GtPGKogPYT4p61R1biicqBXsUzo" /> Google+ I Smell Sheep: Selah Janel
Showing posts with label Selah Janel. Show all posts
Showing posts with label Selah Janel. Show all posts

Thursday, December 21, 2023

The Story Behind the Story with fantasy author Selah Janel

The holidays are one of those times that put the good and not-so-great points of one’s life in high contrast. There’s (somewhat enforced) joy all around. It’s supposed to be the most wonderful time of the year, yet life goes on. Illness, breakups, accidents, death, memories of hard times—they all still happen. So how do you carry on, especially when everything seems to sparkling all around you, without you? Wouldn’t it be nice to have things just magically fall into place?

I will admit this time of year isn’t the easiest for me. I have very good memories of holidays past, and very difficult memories. If something weird or awful is going to happen, it feels like December is the month that’s the biggest target. Through it all, though, the possibility and hope of the season keeps me coming back. I want to believe that things work out, that people are decent, and we can all work to be better. I also tend to be a realist. When it came time to try my own spin on a seasonal tale, I wanted both sides of the coin to be shown. Life can be good, but it also isn’t easy—even when it’s good.

Holly and Ivy starts directly after a Christmas where Holly’s life falls apart. It’s a pretty standard chick lit opening, yet I still feel for her. We all have those moments where life is upended and are forced into situations to make things work. We don’t all have an imaginary friend who turns out to be real with a magic gift up their sleeve.

Faerie lore has always fascinated me, and the mental image of a dryad in a Christmas tree is the seed that grew into Holly and Ivy. What started as typical holiday romance tropes turned into an unexpected look at personal growth and the consequences of magic. In some ways, big-city gal forced back into small town life has become a cliché, but it was also the chance to dig into Holly’s emotions as she tried to claw back from heartbreak and probably a healthy dose of imposter syndrome.

Then there’s Ivy. While the temptation to make a magic character an all-wise ‘fix-it’ being was there, it was way more fun to let the chaotic, somewhat naïve, somewhat impertinent faerie be who she was. She’s fickle, she likes to gossip with the birds and animals about the elitist faeries across the veil, and she doesn’t get humanity. She’s flippant, carefree, emotional, supportive, and cranky, depending on the moment. Her moods change often. Her whole world is the Christmas tree farm owned by Holly’s parents. Despite her bias against humans and Holly’s time away, she supports her friend, though the extent of it isn’t truly known until the finale.

Holly takes time to find her footing, even with a little magical help. She’s wary coming off of major disappointment and heartache. She’s extremely hard on herself. She also alternates between wanting to be a good friend and getting caught up in her own life—then juggling the guilt that brings when things improve for her. It takes her a while to come to terms with everything, but deep within her is a strength that is finally brought out by the end of the story.

I loved writing these two and all their emotional extremes, both in the original short story version of this title, and now expanding it to a full novella. It was nice to be able to put messy emotions into a genre that traditionally is usually tied up with a nice tidy bow. I suppose making them confront the realities of their situations stems from many of my own complicated Christmases. And while there is a happy ending, magic still comes with a price. As Holly attempts to reassure herself toward the end of the story—things work out a Christmas, though I would add that we don’t always get to choose how they work out. And that’s okay. Magic and loss, love and heartache, light and dark coexist, after all. Part of the magic of the holiday season is feeling a sense of love in the darkest and coldest part of the year. Sometimes those shining stars and candle sparks that help you find your way are the best part of the season.

by Selah Janel
December 1, 2023
Genre: Magical, folklore, fairy tales
Holly is forced to return to her parents’ farm after she loses her job and goes through the worst breakup of her life. Incapacitated by hopelessness and embarrassment, she doesn’t expect to bump into a forgotten childhood friend who isn’t supposed to exist.

Ivy is a dryad who lives in the pine trees Holly’s family grows as part of their livelihood. As the friends reconnect, Ivy not only shares her views on life, nature, and the modern world, but also gives Holly a magic charm that will change both their lives.

As the year progresses, things magically fall into place and a new figure is introduced into Holly’s life. Still, guilt lingers that maybe all the good developments aren’t deserved and aren’t even her own doing. Christmas not only brings surprises, but a choice.

