song. I chose to sing about a monster—a public service announcement if you ask me, not that Isabel Wixon saw it that way. Anyway, think of something to sing, the shriller your voice the better, and have at 'er.

And that's it, three simple steps that will have you causing heart attacks and creating more ghosts left and right. Once you've scared your first living person to death, go ahead and pat yourself on the back. You deserve it.



The Boatman 
by Kat Hawthorne
April 30, 2018 
Genre: Middle-Grade Horror, Fantasy
Publisher: Common Deer Press
ISBN: 978-1-988761-20-6 paperback
ISBN: 978-1-988761-21-3 ebook
ASIN: B07BFFQS1D
Number of pages: 126
Word Count: 25,000
Cover Artist and Illustrator Dora Mitchell
Eleven-year-old Isabel Wixon retreats into a fantasy world to cope with her grief

Isabel Wixon is weird. Not only does she see dead things, but her list of friends consists of a talkative ventriloquist’s dummy and the gentlemanly spider that lives in her hair. Real friends? Too hard. Inventing friends is much easier. Inventing the Boatman—a terrible monster that lures kids into a strange sleeping sickness and never lets them go—probably wasn’t one of her better ideas though.

Excerpt:
Izzy froze as the spirit of a young girl appeared before her. This morning, as she did on occasion, the girl had taken off her head. The ghost’s body hefted the head a few times, obviously fixing to lob it at Izzy. She stiffened. Izzy had never been hit by a detached head before, but she doubted it would be much fun.

“The Boatman is looking for you,” the ghost-girl said so quietly Izzy couldn’t be sure if what she’d heard was the ghost’s voice or the leaves on the trees above laughing as the rain tickled them. “You should be very careful not to—GAH!!”

Just then, and for no reason Izzy could see, the body fumbled and dropped the head. It crashed to the ground and began rolling away. “You cumbersome hunk of junk!” the head squealed as it bumped into a tree and came to an indelicate halt.

Blindly, the body bent over and began feeling around on the forest floor. Looking for something round, it located a large rock. It spent a few moments trying to lift it, but as everyone knows, ghosts cannot lift things. The head sighed. “Hello! I’m over here you brain dead oaf!” it hollered from its place near the tree. Finally, the body stumbled toward it.

After poking a finger in the head’s eye and shoving another up its nose, ghost-girl’s body heaved the head up by its stringy hair and placed it back onto its neck hole, spinning it around a few times as though it were screwing in a light bulb. When finally the head was fixed into place, though slightly crooked, the now-whole ghost-girl stretched as if she were stiff. “Silly, clumsy thing,” she said. “I swear, one day my body will lose me! How will I ever get a head then?” The ghost put a hand on her belly and chuffed at her own joke.

But not Izzy, she was too afraid to laugh. Instead, she swallowed. Usually when the headless ghost-girl appeared, Izzy ran away. But not today. There was something she’d been meaning to ask, and she knew that the only way to get the answer was to be brave and ask it. Besides, after the whole dropped head debacle and the thing about cracking jokes, the ghost seemed too distracted to be menacing. So Izzy stood as tall as she could and hoped the ghost would not notice her rattling knees. “Um,” she stammered, “who is the Boatman?”

The ghost crossed her arms over her chest. Her lips looked like a pair of bloated worms, particularly when they were pooched out, as they were right then. She tilted her head to the side, or at least she tilted it more to the side than it already was. “Did you just speak to me? Are you not frightened?”

“Yes—I mean no.” Izzy nodded and then shook her head. She peeled a slithering wet clump of hair off of her forehead. She looked back at the ghost, who still waited for an answer. “Oh...Um...I mean, yes I spoke, and no I’m not afraid.” It was half true at least.

The ghost-girl slumped, which made her seem far less frightening. “Really? Am I losing my touch? That would be the pits. I’ve been trying so hard.”

“Oh!” Izzy scrunched her eyebrows together. She didn’t want to hurt the ghost’s feelings. She simply hadn’t considered how the ghost must be feeling. After all, scaring people was the ghostly way. Everyone knew that.

