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Showing posts with label Juan Ferreyra. Show all posts
Showing posts with label Juan Ferreyra. Show all posts

Sunday, September 4, 2016

Comic Review: The Strain: Master Quinlan, Vampire Hunter from Dark Horse Comics

The Strain: Master Quinlan, Vampire Hunter
Writer: David Lapham
Penciller: Edgar Salazar
Inker: Keith Champagne
Colorist: Dan Jackson
Cover Artist: Juan Ferreyra
Genre: Horror, Action/Adventure
September 14, 2016
Format: FC, 32 pages; Miniseries
Price: $3.99
UPC: 7 61568 00065 8 00111
The origin of Mr. Quinlan!

A vampiric abomination seeks to destroy the monster that sired him. Born as a mistake of a powerful vampire known as the Master and raised in the brutal gladiatorial arenas of ancient Rome, Mr. Quinlan must survive long enough to carry out his mission when his target begins hunting him.

* Go back to the beginnings of a popular character from The Strain.

* Watch The Strain on FX!

In this first issue, we learn the origins of the half vampire, half human vampire hunter, Quinlan. Like Blade the vampire hunter, he too can walk in the daylight, unlike the vampires in The Strain. His life began in his mother’s belly, as she and other slave girls were brought to the Master, now called Thrax. Thrax was a trusted confident of the mad Roman Emperor Caligula. Before he could finish her, guards came to get Thrax because Caligula needed him. Quinlan’s mother was already infected and changing and able to overpower her guard to escape. She gives birth to Quinlan, who grows like a normal child, except he has the vampire tongue like her and subsist on blood. Unlike her, he can hunt in the daylight and he doesn’t have the worms in his blood, so he cannot infect others. Thrax is chased away after Caligula’s death, but he searches for the woman and her child.

Dark Horse gives us the frightening horror, blood and darkness from The Strain, but this time, takes us into the past, adding a historical aspect to it. If you enjoy historical vampire horror stories, you will enjoy reading this comic. The Strain: Master Quinlan, Vampire Hunter could be called the bloody love child of Anne Rice if Guillermo Del Toro was the father.

I give The Strain: Master Quinlan, Vampire Hunter 4 sheep.







Pamela K. Kinney

Wednesday, June 3, 2015

Comic Review: Prometheus: Fire & Stone Dark Horse Comics

PROMETHEUS: FIRE AND STONE TPB
Writer: Paul Tobin
Artist: Juan Ferreyra
Cover Artist: David Palumbo
Genre: Action/Adventure, Horror, Science-Fiction
April 08, 2015
Format: FC, 104 pages; TPB, 7” x 10'
Price: $14.99
Age range: 14
“10 out of 10!”—Bloody Disgusting
When the Prometheus never returned from its fateful journey to LV-223, the questions surrounding the origins of man went unanswered. Now a new team of explorers seeks to uncover the dark mystery that holds not only the fate of theoriginal mission, but possibly their own damnation. Collects the four-issue miniseries.

“A great start to this multi-series event.”—Unleash the Fanboy

“I'm really blown away by every aspect of this book.” —Bloody Disgusting

“Must reading for fans of the films, science fiction, or horror. Dark Horse is delivering the goods.” —SciFiPulse

Prometheus as a film was … frustrating. Visually stunning, sure, but it just came nowhere close to meeting expectations. It wasn't a write-off though, with enough residual interest to keep talks of a sequel alive, as well a comic book mini-series sequel-of-sorts that is part of a “Fire and Stone” crossover event, which includes the Predator and Aliens franchises. But I didn't read those, so let's stick with Prometheus and see where we end up.

More than a century after the confounding mission undertaken by the crew of the Prometheus, a salvage mission is called to recover the research vessel and anything else of value that was thought lost. Only that's actually just a cover for a covert operation to find the answers originally sought by Prometheus. And once they find the desert moon that plays home to the mystery is no longer a desert but a macabre jungle teeming with alien life, it doesn't take long for the crew members who've been left in the dark to realize they are up to their eyeballs in trouble.

