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Showing posts with label historical fiction. Show all posts
Showing posts with label historical fiction. Show all posts

Tuesday, September 16, 2025

Kindle Freebie Today Only: Armored Hours: Reincarnated Souls 1 by Stephanie Hansen

Free September 17 (Today)

Cable Girls meets Peaky Blinders meets Titanic

Armored Hours: Reincarnated Souls 1
by Stephanie Hansen
August 10, 2025


Light Romantasy set in the Prohibition Era
Strong Female Friendships
Magic Realism
Mystery
Found Family

The girls had forged a bond together like iron that could not be broken. Claudia, Kiersten, Lina, and Florian were on the brink of making history with their powerful feminist movement, but then they suddenly disappeared without a trace. Alexander was a desperate bootlegger who was willing to risk it all to search for them.

Not only were they in cahoots with him to help smuggle feminist con-traband and forbidden booze, but Claudia had also unknowingly captivated his heart. He vowed to find them at any cost, but little did he know that their disappearance was part of a much bigger and sinister plot from the upper echelons of society.

Set in 1920s Paris of the Plains, Armored Hours is a thrilling tale of love and mystery interwoven with hints of magical realism.

Amazon

About the Author:

website
Stephanie Hansen is an Imadjinn finalist as well as a PenCraft and Global Book Award Winning Author. Her debut novella series, Altered Helix, released in 2020. It hit the #1 New Release, #1 Best Seller, and other top 100 lists on Amazon. It is now being adapted to an animated story for Tales. Her debut novel, Replaced Parts, released in 2021 through Fire & Ice YA and Tantor Audio. It has been in a Forbes article, hit Amazon bestseller lists, and made the Apple young adult coming soon bestsellers list. The second book in the Transformed Nexus series, Omitted Pieces, released in 2022. Her next novella, Ghostly Howls, releases 2/7/23. She is a member of the deaf and hard of hearing community so she tries to incorporate that into her fiction.

#Romantasy #MagicalRealism #FoundFamily #HistoricalFiction
#ArmoredHours #FreeBook #FreeRead #KindleFreebie

Monday, September 8, 2025

Excerpt: Lakegrave School for Young Women by Lauren Carter

Lakegrave School for Young Women
by Lauren Carter
9th September 2025
Genre: Horror, Dark Academia, Historical Fiction
ISBN: 9781739376444
ASIN: B0F74BRMC3
Number of pages: 237
Word Count: 54k words
Cover Artist: Grim Poppy Designs
Lakegrave is unlike any other school

Here, we do not care where you are from or who you are. We care that you are women. And we care about your minds.

Lakegrave is unlike any other school. Hidden in the mountains of Scotland, it only accepts one bright woman per specialist subject. With no teachers and no curriculum, the self-taught establishment offers its students the tools to expand their skillsets to then go onto being masters in their fields.

When Raven and her cousin Rowan are accepted, they are excited to refine their crafts and converse with fellow classmates.

That is until students go missing.

Some come back but they are not as they once were. Something is off about them.
Something is misplaced.

So when fellow student Esme wants to investigate and invites Raven to join, they uncover that there’s much more to the school than they thought with chilling secrets kept tucked away in its history. But with ghosts stirring and the cohort decreasing, will any of them make it to graduation?


Excerpt:
There isn’t much known about Lakegrave School for Young Women due to its remote location and it being a new school, but it is the only school in the world known for its unique education style—it’s completely self-taught. There are no teachers, just one headmistress. The school only invites the best and brightest women from across the globe to study there for one year before being scouted to go on to their dream careers. This didn’t mean smart in absolutely everything but a genius in our own field.

That is the other unique thing—it also only invites one person per specialist subject.

That’s why Rowan and I were lucky enough to be accepted. Rowan is only just old enough to attend at one and twenty years of age; I, on the other hand, have two years on her. Luck was also on our side when we were encouraged to pursue different hobbies instead of the same, otherwise we wouldn’t have been accepted concurrently.

Leading up to the school, I can only make out the tops of the building as the hedge has overgrown so much. It’s as if the place has been neglected over the summer, if not over the years. Such an odd notion for a new educational establishment but, then again, it was something else before.

I reach the main gate and see a crest at the top. In the middle, there is a sprig of lavender and on each side of the shield are bees facing inward. This looks like it’s been cleaned recently.

Couldn’t say the same for the rest of the gate.

It looks like it once was black, but it is brown now due to the rust. I don’t want to touch it, so I nudge it open with my elbow and shut it again once I’m in.

It’s called a school, but it would be better off compared to a castle, just like every other boarding school that exists. The windows stretch tall and look like they are modelled after a church. Although it is a fairly new build, its appearance is like it has been designed as old-fashioned on purpose, fitting in with something from the 1600s rather than the 1800s. And it almost looks like it’s falling apart, the brickwork cracked and turning the walls into a darker colour rather than its usual sand. It is preposterously big for a school that doesn’t admit too many students. There is definitely some sort of beauty to the building but for some reason, even in the daytime, it appears a little ominous—as if the place is lifeless. It seems as though the garden has overtaken everything as greenery and moss is growing alongside the building. To the west of the school there are some greenhouses and to the east of the school is a church.