Free on Kindle Unlimited

EXCERPT:
The high chirp was perky sunlight through my window at six in the morning. I whirled and backpedaled, yelping when my foot collided with the blasted pinecone a second time. “Who’s there? Sammy?” I called, though why the neighbor’s kid would have hiked a quarter of a mile to see what I was up to on a school day didn’t make sense. My head moved sharply at the sound of a giggle that I couldn’t dismiss as the breeze.

I swallowed and tried again. “Rexy, is that you?” Sure it is, because he has motivation and dogs can talk now, my ever-helpful mind pointed out. In the seclusion, my thoughts were foggy with the scent of natural pine and distracted by the sticky residue that coated my feet the longer I walked.

“Nay, silly! ’Tis me!” Shuddering branches reached out and upward. In a scene from my fervid childhood dreams, the needles abruptly flattened and the branches extended like long, lithe arms.

I screamed, dropped my sneakers, and stumbled back into a tree, wincing at the sharp branch that jabbed me in the small of the back. I’ve lost it. I’ve well and truly lost it. They’ll find me out here foaming at the mouth and screaming that the trees are talking. My hands clamped over my mouth to spare myself a little dignity before I was committed.

“You don’t remember?” The voice quivered as the branch-arms drooped, their needles rustling in displeasure, or maybe disappointment. An eerily thin girl stepped out of the center of the pine. If Clara was a stylish waif, then this creature was a glass figurine. Her tunic was the color of deep, brown bark that bore the textured, grooved pattern of a tree trunk. It was even sticky with the needles’ gum. Her shoulder-length hair was bristle thin and pale yellow, though in certain angles they looked various shades of light green. She was impossibly slender and tall in a way that made her proportions look overextended, yet not grotesque. Her fingers and arms were longer than what they should have been, yet there was an elegance about them. The creature’s delicate, pale-green face screwed up in dismay and her large emerald green eyes stared down at me in disappointment. “Have you forgotten me that easily? Has it truly been so long?”

The city smog, the years spent trying to cram myself into one jean size smaller than what I could comfortably wear, the pep talks to always “work hard to get ahead,” the years of late nights spent studying and partying at college, and the painful awkwardness of my high school and junior high years dissipated in the heady, tantalizing scent of Christmas in the in-between of spring and summer.

“Ivy?” I whispered her name, because surely, surely, I had to be dreaming. My hoarse voice was no lie, though, and neither was the pain in my back, the on my skin, nor the fatigue in the rest of me.

It’s frightening how easy it is to discount some experiences as childish imaginings. It’s even more frightening when they reappear in front of your logical, grounded adult eyes as reality. Past and present me fused in a sharp, evergreen-scented bolt of recognition.

I’d been four or five when I’d stumbled upon the dryad during one of my all-day marathon adventures, back in the days when kids were allowed to play outside by themselves as long as they were home by supper. I was doomed to the fate of an only child living outside of town who liked stories featuring fantastic lands and thousands of characters. It was impossible on any given day to entertain myself when the only friends left to play an arch nemesis and a prince were the family dog and a cow we eventually sold.

I’d been playing at being lost in the woods while stalked by a troll when Ivy stepped out of her tree just as she did now, skipping elegantly and looking for a playmate. It took a few moments to understand that I wasn’t locked in my imagination, that the impossible creature in front of me was real. After that moment of surprise, I accepted her as fact and invited her to play. We defeated the evil troll king together and ruled our own country all in the span of an afternoon.

Her faerie name was something long and musical when she said it, but wasn’t a name a regular human could hope to pronounce. Maybe that had been purposeful and she’d been putting me on to avoid me ever having that kind of power over her. I’d always called her Ivy after the vines that climbed the trees and buildings in the fairy tale books I loved. Since her very existence was tied to the trees, it was fitting. Since it technically wasn’t her real name and allowed her to retain her autonomy while pursuing a friendship with a mortal, she was especially pleased.

She wasn’t supposed to exist, but it was easier to accept what was in front of me than accept that I’d had a nervous breakdown on top of everything else. Belief is surprisingly easy when you’re not given a choice.