Now, I wish I could tell you about which character was the most captivating, but I can't. The ensemble cast of Prometheus was not at all memorable outside of Michael Fassbender's android character, David. And that's pretty much how it shakes out with this graphic novel, with Elden the crew's android character stealing the show. Ulterior motives, rampant deception, unethical practices—oh, and xenomorphs. Yeah, there's a bunch of those making things difficult.

At least where the story begs me to give a damn about characters whose names I can barely recall by the time I've turned the page, the artwork is wonderful in capturing the desolation and the air of dread that comes from traversing this alien landscape with threats lurking quite literally just beyond every shadow. One scene showing a small horde of xenomorphs does one heckuva job at ramping up the tension when it's most needed.

While there are moments through the sporadic info dumping dialog that add a little clarity to certain aspects of the film, like the nature of the black goo, the peaks and valleys of the story feel like they run almost identical to the film. And by the end of the book I was left with an almost identical sense of frustration and exasperation, because things do not end on a satisfying note. Perhaps that's the nature of this being a crossover event, but I would have hoped this story would have had its own resolution, whether happy, sad, or soul-crushing. Instead, it feels like a lure to seek out the other books and hope for the best.

No thanks. A great story made good, by the looks of it.

3 Sheep





Gef Fox

Friday, January 24, 2014

Comic Review: Kiss Me, Satan #4 and #5


KISS ME, SATAN
Writer:Victor Gischler

Colorist:Juan Ferreyra
Publication Date:December 18, 2013
Format:FC, 32 pages; Miniseries
Price:$3.99
UPC:7 61568 23081 9 00411

Issue #4
After a contract-killer shaman ambushes our heroes, undercover demon Barnabus Black takes a group of witches back to his safe house, where he equips them with a massive arsenal to prepare for a final showdown with the werewolf mafia.
* Covers by Dave Johnson!
* By Victor Gischler (Buffy the Vampire Slayer: Spike—A Dark Place, Clown Fatale) and Juan Ferreyra (Colder, Rex Mundi)!
* Drawing on your nightmares!

Issue #5
preview
Barnabus Black infiltrates the werewolf mafia’s mansion, only to be overtaken by an army of angry monsters, a dangerous wizard, and their werewolf godfather!
* Featuring covers by Dave Johnson!
* By Victor Gischler (Buffy the Vampire Slayer: Spike—A Dark Place, Punisher MAX, X-Men)and Juan Ferreyra(Colder, Rex Mundi)!



And then there was one. Despite his best efforts, Barnabus just can't seem to keep the coven of witches from being picked off one by one. Holed up in a shack in the bayou, there is one witch left (Zell) with the eye of fates and if she dies, then the eye could wind up in the wrong hands.

The fourth issue, "Her Demon Lover," kicked off with Malcolm Drake, the notorious mage for hire, incinerating one witch, but taking a seriously humbling ass-whoopin' from Barnabus in the process. Not all bad from Drake though, since he got a good look at the mystical necklace Barnabus is wearing that apparently protects him from magic attacks. With Drake tucking tail, Barnabus and Zell head out to his hideout and set off a little magic of their own. Bow chicka bow wow.

The fifth issue, "Dog Pile," begins with a rather out-of-the-blue encounter with a priest and a nun that know their way around firearms and have marching orders: "Thou shalt not suffer a witch to live." Barnabus and Zell just can't catch a break it seems. The grand finale of the mini-series takes things back to where they all began, in Cassian's mansion as his newborn son remains in serious danger of being killed to ensure Cassian holds on to power. And Drake lays in wait among the werewolf clan to take the eye and Barnabus' nifty necklace, too.

This high-octane mini-series wound up keeping the pedal to the medal for these final two issues. Lots of action, lots of swerves, and one big and bloody finish. Not a lot of room for introspection and soliloquies in this series, as everything on the page exists to keep the action moving. Between Gischler's firm grip on each character's motivations and frailties, and Ferreyra's pulpy presentation, much of that action practically lept off the page.