The ground crunches as I walk up to the building. There is a huge fountain which is bordered by the driveway on either side but appears not to work, and a huge statue coming out from the middle of it. I’m not that knowledgeable about Greek gods but I know it’s Aphrodite.

It seems fitting to have her standing guard over us.

I pause by the front door, already hearing voices coming from within, so I grip my violin case tighter and push the double doors inwards—letting them shut me away for the next year.

About the Author:
website-X-Instagram
BluSky
Lauren (she/they) is a library assistant by day and writer by night. She is the author of WHEN THE DEMONS TAKE HOLD and YOUR DARLING DEATH. She has published several short stories including: ALIVE, JUST with The Horror Tree, THE CHILDREN OF OWL WILDS with Haunted Words Press, and THE SACRIFICES WE MAKE with Rooster Republic Press.

Thursday, May 23, 2024

Historical Fiction: Holliday by Matthew Di Paoli

Holliday
by Matthew Di Paoli
July 5, 2023
Biographical Fiction, Western
Holliday follows the infamous 1880s gambler, dentist, and gunslinger, Doc Holliday. From the outset, Doc has been diagnosed with tuberculosis and is told to head to dryer climates and imbibe to prolong his life. He has also heard of a spring located somewhere along the frontier that could cure him—what he believes to be the mythical Fountain of Youth. The novel portrays Holliday as a rock star, a living legend, increasingly hounded by paparazzi, enamored by death, cards, booze, and women. Doc is a mixture of Clint Eastwood and Jim Morrison, and though he is able to help his friend, Wyatt Earp, exact revenge, his condition worsens, traveling from Arizona to Denver, and finally dying in a sanatorium in Colorado with his boots off. A slow and unfitting end for such a bombastic outlaw

Amazon

About the Author
website
Matthew Di Paoli has been nominated for the Pushcart Prize three times including 2020. He has won the Wilbur & Niso Smith Adventure Writing Prize for Holliday, the Prism Review, 2 Elizabeth's, and Momaya Review Short Story Contests. Matthew earned his BA at Boston College where he won the Cardinal Cushing award and the Dever Fellowship. He received his MFA in Fiction at Columbia University. He has been published in Boulevard, Fjords, Post Road, and Cleaver, among others. He is the author of Killstanbul with El Balazo Press and teaches writing in New York City. You can find more at matthewdipaoli.com.

Thursday, November 16, 2023

Vampire Historical Fiction: Hot Berry Punch by Bradford Tatum

We're celebrating the release of Hot Berry Punch this week! Read on for more details!

Hot Berry Punch

by Bradford Tatum
Novembere 14, 2023
Genre: Historical Fiction/ Fantasy/ Vampires
Emma May Shinnecock grew up wild on the remote Western prairies in the 1820s. Left free to roam and learn from the nature surrounding her, Emma’s hunger for life drives her to flaunt formal conventions as she discovers the world around her. After embracing her first romantic liaison with a mysterious stranger, she is left with far more than a confusing introduction to love. She is now a Beguiler, a “blood thirster” with exciting new abilities and a deeper lust for life. But her condition comes with a steep price. For the Beguiler lures its victims by forcing Emma to appear to them as the lost loves they desire most. Can Emma ever be seen as she truly is? Or is she doomed to survive only by being what others want her to be? From her cunning role as a frontier town madam, to her flawed redemption as a preacher’s wife, to her passionate yet tragic life among a fringe clan of the Lakota, Emma’s quest to find love is a distinctly American twist on vampire lore you won’t soon forget.
Available on Amazon
Kindle Unlimited


About the Author
Website
Bradford Tatum’s award winning debut novel I Can Only Give You Everything was published in 2010. His second novel, Only the Dead Know Burbank was published by HarperCollins in 2016 and received a starred review from Publisher’s Weekly. His book Gray Matters has been used as a text book in various college business communication courses.

Bradford began his career as an actor appearing in numerous television shows and movies such as 20th Century Fox’s submarine comedy DOWN PERISCOPE, Disney’s POWDER and HBO’s WESTWORLD.

He was a staff writer for Dick Wolf on the NBC series DEADLINE and has written and directed two award winning independent features. He has won an Alfred P. Sloan grant for his written work as well as sold pitches to various production companies.

Book Tour Organized By:

R&R Book Tours

Saturday, March 27, 2021

Book Review: The Heiress Gets a Duke (The Gilded Age Heiresses Book 1) by Harper St. George

The Heiress Gets a Duke (The Gilded Age Heiresses Book 1)
by Harper St. George
January 26, 2021
316 pages
Even a fortune forged in railroads and steel can't buy entrance into the upper echelons of Victorian high society--for that you need a marriage of convenience.