About the Author:

Website-FB-Bluesky
Instagram

Threads: @selahjanel99

Selah Janel has been blessed with a giant imagination since she was little when she  wondered if fairies lived in the nearby state park and worried that vampires hid in the old barns outside of town.

She has multiple e-books with Mocha Memoirs Press, including Holly and Mooner, and co-wrote the short story collection, Lost in the Shadows, with S.H. Roddey. Her work has been included in various magazines and anthologies, including The Realm Beyond, The MacGuffin, Curious Incidents, The Grotesquerie, and The Big Bad, vol 1&2.

Friday, December 6, 2019

Selah's Manga Mania Review: Otherworldly Izakaya Nobu Volume 1 by Natsuya Semikawa (Author), Virginia Nitouhei (Artist)

Otherworldly Izakaya Nobu Volume 1
by Natsuya Semikawa (Author), Virginia Nitouhei (Artist)
September 18, 2018
164 pages
Publisher: Udon Entertainment
Volumes: 6 (book 7 releases 5/20)
A Japanese style pub called “Nobu” exists in a back alley of the fictional medieval European city of Eiteriach. Its customers? A pair of slacker soldiers, a spoiled heiress, an uptight tax collector, and more... When the citizens of this strange world sit down to enjoy some unfamiliar Japanese cuisine, their troubles simply melt away…


The curtain rises on this otherworldly eatery and the gourmet fantasy about to unfold within!

I love food manga. When it's done well it's relaxing and the culinary elements add to the characterizations and overall story. There are only so many ways to set up characters needing to cook, though...or are there?


Otherworldly Izakaya Nobu takes a Japanese tavern and links it down in a medieval(ish) fantasy German town. Soldiers, tax collectors, children, artisans all gather to eat this strange new food and drink an ale called whatsontap. I've only read two volumes, but in the second we get a glimpse that the Izakaya is actually a gateway to modern Japan, which is how the owner and waitress can secure ingredients found nowhere else. No matter what, Nobu, the owner/chef, and Shinobu the waitress greet everyone with open arms and feed them unfamiliar dishes catered to their preferences, causing them to fall in love with Japanese cuisine.

The good: This is such a relaxing, sweet title without being overly saccharine. Obviously, the characters are a vehicle for the food, but they all are fleshed out and are recurring, which I love.


Every chapter focuses on a different person with a personal problem to solve or a desire that needs fulfilling and they all find some sort of satisfaction at Izakaya Nobu. There's a real sense of community that slowly builds as the town accepts this strange place. It's also great that the food is referenced in Japanese and German terms, so both cultures are referenced.

Food titles either tend to reference dishes very quickly like an itemized list or take time building it into the story. Here, the dishes are the star, but the author does a fantastic job of using the creation of the dishes to develop Nobu and Shinobu and the consumption of the food to really show how people can appreciate and be changed by food. It's relaxing and exciting to see these dishes come together and strangely satisfying to see people light up when they describe what they're eating. You really feel like you understand what the food tastes like and how it transcends these villagers' lives.

It'll also leave you really hungry.

As of vol 2, the nature of the portal is briefly shone, and I hope it gets referenced more in the future. Still, the village and the food are what I want to see.

The bad: Nothing. This is a great all-ages title, though be aware that though it's a loose interpretation of medieval Germany things like marrying very young and being on the streets are referenced, so parents may want to read the first volume to gauge the feel. Honestly, you either love something like this or you don't. This is one of my favorite types of titles because it makes me slow down and relax, and reminds me to appreciate things like what's on my plate and who's around me. If you prefer fast-paced plot and drama, this won't be your thing.

The Ick: Nothing.

5 sheep hungry for yakisoba and whatsontap







About the Reviewer
website-FB-twitter
Selah Janel is a writer who is trying to start doing that again instead of reading manga all the time.