There were a couple of moments where story threads felt like they got snipped quite abruptly, but nothing was glaringly unfulfilled and the series never really made the promise of expounding on the final resolutions after the fact. Everything ended on a really satisfying note, with just enough elbow room to offer a glimpse for future iterations of Barnabus and this world. I'll keep my fingers crossed.


4.5 Sheep




4 and 1/2 Sheep 
Gef Fox 
Wag The Fox

Tuesday, December 3, 2013

Comic Review: Kiss Me, Satan #3

Kiss Me, Satan #3
Writer:Victor Gischler
Artist:Juan Ferreyra
Colorist:Juan Ferreyra
Cover Artist:Dave Johnson
Genre: Action/Adventure, Crime, Horror
Publication Date:November 20, 2013

Format:FC, 32 pages; Miniseries
Price:$3.99
Age range:14
UPC:7 61568 23081 9 00311
Dark Horse Comi
cs
After a bloody zombie battle, a dying witch tells Barnabus Black to cut out her eye. If it’s still in her head when she dies, all her knowledge of the occult will be lost forever. Now for the hard part: Who gets the eye?
* Don’t miss writer Victor Gischler’s all-new series, Clown Fatale!
* By Victor Gischler (Buffy the Vampire Slayer: Spike—A Dark Place, Punisher MAX, X-Men)and Juan Ferreyra(Colder, Rex Mundi)!

It kind of speaks to just how nuts this series is when the third issue kicks off with a rumble in a New Orleans graveyard between a coven of witches and a horde of zombies. Throw in an angelic bodyguard and a cowboy wizard and all bets are off.
Cassian Steele, the werewolf kingpin, has set a very enticing price on the heads of those witches, in hopes of keeping the news of his newborn son hush-hush. And it appears The Bone Wrangler, a wizard with a penchant for enchanted trinkets, looks to be Cassian's best hire yet, since ol' Boney's undead ruffians have put a serious hurt on the witches. So much so in fact that Barnabus and the coven have to retreat and lick their wounds--and prepare for a changing of the guard, so to speak.

But Bone Wrangler didn't finish the job, which leaves the door open for a warlock by the name of Malcolm Drake, who has eyes for the Eye of Fate, the infernal device used to see the future of Cassian's would-be heir. Considering the lengths Cassian has gone to so far to keep things in check regarding his son, even going so far as to incapacitate his wife, the Eye is practically a bargain.

This series has, so far, played out like a violent, fantastical soap opera. With the atmospheric backdrop of New Orleans, every supernatural creature imaginable short of the Creature from the Black Lagoon, there's little to complain about regarding Kiss Me, Satan. If I have one gripe, it's that there has been no followup on Barnabus' relationship and arrangement with Heaven, since he's serving as bodyguard as a way to earn his way back into God's good graces. Maybe it's simply that I would love to see the return of Jules, the impish angel who struck the deal with Barnabus in the first place.

Oh well, two more issues to go and a heckuva lot more action. Can't wait.


review: Kiss Me Satan #2
review: Kiss Me Satan #1





4 and 1/2 Sheep 
Gef Fox 
Wag The Fox

  

Thursday, November 14, 2013

Sheep Comic Review: Kiss Me, Satan #2

Kiss Me, Satan #2
Writer: Victor Gischler
Artist: Juan Ferreyra
Cover Artist: Dave Johnson
Genre: Action/Adventure, Crime, Horror
Publication Date: October 23, 2013
Format: FC, 32 pages; Miniseries
Price: $3.99
UPC:7 61568 23081 9 00211

After an attack from a vampire maid, Barnabus Black and the witches flee their hiding spot in a cheap Big Easy motel. Barnabus says he knows a safe place, and as they cross the historic Garden District Cemetery, zombies erupt from their graves and attack the group. A new hit man arrives who is known as THE BONE WRANGLER, and his power is control of the undead.
* Featuring covers by Dave Johnson!
* By Victor Gischler (Buffy the Vampire Slayer: Spike—A Dark Place) and Juan Ferreyra (Colder, Rex Mundi)!