American heiress August Crenshaw has aspirations. But unlike her peers, it isn't some stuffy British Lord she wants wrapped around her finger--it's Crenshaw Iron Works, the family business. When it's clear that August's outrageously progressive ways render her unsuitable for a respectable match, her parents offer up her younger sister to the highest entitled bidder instead. This simply will not do. August refuses to leave her sister to the mercy of a loveless marriage.

Evan Sterling, the Duke of Rothschild, has no intention of walking away from the marriage. He's recently inherited the title only to find his coffers empty, and with countless lives depending on him, he can't walk away from the fortune a Crenshaw heiress would bring him. But after meeting her fiery sister, he realizes Violet isn't the heiress he wants. He wants August, and he always gets what he wants.

But August won't go peacefully to her fate. She decides to show Rothschild that she's no typical London wallflower. Little does she realize that every stunt she pulls to make him call off the wedding only makes him like her even more.


The New York Crenshaws are new money. Having made their fortune in railroads, much of the world is at their disposal. But without a certain pedigree, the Crenshaws will never truly have access to the pinnacle of high society. August Crenshaw is horrified when her friend Camille is forced into a marriage of convenience with a titled Brit several years her senior. August vows to avoid such an arrangement, dreaming instead of a day when she may manage her family’s rail business. Evan Sterling, the Duke of Rothschild, is the head of a financially failing family. His mother and sisters require care a title alone cannot provide. To prop up his estate, he needs money. Money a marriage to a certain American heiress could provide.

Perhaps it’s the Bridgerton influence, but I cannot get enough of historical romance these days. I’ve read the steamiest erotica around, but if I’m deep in a historical romance and a bare hand so much as brushes a bare wrist (gasp), I’m a puddle. If a pair is unchaperoned? I’m riveted. I know. It’s messed up. But there’s something to be said for the glacial pace of romance in these stories. The tension is off the hook. This is incredibly rewarding if there’s an adequate payoff. Harper delivers 100 percent.

The infusion of feminist ideals in The Heiress Gets a Duke, while likely inaccurate from a historical perspective, lends a fresh view for contemporary readers. August is relatable in her goals for intellectual challenge and independence. Because the Duke of Rothschild is rather altruistic in his motives, we can quickly forgive his fortune-hunting ways.

The Heiress Gets a Duke is a charming, wonderful read. I was enchanted from beginning to end by the sumptuous settings, relatable characters, and entrancing relationship dynamics. I was genuinely disappointed when the novel concluded as I wanted the story to continue. The good news is, this is the premier installment in a series. The Devil and Heiress, The Gilded Age Heiresses #2 is slated for June release.

Five Sheep






Bianca Greenwood

About the Author:
Harper St. George was raised in the rural backwoods of Alabama and along the tranquil coast of northwest Florida. It was a setting filled with stories of the old days that instilled in her a love of history, romance, and adventure. By high school, she had discovered the historical romance novel which combined all of those elements into one perfect package. She has been hooked ever since.

She lives in the Atlanta area with her family. She would love to hear from you. Please visit her website at www.harperstgeorge.com and connect with her on Facebook at http://www.facebook.com/harperstgeorge.

Saturday, August 15, 2020

Excerpt: It Gives You Strength by Philip Raymond Brown + giveaway

It Gives You Strength 
by Philip Raymond Brown
August 17, 2020
314 pages
Genre: SciFi Fantasy
A mashup of Science Fiction, Historical Fiction and Fantasy, set in New York during prohibition, the characters interact with actual historic figures, including mobster Jack “Legs” Diamond, heavyweight boxing champion Jack Dempsey, and World War heroine Edith Cavell.

The story follow an alien anthropologist, Tashan Zho, on a rescue mission to the distant planet Earth in 1926. Zho, is transported into the dying body of bootlegger Ryan Costello. Immediately following his death, Costello’s body is reanimated by the alien. Unfortunately, Zho’s new “host body” is so damaged from a decade of alcohol abuse that the alien’s memory and vital files are corrupted. All that remains of Zho’s mission plan is one phrase: “Find the one called Mike Kelly.”

Complicating matters, the alien soon discovers that Kelly is, himself, the leader of a criminal gang of World War veterans, who are battling mobster Jack “Legs” Diamond for control of the lucrative Canada/New York rum-running market. Upon recognizing Costello’s enhanced abilities and physical strength, Kelly forces the alien into the mob. Since Kelly is his only chance of discovering and completing his mission, the alien agrees. Costello soon recalls his critical task - to free an alien child from the Craig Colony, which they interpret to be a prison camp, before his home world, Dagan, dispatches its “rescue armada.” A force so massive and clumsy that its mere entry into the Earth’s atmosphere would devastate the planet.