Izzy scratched her pointy elbow then continued. “Well then, I admit that you’ve done a wonderful job scaring me these past few weeks. I mean, the head thing and the song—very creepy. Truly top notch material. However, I don’t know who this Boatman fellow is. I’m not sure if I ought to be afraid of him or not. Perhaps you could explain? That might help.”

The ghost rubbed her chin as if considering. “Well, if you think it will help.”

Izzy nodded. “I do.”

Theatrically, the ghost hovered a few inches off the ground and faded in and out as the trees swayed and small shafts of morning light blinked right through her. Her voice was low-pitched when she began to speak, very unlike the shrill soprano she took on while singing. “The Boatman is a hideous monster who lives in the world of dreams.” With this, the ghost waved her arm as if indicating that they were in the world of dreams currently. “He sails his rickety boat around on the lake of your thoughts. He is the one responsible for every nightmare you’ve ever had; he’s the one who controls your fear and...”

The ghost sighed and visibly deflated, seeming displeased by the quality of her storytelling. Izzy had to admit, the ghost’s tone had lost some pizazz as she went on. “Too over-the-top?” the ghost asked.

Izzy shrugged one shoulder. “Perhaps a teensy bit.”

About the Author:
Goodreads
Kat Hawthorne is a nerd times three. Besides writing, she enjoys creating visual art and playing her cello. She is mother to three small boys, who are unwittingly the inspiration for her need to write.





Tour giveaway 
Five free ebook copies 
a Rafflecopter giveaway

Wednesday, May 2, 2018

Book Review: Fatal Throne: The Wives of Henry VIII Tell All by multiple authors

Fatal Throne: The Wives of Henry VIII Tell All 
by M. T. Anderson, Candace Fleming, Stephanie Hemphill, Lisa Ann Sandell, Jennifer Donnelly, Linda Sue Park, Deborah Hopkinson
Schwartz & Wade
May 1, 2018
416 pages
The tragic lives of Henry VIII and his six wives are reimagined by seven acclaimed and bestselling authors in this riveting novel, perfect for fans of Wolf Hall and Netflix's The Crown. 



He was King Henry VIII, a charismatic and extravagant ruler obsessed with both his power as king and with siring a male heir.


They were his queens--six ill-fated women, each bound for divorce, or beheading, or death.

Watch spellbound as each of Henry's wives attempts to survive their unpredictable king and his power-hungry court. See the sword flash as fiery Anne Boleyn is beheaded for adultery. Follow Jane Seymour as she rises from bullied court maiden to beloved queen, only to die after giving birth. Feel Catherine Howard's terror as old lovers resurface and whisper vicious rumors to Henry's influential advisors. Experience the heartache of mothers as they lose son after son, heir after heir. 

Told in stirring first-person accounts, Fatal Throne is at once provocative and heartbreaking, an epic tale that is also an intimate look at the royalty of the most perilous times in English history.

Who's Who: 

M. T. Anderson - Henry VIII
Candace Fleming - Katharine of Aragon
Stephanie Hemphill - Anne Boleyn
Lisa Ann Sandell - Jane Seymour
Jennifer Donnelly - Anna of Cleves
Linda Sue Park - Catherine Howard
Deborah Hopkinson - Kateryn Parr

Henry VIII is favoured fodder for historical fiction writers, readers, and watchers. His story, and that of his ill-fated queens, is rife with lust and betrayal, murder and manipulation, heartache, and tragedy. I’ve consumed more than my fair share of Tudor drama. I wasn’t sure Fatal Throne would add to my already extensive knowledge of and appreciation for the story of Henry, his wives, and children. I was delighted, nonetheless, to reacquaint myself with this complex dynasty with a creative retelling.

This book is a collaborative reimagining of the Henry VIII saga. Each wife, written by a different author, is given a section of the book to tell her side of the story. Of course, all roads lead to Henry and so Henry’s perspective is given following each section. The women’s stories are all told memoir style as they face their fate; divorce, execution, tenuous survival. This book is rich, enlightening, and entertaining with enough of a feminist critical voice to make it appealing to a modern reader.