Friday, October 25, 2019

Selah's Manga Mania Reviews: Uzumaki (3-in-1 Deluxe Edition) by Junji Ito

Uzumaki (3-in-1 Deluxe Edition): Includes vols. 1, 2 & 3
by Junji Ito
October 16, 2018
Volumes: 3
648 pages
English publisher: NA Viz Media
Seinen horror manga
Genres: Visual novel, Simulation Video Game, Dark fantasy, Horror fiction, Occult Fiction
Appearing as a serial in the weekly manga magazine Big Comic Spirits from 1998 to 1999. 
Kurouzu-cho, a small fogbound town on the coast of Japan, is cursed. According to Shuichi Saito, the withdrawn boyfriend of teenager Kirie Goshima, their town is haunted not by a person or being but a pattern: UZUMAKI, the spiral—the hypnotic secret shape of the world. The bizarre masterpiece horror manga is now available all in a single volume. Fall into a whirlpool of terror!

It's time to think about stories that freak us out, and Japanese horror has a certain something that just pushes things over the edge and down a cliff. Today, we're looking at one of the greatest authors in the genre and one of his most infamous titles. Today, we're looking at Uzumaki by Junji Ito.

We follow teenager Kirie and her boyfriend Shuichi as they slowly realize something is very wrong with their town and the people in it. It all begins with Shuichi's father's fascination with spirals that becomes an obsession, and then something otherworldly.

The good: This is a freaky series and I really like that the omnibus version collects it all in one place. While this is more surreal than other Ito titles which are more classic horror, the scare factor is definitely there. As the spiral obsession and paranoia jumps from person to person and then starts to physically affect the structure of the town and people's bodies in inhuman ways, the reading experience becomes really disturbing. 
My stomach dropped at scenes like Shuichi's mom puncturing her ear because she realized there was a spiral in the bones in it. The debate as people turned into snail creatures as to whether they could be used for food or if they were still human is intense. How villagers take shelter in the bunkhouses lets you know you've passed the point of no return.

Ito portrays the line between rational and madness very well, both in his pacing and art. You can physically see the moment where characters fall over the edge or give up, adding to the feeling over impending doom that builds through the story. As the town changes, you realize that this is way bigger than a few peoples' obsessions. I'd call it cosmic horror with patterns instead of monsters, honestly. And the ending took the breath out of me because it's quieter than I expected, but it really capped things well.

Ito's art is exceptional, and the vast amount of ways he incorporates spirals into body horror, architecture, and natural landscapes are impressive. It feels like he's really in his element.

The bad: if you want definite logic as to why things are happening, this will likely frustrate you. There is a reason, but it's vague. I would say the story is more about the effect the spirals have on people and the futility of their fight and just how wrong the decision to stay in town is. This is more surreal vs outright horror compared to something like Tomie, but it still has that Ito feel.
Some of the characters are a little one-dimensional, but in this case, it all pushes the plot forward and showcases the insane vignettes and variations on the spiral theme. He's taking you on a tour via these scenes, and it's your job to see how you feel about them. It won't be everyone's cuppa.

The ick: While a lot of the dramatic violence is off-screen, this is Ito, which means body horror. Contorted anatomy, mutations beyond the realm of physics, melty bodies, and characters in agony - it's kinda his thing. If looking at this isn't something you want to see, this title isn't for you.

Overall, while I would have liked a little more characterization and at times the pace can feel a little meandery, I felt the story super-fascinating and the art insane. I read it all in one night if that tells you anything. If you're looking for a story to get under your skin and never want to see spirals innocently again, this is for you.

5 spiralized sheep







About the Reviewer
website-FB-twitter
Selah Janel is a writer who is trying to start doing that again instead of reading manga all the time.









Friday, September 6, 2019

Selah's Manga Mania Reviews: Frankenstein: Junji Ito Story Collection

Frankenstein: Junji Ito Story Collection
by Junji Ito
October 16, 2018
408 pages
Genre: horror manga
The master of horror manga brings the world's greatest horror novel—Frankenstein—back to life.

Junji Ito meets Mary Shelley! The master of horror manga bends all his skill into bringing the anguished and solitary monster—and the fouler beast who created him—to life with the brilliantly detailed chiaroscuro he is known for.

Also included are six tales of Oshikiri—a high school student who lives in a decaying mansion connected to a haunted parallel world. Uncanny doppelgangers, unfortunately murdered friends, and a whole lot more are in store for him.