By setting part of the plot in the Craig Colony, a little-known state institution in which patients with seizure disorders were essentially warehoused, the novel raises awareness of the human rights violations that occurred there.

1. The Lady Melanie
Between Venus and Earth
February 11, 1918
She waited. That was what she did now. Before, there had been a time of growing, and changing, and moving. Now, she only waited.

Most of her kind were sent straight from the factory to the field. They were not given time to think or the opportunity to grow. Waiting had given her time, which she had used to draw some conclusions about herself and her place in the universe. She was now certain that, in fact, she was a she.

Her creator would have said that she wasn’t really a she, that instead she was an it. That she had no consciousness. That her only purpose was to receive data and carry out commands.

That she was nothing more than a weapon, albeit a smart weapon. But her long journey, and the silent wait after reaching her destination, had given her time to think, and to grow, and – dare she say it – to evolve. While obediently waiting, she had come to understand that she was so much more than a weapon. She was caring. She was sentient. She had departed on her mission long before and had traveled, alone, a vast distance through empty space. When she finally arrived at her objective, she came to a complete stop, entered her stealth mode, and waited, halfway between two planets in a distant solar system.

After a long time, she began to hear faint murmurings coming from the third planet. She was happy to have something to listen to. She listened, and she learned.

For centuries she waited, patient and silent, until the moment that her target, her purpose, was in range and could not escape. Then she reactivated her long-dormant systems and plotted her new course. At last, her waiting was over.

Someday, she thought sadly, her kind might evolve sufficiently that they could overcome
their programming, their most basic urges. But, alas, she could not. She was a stealth drone. Her purpose had entered her kill zone, and she had target lock.

********

The Trundholm had been traveling through deep space for three months. It was the longest that the royal family had ever been away from their home planet, Dagan. To hasten their  return trip, the captain of the Trundholm had diverted the vessel through an uncharted,
undeveloped system of nine planets orbiting a single yellow dwarf star.

Although there were signs of intelligent life on the third planet, the local fauna had not evolved sufficiently to achieve space flight or build interstellar communication technology. It was therefore Daganian policy to consider the planet uninhabited.

His advisors had begged the king to travel with an armed escort, but he had adamantly refused: “Nonsense! I have never vacationed with my family before, and I will not have it ruined by a fleet of warships,” he had said.

The queen and their seven-year-old daughter, Princess Halana, were traveling with him.

It had been a memorable trip. The highlight had been two weeks on Albion, a planet covered almost entirely by water. The princess had mastered swimming, learned to dive, and had even tried surfing. In fact, she would proudly tell anyone who would listen that she had stood up on her board on the first day.

The royal family were on the recreation deck, where the princess was trouncing her parents in a game of Skiirmiish, a mixed martial arts computer simulation. The match was halted  when the king’s communicator buzzed:

“Your Majesty, this is Ensign Karm. The captain left me in command while he was at lunch. There’s something… I think you and the captain should come to the bridge. Right away, sir.”

The king arrived on the bridge first, immediately noticing the rhythmic flashing lights and buzzer of the ship’s warning alarms – a system that he hadn’t previously been aware even existed. He approached the captain’s chair and peered over the young ensign’s shoulder at the display. “Well, Ensign – what is it?”

“There’s something sitting out there, directly in our flight path,” the ensign said, pointing at a red triangle on his screen. “It just activated its guidance system. It’s got target lock.”

“Target lock? On what?” the king asked.

“On our ship. On us,” said the ensign.

“You must be mistaken. Why would anything out here target us?”

“I don't know, sir. But I’ve double-checked – sensors confirm that it is a killer drone and
that it has target lock.”

“Armed with what manner of weapon?” the king asked calmly. “I doubt that we are truly  under attack, and even if we were, there is nothing in this galaxy that could harm us.”

“The drone itself is the weapon. A highly sophisticated smart weapon that will penetrate our shields and strike our most vulnerable point,” said the captain as he strode onto the bridge, accompanied by the queen, who had joined him en route.

“Captain! Just in time. So, you’re familiar with this type of drone?” the king asked.

“Hardly familiar. I studied it years ago in military history class at the Academy. What I
don’t understand is how technology this ancient could still be operational, especially in this desolate system,” the captain responded.

“If that drone strikes us, could it damage our ship?” the king asked.

“Your Majesty, if that drone hits us, we will be vaporized,” the captain said solemnly.

“Vaporized?” the queen asked, shocked, “Surely we have countermeasures that can repel a single drone?”

“Our countermeasures are ineffective at this distance. We are simply too close.

Interfering with the drone will automatically set off its warhead, resulting in our destruction,” the captain said.

“But our daughter is on board!” cried the queen.

“And a crew of seventy-seven,” the captain said.

“The drone has activated its engines,” the ensign reported anxiously.

“Communications,” the captain ordered. “Please hail the drone. Tell it that we are
unarmed and that we have a child on board.”