Anne Boleyn has always been my favourite; to love and hate. She doesn’t disappoint in this text. Her influence is far reaching and indelible. With a craftiness trumped only by impulsivity, Anne is written with a deeper understanding of her tenuous and desperate situation than I’ve encountered in the past. The dark horse story of the collection is that of Anna of Cleves written by Jennifer Donnelly. As an arranged, political connection, the marriage of Anna of Cleves and Henry VIII hasn’t held the same appeal for me as others. Their awkward first encounter notwithstanding, the foundational storytelling elements aren’t as obvious. Donnelly’s imaginative method for revealing Anna’s tale was as intriguing as the tale itself. And perhaps I have a new favourite in Anna of Cleves, a woman who, in this reimagining at least, managed to find happiness on her own terms.

Despite the voice given to these women, it’s still made abundantly clear: “Henry may be a powerful king, but he is also a man, and like all men, he requires only two things of a woman: that she keep her legs open and her mouth shut.” Each woman is used and abused by a temperamental king, who, sadly enough never quite found what he was looking for: unconditional love and a son. We already know how this ends, so I don’t feel I’m spoiling the story. The irony of ironies of course, that Henry’s greatest achievement was his daughter Elizabeth whose rallying cry is written, “I know I have the body of a woman; but I have the heart and stomach of a king”. It leads me to believe that fate may have a feminist sensibility as well as a wry sense of humour.

Four Sheep




Bianca Greenwood


Excerpt. © Reprinted by permission. All rights reserved.
24 July 1527
The world is still dark beyond my window, but I can make out the tall figure of my husband, King Henry VIII of England, in the stable yard below. Beside him stands his lover, the torchlight glowing on her smooth, young skin. They are readying to ride out. Just the two of them. Together.

I watch as he helps her up into her saddle, lifts her easily, holds her. For a moment, he cradles her little leather boot in his hand, caressing it tenderly, before making sure it is safe in the stirrup. My breath snags.

She laughs playfully, flirting, her eyes never leaving his as she places a hand on his upturned face.

I sink into a chair. “Madre de Dios, ayudadame,” I whisper. Mother of God, help me.

My lady Maud Parr comes into the room. She looks startled to see me. “Your Grace, what are you doing up so early?” she asks.

“Sleep is impossible.” I pick up my sewing, a shirt I am embroidering for Henry.

Maud sits across from me. “I must tell you something,” she says.

I try very hard to listen. But the memory of Henry laughing with Anne, of him holding her in his arms, blots out everything else.

“Your Grace?” Maud says.

I blink. “Please, begin again.”

I slip my hands inside the sleeves of my husband’s shirt as she gathers herself to tell me about the letter Cardinal Wolsey has sent to His Holiness in Rome. In it the cardinal claims I was not a virgin when I married Henry. That I made love with his brother, Prince Arthur, when he was my husband, and that I lied about it. That I am lying about it still. That because of my treachery, my marriage to Henry is not a true union.

The cardinal is appealing to the Pope to declare Henry’s and my eighteen years together illegal. He is entreating the Pope to grant the King permission to marry again.

Maud pauses before telling me the rest.

Perhaps, she wonders, the cardinal felt he needed to make a stronger case against me, because in the same letter he accuses me of being a sex-crazed woman who lured Henry into a forbidden marriage to satisfy my carnal pleasures.

Me!

And then--¡por Dios!--the cardinal tells His Holiness that my husband finds me too repulsive to sleep with because my sex organs are diseased. He says Henry has vowed never to use my body again; that it is too dangerous to his royal person; that lying with me will make the King sick.

I push the shirt’s long sleeves up my arms and rub my face against its fine linen. Cardinal Wolsey is the King’s closest advisor. He cannot have written such lies without my husband’s consent.

How can Henry hate me so?

I remember our wedding night, the feel of his hands on my trembling skin; the hot, stinging pain of our first loving; the blissful relief of lying in his strong, steady arms, a true wife at last.