Bonus: The Ito family dog! Thrill to the adventures of Non-non Ito, an adorable Maltese!

We all love classic scary stories, but sometimes it's nice to have a new or even slightly different take. So what happens when you take a horror classic like Frankenstein and give it to someone like Junji Ito? Let's find out.

First off, this is actually more of a collection than a single book. Frankenstein takes up part of the book, and the rest are shorts chronicling a boy named Oshikiri and his descent into paranoia and madness thanks to his house and multiple dimensions.



The good: I was a little concerned with how Ito's art and approach would mesh with a more restrained title like Frankenstein, but they complement each other rather well. He does adjust the story a little, which is fine, because it does give a different sort of view on the story. There's an interesting undercurrent on how Frankenstein views women as a default good vs his own monstrous activities as well as those of his creature. It never goes off the rails crazy, but there is a nice undercurrent of tension and disgust throughout. Visually, it's a great contrast to the pristine timeframe, so in that aspect I think visually this is bang on.
The Oshikiri stories come as a welcome catharsis, though, and honestly they felt much more Ito, because duh, it's his original work. It was a little hard to figure out how they relate to each other at first given how the first story opens, but once the alternate dimensions come into play, it all makes sense. Oshikiri becoming paranoid and having to confront doppelgangers and different versions of his friends in horrific situations is a wild ride, and the art really goes all-out to express all the craziness he's trying to combat. Ito's fantastic at character reactions, and as Oshikiri becomes more unnerved and unhinged and has to take a proactive approach, it becomes a great set of horror stories.

The bad: I wouldn't call it bad, but the first part of the book was definitely harder to get through than the first. It wasn't boring, but I kept waiting for the other shoe to drop because of who was doing the storytelling. It also feels like Frankenstein's monster was made more evil and the doctor a bit more of a hero (Kinda. It doesn't shy away from the grave robbing or playing God.), which for me dilutes the point of the story. My only issue with the Oshikiri bits is that they seem to contradict each other until you keep reading, so you have to read all six to appreciate the full effect of those, which is fine.

The ick: The body horror Ito is known for doesn't really kick into high gear until after Frankenstein, so you could feasibly read the first half and stop if that sort of thing bothers you.
Overall, I liked this one, and I don't think Ito could put out bad work if he tried, but it isn't quite as punchy as titles like Uzumaki or Tomie. It's an interesting idea and take on a classic story, but I'd say I enjoyed his original stories more than i did his re-interpretation.

4 alternate dimension sheep






About the Reviewer
website-FB-twitter
Selah Janel is a writer who is trying to start doing that again instead of reading manga all the time.






Friday, August 23, 2019

Selah's Manga Mania Reviews: Giant Spider & Me: A Post-Apocalyptic Tale Vol. 1 by Kikori Morino

Giant Spider & Me: A Post-Apocalyptic Tale Vol. 1 
by Kikori Morino
February 20, 2018
manga
180 pages
14 chapters
3 Volumes, completed
Genre: fantasy, sci-fi, YA
Seven Seas Entertainment
A WEB OF FRIENDSHIP

A young girl named Nagi and a giant spider make an unusual pair in this post-apocalyptic story, but living in the mountains is lonely, and they’ve managed to find each other. Join them in their strangely sweet domestic bliss as they spend their days sharing tea and throwing picnics, proving that love (and delicious food) can bring together even the most unlikely of friends.

Sometimes we don't want drama and survival in our post-apoc stories. Sometimes all we need are tales of friendship, good food, and a new species of spider monster.

Oh what, this is me here.

Today, let's flick through Giant Spider and Me: A Post-Apocalyptic Tale.

You thought I was kidding, didn't you? Yeah, welcome to my aesthetic.

Nagi lives on her own in Japan after an unspecified apocalypse. All we really see are images of skyscrapers jutting out of the water and reference that it happened a while ago. Her father is away on adventures but hasn't returned and we don't see him at all in the series, so take that how you will. She lives in a house in the woods near a village, but keeps to herself, choosing to upkeep the house and tend the fields nearby. Until she happens to find a pumpkin one day...and Asa.