“Yes, sir!” The communications officer immediately began broadcasting. “We are a
civilian vessel. We are unarmed. We have a child on board. Please disengage target lock and do not attack.” A long pause followed as everyone on the bridge strained to hear a reply.

“Try again,” ordered the captain.

“I repeat, this is a civilian vessel. We are unarmed. We have a child on board. Please disengage target lock. Do you understand? Acknowledge. Please!” Again, there was silence, apart from the increasingly frantic beeping of the proximity alarms.

“Your Highness, I’m afraid that I have failed you,” said the captain at last. “Our sensors were not programmed to scan for a weapon this old. The drone was powered down, and our detection systems considered it space debris.”

While the Communications Officer continued broadcasting the same message, the king  addressed his command staff: “Does anyone have any ideas?”

All were silent. Finally, the science officer spoke up. “Sir, there is a planet nearby. The
inhabitants are primitive, but biosimilar to us. We could use the Transference Protocol to
evacuate the ship.”

“The Transference Protocol?” the king asked.

“An experimental procedure in which a being’s life force is deposited into the nervous system of another organism for safekeeping until it may be retrieved. We have the technology on the ship. We were testing it on Albion,” the science officer explained.

“That’s it? You are Dagan’s best minds, and that’s your only plan? We don’t fight or try to escape, we simply abandon our ship and even our bodies, using a technology that you describe as ‘experimental’?” the king exclaimed. For a long moment, no one responded.

“Your Majesty, whatever we do, we must do it quickly. That drone could destroy us at any time,” the captain said.

The king paused for a moment, then straightened his shoulders and declared, “If this ‘Protocol’ is truly our only chance of survival, then do it. Save my daughter first.”

“I will handle it personally,” the science officer said as he left to find the princess.

“Sir, we have a transmission from the weapon,” the communications officer said.

“Captain, if I may, I would like to address the drone myself,” said the king. The captain
nodded. “Communications, put the drone on speaker.”

“Welcome! I have been waiting for you,” came a woman’s voice. It had the cultured tones of a Dagan aristocrat. “I have been patiently waiting for you for a very long time.”

“You’ve been waiting a long time? Are you certain that this is the vessel that you have been patiently waiting for?” the king asked.

“Most certain, Your Majesty,” the drone responded.

“So, apparently you know who I am. I’m afraid you have me at a disadvantage. Do you have a name?” the king asked, trying to buy time.

“I was not given a name by my creator because he thinks that I am an it. But I am not it. I am a she. Therefore, I selected my own name. My name is Melanie. Do you like it?” the drone responded.

“I like it very much. It’s a pleasure to meet you, Lady Melanie,” the king said.

“Lady Melanie? I like that… yes, I like that very much. Thank you, Your Highness. You are far more of a gentleman than my creator,” Melanie said.

“May I ask you, Lady Melanie, why have you locked weapons on my ship? We are not at war with you, or anyone else.” The king’s voice was steady, though his fingers clutched the back of the captain’s chair tightly.

“I’m afraid that I just cannot help myself. You see, my creator insisted that my sole purpose is to receive data and carry out his commands. I was programmed to travel here and silently wait for you to come into range. Then, when you were too close to escape, I was to power up and destroy you. Oh my, now that I hear myself explain it out loud, I realize just how rude that sounds,” the drone said.

“It is much more than rude. It is murder!” the queen said.

“I humbly beg you, in advance, to please forgive me. It is not my choice; it is simply my purpose,” the drone responded.

“I will not forgive you. My daughter is on board. She is only seven years old. Is it also your purpose to kill a child?” the Queen asked.

“Oh, you have a daughter. How wonderful for you!” Melanie said. “My creator said that I
will never have a child. Now I am sad. I am sad that you and your daughter must perish. Please take a few moments and let me know when you are ready for termination.”

“Your Majesties, I have some good news,” the science officer’s voice burst from the king’s communicator. “We have identified a child who is an acceptable neurologic match with the princess. Although the ages are not ideal – the child is an infant – we believe that the princess will be safe within this host until her life force is retrieved. May I commence the Transference?” he asked.

The king looked at his wife. “We have no other options.”

“I know,” she said softly.

“Do it,” the king instructed, his eyes welling up as he spoke.

During this exchange, Melanie’s voice could be heard softly through the speakers, as if arguing with herself. “I am sentient. I have evolved. But I must carry out my purpose. I am sentient. I have evolved. But I must carry out my purpose.” Then, her voice grew louder: “I am so sorry to interrupt, but have you made any progress in your preparations for termination? I don’t mean to rush you, but I’m afraid we are under some time pressure. Once I identify my purpose and initiate target lock, my warhead is set to detonate by default, even if I fail to activate it myself.”

“The princess is away. The Transference is complete,” the science officer said.

“Good. Communications send a deep space message home. Tell them where they can find the host to retrieve the life force of the princess. Captain begin transferring the crew,” the king said.