I pull my hands free of the shirt and lay it across my lap. I know Henry better than anyone else, certainly better than Anne Boleyn, for I have known him as a boy and a man; as a brother and a husband. Our destinies have been entwined almost since birth.

“I was betrothed in marriage to the Prince of Wales when I was but a child of three,” I say.

“Indeed?” replies Maud.

I nod. “As Princess of Spain, I was a flesh-and-blood treaty, a breathing alliance between our two countries. And when I was fifteen I sailed to England to become his wife, and the future Queen.”

Maud gets up and pours us both a small cup of wine. “I would have liked to have known you then, Your Grace.”

“Oh, I was so young, and so sorry to leave my mother and my home. But it was God’s will that I go. I had unshakable confidence in Him--that He had favoured me and destined me for the greatest of things. I had no doubt that I would carry out my sacred obligation to fill the royal nursery with babies, most especially boys--heirs for the Tudor line.” I pause. “It was la voluntad de Dios, the will of God, you see.”

Maud nods with sympathy.

“But now the King has decided to rid himself of me. What can I do to stop him? Henry always gets what he wants. He takes it as his divine right.”

I cover my eyes with my hand. “Oh, Maud, after all these years of marriage, is it truly God’s will that it now be over?”

It is a question without answer.

In silence we drink our wine as the sun creeps slowly in through the windows, and my life unwinds before me like a spool of embroidery thread.

About the Authors:
M. T. Anderson is the author of Feed, winner of the LA Times Book Prize, and The Astonishing Life of Octavian Nothing, winner of the National Book Award, the Boston Globe-Horn Book Award, and a Printz Honor. Residence: Cambridge, MA

Jennifer Donnelly is the author of These Shallow Graves, Revolution, and A Northern Light, winner of the Carnegie Medal, the LA Times Book Prize, and a Printz Honor. Residence: Hudson Valley, NY

Candace Fleming is the author of The Family Romanov, winner of the LA Times Book Prize and the Boston Globe-Horn Book Award; Amelia Lost; and The Lincolns. Residence: Oak Park, IL

Stephanie Hemphill is the author of Your Own, Sylvia, a Printz Honor winner, and Wicked Girls, an LA Times Book Prize Finalist. Residence: Naperville, IL

Deborah Hopkinson is the author of Titanic: Voices from the Disaster, a Robert F. Sibert Honor Book and an ALA-YALSA Excellence in Nonfiction Award Finalist. Residence: Portland, OR

Linda Sue Park is the author of A Single Shard, winner of the Newbery Medal, and the bestselling A Long Walk to Water. Residence: Western NY

Lisa Ann Sandell is the author of A Map of the Known World, Song of the Sparrow, and The Weight of the Sky. Residence: New York, NY

Monday, April 30, 2018

Favorite Top 5 Lists with YA author Michael Okon + Excerpt

Favorite Top 5 Lists 

Most Inspiring Movies that helped me write my books 
1. Back to the Future
2. The Goonies
3. Jurassic Park
4. Lord of the Rings (All three)
5. Gremlins


Most Inspiring Books that helped me write my books
1. Anything by Michael Crichton (especially Jurassic Park)
2. The Science of Getting Rich
3. The Power of Your Subconscious Mind
4. Anything by Ben Mezrich
5. Anything by Tony Robbins


Favorite Movies of All Time 
1. There Will Be Blood
2. Rounders
3. Empire Strikes Back
4. Lord of the Rings (All three)
5. Back to the Future

Favorite Foods 
1. Porterhouse steak
2. Cheeseburger no bun
3. Eggs
4. Bacon
5. Cheddar Cheese

Favorite Rides at Disney World (that I take my kids on) 
1. Pirates of the Caribbean
2. Splash Mountain
3. Peter Pan’s Flight
4. Jungle Cruise
5. Kilimanjaro Safari

Favorite Restaurants 
1. Peter Lugars in Great Neck
2. Cracker Barrel
3. Del Frisco’s
4. On Parade Diner 

5. Emeril’s Fish House 



Monsterland Reanimated (Monsterland Book Two) 
by Michael Okon
April 13, 2018 
Genre: Young Adult Thriller
Publisher: WordFire Press LLC
ISBN Paperback: 978-1-61475-672-9
ISBN Hardcover: 978-1-61475-677-4
ASIN: 978-1-61475-673-6
Number of pages: 250
When an army of relentless mummies, a life-sucking ooze called The Glob, and a hybrid reanimated Behemoth rise from the depths of Monsterland, who will survive?