Asa would be a big giant green leafy spider monster with tentacles. Its species is never defined in the series, and we never know if they are part of a group or singular.

The good: This is a super-cute, relaxing read and at only 3 volumes it's a great starter title. It's also all ages. The story is one that promotes seeing past the surface and meeting others on their terms. I love the use of Asa's pronouns (they/them) and the continuing evolution of people trying to understand Asa for who they are as an individual and not an animal. That aspect isn't not talked about - there's plenty of debate once Nagi and Asa go to the village about whether Asa is a threat or not. It's nice to see people learn to accept others in a story like this.

The characters aren't too sweet and aren't too jaded. In this world there's enough stability to have working communities, so the emphasis is on building relationships and not fighting for survival. Some characters choose new roles for themselves, some take pride in their traditional community roles - different views are given space.

This is also fabulous as a food title. Time is taken to portray the steps in different panels as the characters discuss what they're doing. Asa usually helps, and there's plenty of fun schtick there.

The recipes sound yummy and are soothing to watch come together, which is what I look for in titles like this. I like that the author takes time for reaction panels where the characters describe what they're eating and how it makes them feel. Delightful.

The character designs and setting are also really nice. Things are just haunting enough in a background way while keeping the story mostly pleasant.

The bad: The fact that this is only three volumes. I respect the author's view that the characters had more adventures but this is where the story ends. I don't have to like it, because this is such a sweet breath of fresh air.
The ick: Nothing, unless…

But what if I'm scared of spiders?
So there's no getting around the fact that Asa is spider-like (They're not portrayed as an actual spider). I actually do not like spiders at all and only picked this up because it seemed like such a bonkers idea. I think the line between creepy and cure is portrayed very well. Asa has predatory instincts at times, but around humans, they're benign and helpful unless they're not feeling well.

There's a lot of great discussion about whether they'll grow to be a threat and the characters that are worried have a legitimate point. There are also great moments where the character design is just unsettling enough, which adds to the theme of looking past the surface. Still, Asa also has leaves and tentacles and helps cook and works in a cafe, so for me, there's enough to balance out any arachnophobia. However, YMMV, though I'd suggest giving it a flip through because on the whole, it's uplifting and really cute.

5 cafe-working post-apoc sheep





About the Author:
website-FB-twitter
Selah Janel is a writer who is trying to start doing that again instead of reading manga all the time.






Friday, August 9, 2019

Book Review: The Devil Is a Part-Timer, Vol. 1 - light novel Paperback by Satoshi Wagahara

The Devil Is a Part-Timer, Vol. 1 - light novel Paperback
Hataraku Maō-sama!
by Satoshi Wagahara
Illustrations by Oniku. 
April 21, 2015
240 pages
Book 1 of 12
Genres: Comedy, Fantasy
Do you want fries with your hellfire? Being soundly thrashed by the hero Emilia, the Devil King and his general beat a hasty retreat to a parallel universe...only to land smack in the middle of bustling, modern-day Tokyo! Lacking the magic necessary to return home, the two are forced to assume human identities and live average human lives until they can find a better solution. And to make ends meet, Satan finds gainful employment at a nearby fast food joint! With his devilish mind set on working his way up the management food chain, what will become of his thirst for conquest?!

I love a good bonkers manga series. I'm talking off-the-wall, might as well have started as a word association exercise type of bonkers. So what happens when Satan has to become a teen boy and work at a fast food place in modern Japan? Magic. Magic happens. Literally, but also in the this is awesome sense. Ahem.

Let's look at The Devil is a Part-Timer!

In this context, Satan is the name of a demon king from a fantasy island (the name is explained as an old traditional one at one point. The title translates more to The Demon King at Work! if that helps). He and his army were beaten back by humans at one point and regrouped by jumping into a portal.