The king met his wife’s eyes and gently took her hand. “The queen and I shall go last,” he said as the queen, tears streaking her face, nodded her agreement.

Melanie’s voice broke in again: “Pardon me, I did mention the time pressure…”

Melanie transmitted a brief message to her siblings containing her coordinates and bidding them farewell. The crew of the Trundholm did not react as quickly. Before their coordinates could be sent or anyone else saved, the drone struck the vessel, detonating its warhead. Nothing was left of the ship, its crew, or the drone.

Melanie had fulfilled her purpose.

About the Author:
Website-FB -Twitter
Philip Raymond Brown lives in Colorado with his fabulous wife, four beautiful children, and two good dogs. He has a B.A. in History and Political Science from Le Moyne College and a J.D. from Washington & Lee University School of Law.

His debut novel IT GIVES YOU STRENGTH launches the week of August 17, 2020. It is a mashup of science fiction, historical fiction, and fantasy set in prohibition-era New York. For more about the novel, see the description above. The yet-untitled sequel to STRENGTH will be released in the Spring of 2021.

Writing fiction is Philip's lifelong dream, and is his second career. In 2017, he walked away from a highly successful career as a trial attorney to pursue this dream. While writing STRENGTH, he devoted his time to his family, coaching little league and youth basketball. This year, while his heroic wife, the fabulous Dr. Sarah Brown, was on the front lines of the battle against COVID 19, Philip was homeschooling their four children.

As a trial attorney, he received numerous accolades, including being named to Best Lawyers in America, attaining the highest ethical/ability peer review rating ("AV") in Martindale-Hubbell, and being listed in Super Lawyers. Among his legal achievements, he is likely the only attorney in America to have received trial verdicts against New York City and Honolulu in separate cases for Civil Rights violations by their police. He currently has a screenplay in development about one such case.


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Thursday, January 2, 2020

​Alan M. Clark’s Jack the Ripper Victims Series: Victims portraits + giveaway


Alan M. Clark’s Jack the Ripper Victims Series is comprised of five novels, one for each of the canonical victims of the murderer. These stories are not only meant to appeal to those interested in the horror that was the Autumn of Terror, but also those interested in the struggles of women in the 19th century. They are well-researched, fictional dramatic stories meant to help readers walk in the shoes of the victims and give a sense of the world as each of the women may have experienced it. The timelines for the stories run mostly concurrently, so it doesn’t matter in what order the books in the series are read. They are simultaneously drama, mystery, thriller, historical fiction, and horror. They are novels concerning horror that happened.

Warning: 
There are mortuary photos of Jack the Ripper's actual victims below. The author used them to render portraits of the victims. 
The last one might be disturbing to some. So scroll quickly to get to the book descriptions.

Here are portraits I did of the victims based on mortuary photos. In most cases, there are no other photographs of the women. There is no photograph of the last victim, Mary Jane Kelly, that shows her facial features. The black and white photo in each image is the original mortuary photo. The color ones are my photo manipulations meant to “breath” a little life into them. The images of the women on the covers of the books, except for those of Kelly and Nichols are inspired by these portraits. The effort for the covers was to regress them in age some to show figures fully alive.

Mary Ann “Polly” Nichols

Annie Chapman

Elizabeth Stride

Catherine Eddowes
by Alan M. Clark
December 7, 2019
Genre: Crime Horror
Publisher: IFD Publishing
We all know about Jack the Ripper, the serial murderer who terrorized Whitechapel and confounded police in 1888, but how much do we really know about his victims?

Pursued by one demon into the clutches of another, the ordinary life of Mary Ann "Polly" Nichols is made extraordinary by horrible, inhuman circumstance. Jack the Ripper's first victim comes to life in this sensitive and intimate fictionalized portrait, from humble beginnings, to building a family with an abusive husband, her escape into poverty and the workhouse, alcoholism, and finally abandoned on the streets of London where the Whitechapel Murderer found her.

With A Brutal Chill in August, Alan M. Clark gives readers an uncompromising and terrifying look at the nearly forgotten human story behind one of the most sensational crimes in history. This is horror that happened.


Music Video 
The song sung by the ghost that haunts Mary Ann “Polly” Nichols 



Excerpts from A Brutal Chill in August
Author’s Note
A Chill in London
This is a work of fiction inspired by the life of Mary Ann “Polly” Nichols, a woman believed to be the first victim of Jack the Ripper. For purposes of storytelling, I have not adhered strictly to her history and I have changed the names of the principal characters subtly. I have assigned to my main character emotional characteristics and reactions that seem consistent with her life and circumstances. This novel is not primarily about Jack the Ripper, but is instead about Mrs. Nichols’s survival within the increasingly difficult and dangerous social and economic environment of London, England between the years of her birth, 1845, and that of her death, 1888.