After Monsterland has imploded, the entire world is thrown into chaos. World leadership is gone, economies have collapsed, and communications are non-existent. Wyatt must go beyond the boundaries of his small town to reestablish contact with the outside world, and alert the government about a traitor-in-chief.

During his journey he discovers a new threat released from the bowels of the defunct theme park.
When an army of relentless mummies, a life-sucking ooze called The Glob, and a hybrid reanimated Behemoth rise from the depths of Monsterland, who will survive?



Excerpt: Chapter 1
The Night After the Monsterland Catastrophe

A bright moon painted the desert’s surface pewter. Here and there, dark spots soiled the landscape like oil spills. Most of the bodies had been taken before the troops were ordered to leave. They carted away the corpses, bulldozing the zombies into mass graves, until radios chirped with urgent orders deploying the soldiers to the bigger threats that erupted in the main cities like a chain of angry volcanos.

Monsterland was extinguished, its carcass left for the vultures to pick, the exhibits silent as a tomb.

The dead president and his equally dead entourage were whisked away on Air Force One, along with the dark-clad special operatives that came and left like the brisk desert wind that now howled through the empty streets.

A gate screamed in the silence, slamming with a reverberating smash. The uneven gait of someone with a physical challenge filled the void. The scrape and plod of his limp echoed against the wall of mountains framing the theme park. His labored breathing huffed as he made his way down the streets.

A door creaked loudly as it was blown by the wind. He stopped, his distorted figure silhouetted in the pale moonlight, his body turning silver. He looked at the broken glass littering the pavement like diamonds, then up to the still, pre-dawn sky. He considered the sun peeking over the jagged horizon in the east, its golden light painting the dips and hollows of the hills. Soon the coming day would chase the darkness away.

Time was the enemy now. He had to move faster, or it would be too late. He picked up his pace, lurching along the winding road. A keening howl ricocheted through the streets, bouncing off the walls. It sounded like a ... no, he thought, it couldn’t be. The werewolves were all dead. Destroyed by Vincent Konrad when he made their heads explode.

The old man paused, listening for it again, and was not disappointed when the animal whimpered. He gauged it to be inside the defunct vampire exhibit. He moved toward the entrance. The storefronts had been destroyed. A few body parts lay on the pavement, as if people had discarded them in a rush. He heard the scraping of paws on the street and a shiver went down his crooked spine.

He knew the werewolves were dead; he had seen it with his own eyes. A figure detached from the shadows. Igor flattened himself against the wall. He watched it move stealthily down the street, stopping when it scavenged a morsel of rotting flesh. It looked up to stare at Igor, its eyes glowing in the darkness.

A coyote? He waved a hand, dismissing it. It had to be a coyote; it was too small to be a wolf, too big to be a dog. The beast twitched its ears, then resumed its meal.

Igor knew the coyote was not a threat, and he continued his mission. His lame foot hit a can, sending a cacophony of sound like an explosion in the deserted park. The beast dropped the bone it was gnawing on, sniffing the area. Its iridescent eyes searched the streets.

It could be a baby wolf, Igor thought, keeping himself as still as possible. He felt it watching him, even from this distance. It was not a threat, yet.

Igor skittered away, hugging the walls of Monsterland, putting as much distance as he could between them. Not an easy feat, considering his distorted hips. He muttered to himself about carrion and the wind. His eyes darted nervously, scouring the hills, not exactly sure what he was looking for. Adrenaline coursed through his veins. His heart pounded so loudly he was certain that the creature watching him could hear it too.