Satan and his general Alciel find themselves in modern Tokyo in the guise of young men, and powerless. They hope to use Japan's vast folklore history to regain their powers, but first they've gotta eat. After securing a place to live, Satan (taking the name Mao) finds employment at MgRonalds (not a typo, welcome to manga's way around potential copyrights). However, the human hero, Emilia, also comes through the gate, becomes an office worker, and is determined to kill the demons. Add in hijinks like Isla Ente religious politics, Lucifer as a neet, a human love interest, angels coming in to screw things up, and a holy child who is also a jewel and Emilia's sword and it's mind-bending fun. I can't even go into everything because there's so much.


The good: It's a blast. I like that it doesn't take itself too seriously but it doesn't go completely off the rails. It takes the time to develop the characters and plot, so it doesn't have the pacing problems of something like Kiss of the Rose Princess. I like that the demons can be kind, but also still want to take over the world. It's awesome that Emilia discovers that the holy forces she represents aren't always good, either. As a human, Mao is genuinely a good guy and good at his job, but there are always flashbacks to remind you that he's no saint, either. The side characters are used nicely and really contribute to it being an ensemble cast.

The series is also forward-looking and doesn't shy away from the fact that eventually the demonic and holy characters will have to get on with their ear or go home, and the things that may come from that. It also takes typical manga schtick like going to the beach or holidays and subverts them well.

Plus it balances the ridiculous with the plot and heart really well.

The bad: Not bad, but there is a large cast and there is always a curveball, so this would be hard to start in the middle or skip volumes on. There were a few places that felt a little slow to me, but I always got over that feeling and fell back into being vastly entertained.

The ick: not really. There's fighting but no real gore, and outside some boob jokes nothing that might make anyone do a double-take. Really this comes down to how you feel about demons as protagonists. Like a lot of manga, this portrays demons as more monsters or human hybrids, and again the use of Satan seems to be a translation thing. The fantasy world has a holy order and angels are portrayed, but there's no real direct Christianity if that makes sense. No possession or things that a western audience might expect when we hear the word demon. Still, if seeing 'evil' creatures slowly become more of the protagonists is going to bug you, skip, because this is a longer series.

I'm about 12 volumes in and curious how things will end up. Plus, every time I think I've got a handle on things, this series manages to make me bust out laughing.

4.5 demonic, part-time sheep








About the Author:
website-FB-twitter
Selah Janel is a writer who is trying to start doing that again instead of reading manga all the time.




Friday, April 26, 2019

Selah's Manga Mania Reviews: Sleepy Princess in the Demon Castle, Vol.1 by Kagiji Kumanomata


Sleepy Princess in the Demon Castle, Vol. 1 
by Kagiji Kumanomata 
June 12, 2018-
176 pages
Genres: Slice of life, fantasy, comedy, supernatural
Shounen
Volumes: 8 (ongoing)
A captured princess just wants a good night’s sleep!

Imprisoned in the castle of the Demon King, all spoiled-sweet Princess Syalis dreams of is a good night’s sleep! Shhh...

Kidnapped by the Demon King and imprisoned in his castle, Princess Syalis is…bored.

She decides to while away the hours by sleeping, but getting a good night’s rest turns out to be a lot of work! She begins by fashioning a DIY pillow out of the fur of her Teddy Demon guards and an “air mattress” from the magical Shield of the Wind. The princess’s hapless demonic guards soon discover that their captive expects to be treated like, well, a princess. Things go from bad to worse—for her captors—when some of Princess Syalis’s schemes end in her untimely—if temporary—demise and she chooses the Forbidden Grimoire for her bedtime reading…

I love manga because sometimes I find a title that speaks to me on a cellular level, a title that fundamentally gets who I am.