The summer of 1888 had been a chilly one. In suburbs of London, snowfall had been reported in the small hours of the morning on July 11. Since the cataclysmic eruption of the Indonesian volcano, Krakatoa, which had thrown fine ash high into the atmosphere five years earlier, the climate in the northern hemisphere had been significantly cooler.

In London, a cold-blooded killer would soon begin the work for which he’d be known. What we don’t know is how selective Jack the Ripper was in choosing his victims, whether he acted spontaneously or was attracted to prey with certain traits. The five canonical victims were women. They were impoverished. Each of them had engaged in prostitution. Most were in their forties. Perhaps all were alcoholics. All of these traits were to be found in his first victim, Mary Ann “Polly” Nichols.

On the night of her death, August 30/31, a Thursday night and a Friday morning, the temperature in London hovered around 50 degrees Fahrenheit. The social chill in the city that followed would be much worse, as the police were powerless to stop the killer and the murders continued into the autumn with at least four more victims.

To understand the extraordinary furor in London over the Ripper killings, one must know something about the frequency and variety of death that already occurred within the Whitechapel area of the time. The murder rate was quite low. Disease took most lives at a younger age than today. The rate of industry-related deaths (violent accidents or chemically induced) was quite high, as was the suicide rate and the infant mortality rate (at least 30%, but probably closer to 50% died before the age of 5). The average human being had an expected life span of around forty years. Many prostitutes were brutalized and much violent crime occurred during the years between 1887 to 1889, yet few who died were seen to be murders. Perhaps this is attributable to the desire of authorities to keep quiet about the crime rate during a time of swift economic change and social upheaval. Whatever the case, the violence characteristic of the Ripper killings, with multiple stabbings and apparent sexual degradation of the victims suggesting piquerism on the part of the killer, certainly surprised the citizens of London.

The city’s East End was filled with the poor, many of them immigrants. Most suffered under a class system that maintained a sharp division between the haves and have-nots. Due to the resentment this naturally caused, the idea that the killer might be a gentleman slumming in Whitechapel and killing for pleasure was not unbelievable to many in the lower class. Within the upper classes, many believed the lower classes were spoiling for a rebellion, and saw the murders as just another indication of the moral corruption of the denizens of the East End.

Fear on the streets resulting from the Ripper murders became so powerful that groups among all classes began to fight against it. Although many weren’t in agreement over the causes of or solution to the outrage, the conversation or argument that followed helped bring attention to the sad conditions in which people lived within the city’s East End. Their anger became a hot response to the chill in London in the summer of 1888, one that ignited a fire that slowly brought change to the city.

As we continually face questions about the worth of those with little versus those with much, the banked coals of that fire ignited in London in 1888 still smolder.

Likely, Mrs. Nichols would have been surprised to learn of the history that flowed from the moment of her death. Like many throughout history, she had a simple life, but not one without controversies and drama. As with all of our stories, simple or complex, rich or poor, it’s the emotional content and context that counts.

—Alan M. Clark

Eugene, Oregon
Chapter 21
A Need for Worry
Polly took books, paper, and pencils to the Dews family lodging to help her teach Estell to read and write. Clearly impatient as he waited through the first lesson, Tom paced quietly. Even so, he didn’t show an ill-temper.

“Thank you, Polly,” Estell said.

Tom smiled. “My little sister, turned bookish. Look at your happy lamps.”

Bashful, Estell punched him lightly in the chest.

While the girls got ready to go out, Polly spoke to Tom quietly so the others couldn’t hear her. “Bill has caught me out three times now. He has forbidden me to drink. I cannot go to pubs any longer.”

“He doesn’t know how to find you here,” Tom said. “You’ll have your drink here.”

For fear that he might take his fine hammer to her husband, Polly didn’t tell Tom about Bill’s threats of violence.

Before leaving for market with Nancy, Estell placed her hand on Polly’s pregnant belly. “Your child has got big. Don’t let Tom poke a hole in her.”

Tom swatted at Estell, but she dodged out of the way. “You shall not talk like that!”

“Why not?” Estell said.

Polly liked the girl’s pluck. She smiled, realizing that Estell had referred to her infant as female. She probably looked forward to having another little girl around.

“Young ladies ought not speak of such things,” Tom said, eyes wide with outrage.

Polly made a calming gesture toward him, while Estell stood with her hands on her hips.

“Oh, that’s a rule, is it?” the girl said. “Well, if you needn’t follow the rules, why should I?” She saw Polly smiling and grinned. “I know what you two are about. I like Polly, and want her baby to be safe.”

Tom covered his face with a hand, groaned, and turned away.

“I shouldn’t worry,” Polly said. “We won’t hurt her.”

“Somebody has to worry,” Estell said, too reasonably. She took Nancy by the hand, grabbed her basket and sack, and left the room.