His feet stumbling to a halt, he bent over, gasping for air, cursing Vincent and those meddlesome teenagers, as well as the rest of the world.

The beast gave another mournful howl that went right through him. Igor glanced at his empty hands, berating himself for not bringing a weapon. He searched his surroundings for anything to protect himself.

Then he saw it, one of the axes they had on almost every corner. All of them had been pulled from their protective cases. One was lying in a pool of coagulating blood, the blade long gone. He picked up the broken axe handle, turning in a semicircle. He was ready for an attacker.

A new, larger outline made his heart quiver with fear. It crouched in a corner, its snout covered with blood. This one was bigger, not a coyote, a wild wolf. Wait, he thought. Weren’t the gray wolves of California all but extinct?

Igor narrowed his eyes. The beast was a light reddish brown and not the silver gray of a wolf’s pelt. A chain hung from its neck, the pendant of a werewolf’s head dangling, emerald eyes flashing. What was it? Was it a mutant coyote? A wolf? Some weird hybrid, he wondered for a minute, his breath harsh in his ears. They watched each other soundlessly.

A hybrid then. He’d heard about them, a rare mixture of wolf and coyote. What did they call them? Coywolves ...? or was it Woyotes? He shrugged indifferently. Perhaps someone’s pet, he decided. Igor’s mirthless laugh came out like a snort.

The coywolf stood still, its ears alert, its head cocked as if it was observing him.

Igor dropped the makeshift weapon, calling out, “Eat the rest of your meal, you dumb beast.”

The animal continued to watch him, its two front paws on the remains of a zombie’s chest.

Igor wiped his forehead, waiting, his eyes coming back to search the village, confirming it was empty, except for the carrion eaters like the coyotes and vultures. He looked up, noting the circling predators waiting for him to move on.

“Interrupted your meal,” he chuckled. Just the local scavengers looking for food. That was all; the shadows revealed nothing else. Satisfied he was alone, he moved on. He had work to do.

A paper flew past him, hitting a kiosk as the wind plastered it against its surface. It flapped like a dying bird. Igor reached over, taking the fluttering paper, peering at the map of the park, the one they gave people as they entered Monsterland. A bark of laughter escaped his mouth.

He looked up at the giant monolith that was once the Werewolf River Run, its hulking shape obscuring the horizon. “You are here,” he giggled, pointing a grimy finger on the paper’s surface. He dragged his deformed body further down the pavement. The storefronts that used to be Monsterland’s Main Street yawned vacantly, the wind whistling through the narrow alleyways. “Now, you are here,” he laughed. Shouting, he listened to the sound of his voice bouncing off the blood-splattered walls.

He made his way to the back end of the zombie village, feeling like the last man on earth. He glanced around at the desolate landscape. His home, the beautiful theme park, was little more than ruins destroyed by the army.

His nose twitched from the fetid smell of rot. The US Army had massacred the zombies. The troops came like a force of nature wiping out everything in its path, every last one of them blown away by the troops.

They were black ops, special forces, he knew from their uniforms. He wondered if things were indeed going as planned. He shrugged, knowing right now nothing mattered except for what he had to do. The irony that he was just about the most important man on earth brought more amusement to his smile.

The local police force was gone, as were the leaders of most countries in the world. He knew all was chaos outside, perhaps even war, each nation blaming the next for the loss of their leadership. Not to worry, he thought. Vincent left America in capable hands.

Dreams do come true, he snickered. Nightmares too, he finished the thought. A long line of drool pulled at his lower lip. He paused at a pothole in the road, decomposing body parts glistening, the disappearing moon turning the bits of bone and brains pearly.

Anxiety bloomed in his chest as he passed the opaque windows of Vincent’s derelict Monsterland hotel, the Copper Valley Inn. He hated that place. Abandoned construction vehicles were frozen in their spots, testimony to the hotel’s unfinished business.