Subtlety be damned. Let's see some ass whoopin'. Where the inaugural issue of Kiss Me, Satan started off hot, issue number two makes it downright scorching.

After whisking away a coven of witches before they could be killed by a corrupt werewolf kingpin in fear of losing his empire, Barnabus Black has them holed up in a seedy motel waiting to the heat to die down a little. Trouble is, a hit has been put out on the witches, which is attracting an assortment of ghoulish assassins

After going toe-to-toe with a vampiric gun-for-hire, Barnabus has to get the coven out of there, but if the vampire was a handful, the truckload of baddies on their tail have to be seen to be believed. Meanwhile, Cassian the werewolf kingpin must contend with his own pregnant wife when she discovers that he has no intention of letting their accursed child live. That secondary storyline does a lot to steal the show from the main storyline, given the story a bit of a soap opera vibe--a soap opera with fangs and firepower, at any rate.

After the absolutely insane action of these first two issues, I cannot imagine what Victor Gischler and company have cooked up for the third issue. Can they possibly shift into a higher gear? That would be a heck of an accomplishment. While there are moments that make the story seem ludicrous, it's still way too entertaining to gripe.
After I've seen a ninja zombie, I should say I've seen it all, but when it comes to Kiss Me, Satan, I doubt I have seen it all. Not by a longshot.

4 1/2 Sheep




Gef Fox
Wag the Fox: Den For Dark Fiction


Sunday, September 29, 2013

Sheep Comic Review: Kiss Me, Satan #1

Kiss Me, Satan #1 (Juan Ferreyra variant cover)

Writer: Victor Gischler
Artist: Juan Ferreyra
Cover Artist: Juan Ferreyra
Genre: Action/Adventure, Crime, Horror
Publication Date: September 18, 2013
Dark Horse
Format: FC, 32 pages; Miniseries
Price: $3.99
UPC:7 61568 23081 9 00121
Cassian Steele is the boss of the werewolf mafia in the Big Easy, and he’s got a problem. The old witch Verona knows his secret and has gone into hiding. Cassian wants her dead. So he sends out the word: An open contract. The first monster to dust Verona gets a big payday. What no one realizes is that Barnabus Black, a demon desperately trying to regain his halo, is her protection.

* Featuring covers by Dave Johnson and Juan Ferreyra!

* By Victor Gischler (Buffy the Vampire Slayer: Spike—A Dark Place, Punisher MAX, X-Men) and Juan Ferreyra (Colder, Rex Mundi)!

"His art reminds me of Clive Barker at his best. Things which disturb you on a deep, psychological level. Beasts which have too many eyes or hands. It always warms my black heart to see new monsters, and Ferreyra draws the best I've seen in many moons."
- Adventures in Poor Taste

Cover by Dave Johnson
The Dark Horse team have themselves a new urban fantasy on their hands, here. Or maybe it's action/horror. Ah the heck with it. Whatever it is it's got Victor Gischler writing it, and that ain't not bad.

Set in New Orleans, werewolves run the town and the family who runs them all has just received some ominous news concerning the impending birth of the would-be heir to the empire. The news and its consequences threaten to send the town into chaos, and it's up to Barnabus, a fallen angel turned gun-for-hire, to protect the coven of witches who delivered the band news, while avoiding some demonic secret agents with some very big chips on their shoulders as well, and hopefully earn his way back into Heaven.

The blending of genres winds up working really well. Nothing gets pureed into gray goop, it all keeps enough original color with sleazy gangster wolves and cigar-chomping cherubs. This first issue sets the tone almost immediately and offers a wild conflict from the get-go, while holding promise of some interesting twists to come in the next four issues.

If I have a criticism about the issue, it's what I felt was some uneven artwork. When at its best, the lines were crisp, the colors vibrant, and the action practically leaping off the page. But there were some weaker panels, I thought, that felt murkier with character depictions. Still, not to a terribly distracting degree.

A helluva debut for Kiss Me, Satan.


4 Sheep