So today we’re taking a look at Sleepy Princess in the Demon Castle. 
Obviously, this is my unofficial biography. 
The humans and demons (in this case think fantasy-type monsters of varying degrees) are at war and the demons kidnap Princess Syalis to have an upper hand. The princess could care less. She's only put out by the fact that it’s SO HARD to sleep well in the Demon Castle, you guys. So, she becomes a master at jail breaks...but only to get herself more personal comfort. Add in things like teddy bear demons, her making bedding from ghost shrouds, her accidentally dying a few times (she really puts the cleric through a lot), and I just...it’s hysterical. Syalis is so unaware of anything but her goal, and the demons just do not know how to take her.
The good: This is a cute, witty, hilarious read. All four volumes I've seen do not disappoint. What could be a tired gag is kept fresh from chapter to chapter, and there's some nice slow character work done. By volume four Syalis is starting to kinda have an inkling beyond her selfish whims (but not enough to detract from who she is) and the demons (even the king) realize they kinda don't want her to leave. There's also some nice comparison to game play, and the king always tries to give the hero who’s trying to rescue Syalis a fair chance (and it’s usually ruined by Syalis, herself). It’s a title that knows what it is and is comfortable sticking to what it does best.
The bad: For me, nothing. I could see if a reader wants something with a faster arc of a more serious narrative this may not work, but I love this take on the fantasy genre. Like anything else, some bits work better than others, but nothing feels slow or ineffective to me. 
The ick: Nothing overt or in your face. There are some pretty blatant innuendo and misunderstandings (the king misreads her request to hit her pressure points as seduction at one point), do this is probably a teen and up title. I find it all pretty hilarious, and there’s nothing graphic.

All in all, one of my favorite newer titles.

4.5 sheep






About the Author:
website-FB-twitter
Selah Janel is a writer who is trying to start doing that again instead of reading manga all the time.

Friday, April 5, 2019

Selah's Manga Mania Reviews: Barakamon, Vol. 1 Paperback by Satsuki Yoshino

Barakamon, Vol. 1 Paperback
by Satsuki Yoshino (Author, Artist)
February 21, 2009 – present
Paperback: 208 pages
Genre: Comedy, Slice of Life, YA
Demographic: shōnen
Volumes 17 (List of volumes)
Manga
First things first.........Visitors are supposed to come in through the front door!! For a certain reason, a handsome, young calligrapher by the name of Seishuu Handa uproots himself and moves to an island on the westernmost edge of Japan. 'Sensei,' as he comes to be known, is a city boy through and through, and has never experienced rural life until now. And by the looks of it, he has much to learn! Luckily(?), he has a willing teacher in Naru, the energetic expert islander, to help show him the ropes. But can Sensei keep up with the plucky first-grader, or will he get schooled?! Here unfolds a heartfelt island comedy about a gruff on the outside, soft on the inside urbanite teacher and his new, unfailingly kind island neighbors!

As much as I love genre titles, I have a soft spot for a good slice-of-life story in manga. It helps me appreciate different cultures and lifestyles, and when a story is well done it just adds a little something to your life. 

Which is why I love Barakamon.

Seishu Handa is a young calligrapher who loses his temper on an exhibition curator when he's called unoriginal. His father sends him to Goto Island to cool off. Not only is he a fish out of water, but the neighborhood kids used to use his house for their fort and insist on still coming around.

The good: I love the interaction between Handa and the kids. Over time, the way he takes to Naru and the more her situation is revealed, it becomes a really nice emotional anchor for the series. It’s also great to see how the kids heckle Handa, and the series is filled with misadventures as he tries to acclimate to island living and being on his own. Just when you feel like he's growing, something will happen to remind you that he's still pretty young, himself, which is a great touch. 

As the volumes progress you also get a sense of how the Islanders feel about Handa, as well as their own daily struggles. There's a constant theme of growth and moving on as kids get older and contemplate life off the island, and as Handa finds himself as an artist and a person. This series balances humor and drama, sweetness and conflict really well.
The bad: Nothing in particular. If this sorry if title isn't your thing, this won't change your mind. The only thing that I noticed was that it's a little hard to acclimate to the choice to emphasize the island dialect, though it backs up Handa’s initial opinion that the Islanders are hicks. Either I got used to it or it softened in later volumes.


The ick: Nothing. This is a pretty all-ages title depending on reading level. Granted, I don't know if this type of title would speak to tweens, but there's nothing questionable in it.

I don't know how much research was done into the calligraphy for this, but everything feels realistic to me. I love the journey that Handa is on, both artistically and personally. Plus, a lot of the chapters are just hilarious. Definitely a great title to curl up with. 


5 sheep







About the Author:
website-FB-twitter
Selah Janel is a writer who is trying to start doing that again instead of reading manga all the time.