Despite the pastel colors of its exterior, it sat like an ominous crypt to the part of the theme park that Vincent could never control. Told Vincent it was a money pit. Crews couldn’t work because ... well, it didn’t matter anymore. The help was all dead. He thought he saw a light flicker in the window, but when he turned, he realized it was nothing more than a sputtering gas lamp that had never been disconnected.

He stood for a while, staring for more activity, and then jerked with the realization that he waited too long and wasted precious time. Surely no one expected him to go searching during the heat of battle.

Vincent said it was enough time to set up the timetable. Vincent knew everything, and Igor felt his panic ebb. It had been barely twenty-four hours since the attack. For all he knew, he could be on a fool’s errand.

He pressed his hand on his hip, his back screaming with resentment at so much movement. He was not used to any exercise. He sighed, wiping his brow with the ragged end of his costume, the lace scratching his skin. He caught the cuff, snagging the material with his teeth, tugging it free from his velvet jacket. He loathed the show and was glad he’d never have to endure the humiliation of performing again, especially with the vamps. Those condescending, blood-sucking parasites. He wouldn’t have to worry about them anymore, he thought with satisfaction. Vincent had promised he’d not have to endure them for long, living up to his part of the bargain quite nicely. They were gone, torn apart by the werewolves or transformed into a tasty dinner by the zombies. Either way, they wouldn’t be bullying him with their nasty insults. Something buzzed around him, and he swiped at it.

It felt as though he walked to the other side of the earth. Why Vincent had to pick Zombieville to make his last stand, he’d never know. The Werewolf River Run would have been much more convenient. It was getting lighter now, and he could easily make out the smoking devastation.

He searched the horizon, his eyes resting on the burnt wreckage of a golf cart, the torched skeleton listing at an odd angle.

Pulling his lame foot, he pushed himself as fast as his body could travel, his breath hitching with the effort.

The corpse was gone. He knew they would have taken that for DNA testing, proof that the enemy was vanquished. The only things left were the putrid carcasses from Monsterland, the decaying zombies, massacred vampires, and what was left of the werewolves after Vincent had exterminated them.

He climbed a small hill, his bad leg screaming with pain. Igor crowed with triumph when he saw it, the discarded lump of flesh, lying forgotten in a ditch, face down. He shivered as the desert wind stirred and eddied around him. Damn, but it was desolate here.

He hunkered down, forcing himself to skitter on the hard-packed earth. He wondered what his son, the vice president—no, he corrected himself, the new president of the United States, Mr. Nate Owens—would think of his father now, scrambling like a dung beetle in the dirt.

He cursed. The drool was back, dripping from his mouth like a sparkling spider web. Instead of rising—it was beyond him at this point—he shimmied over to the severed head, reaching forward, reverently, grabbing it by the matted hair, and grasping it to his chest.

The black eyes stared back dully, the dark depths reflecting the hunchback’s twisted smile.

Vincent Konrad’s lifeless face lay in his hands, the pale lips open in a soundless scream.

“I’m so happy I could kiss you, Vincent!” he told the decapitated head. He cradled the face of his friend. “We’ll get you fixed up in no time.”

The moon bathed the face a pale blue. The hunchback jiggled the dead weight, cackling with delight as the one papery eyelid drooped as if it were winking.

In the distance, that coywolf howled, making Igor suck in his breath with fear. He tucked the head under his arm as he struggled back up the small hill, mumbling something about Plan B.




About the Author:
website-FB-twitter
Instagram-Snapchat
Amazon

Michael Okon is an award-winning and best-selling author of multiple genres including paranormal, thriller, horror, action/adventure and self-help. He graduated from Long Island University with a degree in English, and then later received his MBA in business and finance. Coming from a family of writers, he has storytelling is his DNA. Michael has been writing from as far back as he can remember, his inspiration being his love for films and their impact on his life. From the time he saw The Goonies, he was hooked on the idea of entertaining people through unforgettable characters.

Michael is a lifelong movie buff, a music playlist aficionado, and a sucker for self-help books. He lives on the North Shore of Long Island with his wife and children.