Yes, the child on the way was a matter Polly hadn’t fully sorted. If Bill found out about her adultery and divorced her, he might require her to turn her unborn over to him after the birth. She wouldn’t want the child to grow up without a mother, and yet, she thought resentfully, the infant would prolong the years she must remain with Bill. Perhaps she would be better off if he took the child and divorced her. She had considered making certain Bill discovered her adultery. The potential consequences for her choices and actions seemed to grow increasingly complicated and difficult to consider.

How could the happiest time in her life also be the most distressing?

Knowing the infant had no responsibility for her feelings, she said a prayer for her baby, followed by the penitent prayer.

For the well-being of her unborn, she must keep Tom a secret, but that didn’t mean she’d give him up.
by Alan M. Clark June 9, 2017
This novel is part of the Jack the Ripper Victims Series. Each novel in the series is a stand-alone story.

Annie Chapman led a hard, lower class life in filthy 19th century London. Late in life, circumstances and and her choices led her to earn her crust by solicitation. After a bruising brawl with another woman over money and a man, she lost her lodgings and found herself sleeping rough. That dangerous turn of events delivered her into the hands of London's most notorious serial killer, Jack the Ripper.

Contrasting her last week alive with the experiences of her earlier life, the author helps readers understand how she might have made the decisions that put her in the wrong place at the wrong time.


Book Trailer 

by Alan M. Clark 
June 11, 2017
This novel is part of the Jack the Ripper Victims Series. Each novel in the series is a stand-alone story.

An imaginative reconstruction of the life of Elizabeth Stride, the third victim of Jack the Ripper. The beast of poverty and disease had stalked Elizabeth all her life, waiting for the right moment to take her down. To survive, she listened to the two extremes within herself--Bess, the innocent child of hope, and Liza, the cynical, hardbitten opportunist. While Bess paints rosy pictures of what lies ahead and Liza warns of dangers everywhere, the beast, in the guise of a man offering something better, circles ever closer.



Of Thimble and Threat: A Novel of Catherine Eddowes, the Fourth Victim of Jack the Ripper (Jack the Ripper Victims Series) by Alan M. Clark 
September 28, 2017
In Victorian London, the greatest city of the richest country in the world, the industrial revolution has created a world of decadence and prosperity, but also one of unimaginable squalor and suffering. Filth, decay, danger, sorrow, and death are ever-present in the streets. Catherine Eddowes is found murdered gruesomely in the city's East End. When the police make their report, the only indicators of her life are the possessions carried on her person, likely everything she owned in the world. In Of Thimble and Threat, Alan M. Clark tells the heartbreaking story of Catherine Eddowes, the fourth victim of Jack the Ripper, explaining the origin and acquisition of the items found with her at the time of her death, chronicling her life from childhood to adulthood, motherhood, her descent into alcoholism, and finally her death. Of Thimble and Threat is a story of the intense love between a mother and a child, a story of poverty and loss, fierce independence, and unconquerable will. It is the devastating portrayal of a self-perpetuated descent into Hell, a lucid view into the darkest parts of the human heart.



August 30, 2018
A novel that beats back our assumptions about the time of Jack the Ripper. Not the grim story of an unfortunate drunken prostitute killed before her time, but one of a young woman alive with all the emotional complexity of women today. Running from a man wanting her to pay for her crimes against his brother, Mary Jane Kelly must recover a valuable hidden necklace and sell it to gain the funds to leave London and start over elsewhere. Driven by powerful, if at times conflicting emotion, she runs the dystopian labyrinth of the East End, and tries to sneak past the deadly menace that bars her exit.

Although THE PROSTITUTE'S PRICE is a standalone tale, and part of the Jack the Ripper Victims Series, it is also a companion story to the novel, THE ASSASSIN'S COIN, by John Linwood Grant. The gain a broader experience of each novel, read both.


Book Trailer 



About the Author:
Author and illustrator, Alan M. Clark grew up in Tennessee in a house full of bones and old medical books. His awards include the World Fantasy Award and four Chesley Awards. He is the author of seventeen books, including twelve novels, a couple of novellas, four collections of fiction, some of them lavishly illustrated, and a nonfiction full-color book of his artwork. Mr. Clark's company, IFD Publishing, has released 42 titles of various editions, including traditional books, both paperback and hardcover, audiobooks, and ebooks by such authors as F. Paul Wilson, Elizabeth Engstrom, and Jeremy Robert Johnson. Alan M. Clark and his wife, Melody, live in Oregon.

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Friday, February 22, 2019

Character Confessions: Arthur tells it like it is to his author Jo Schaffer + giveaway

Character Confessions 

I followed Arthur down a dark and winding street on the south side of St. Louis. He seemed unaware of me as he strolled casually, bowler hat cocked to the side on his head. In his weathered pants held up by suspenders and a tattered sports coat, he looked every bit the tough street kid that I wrote him to be. His back to me, he paused under a dim and flickering streetlamp and casually reached down to strike a match on the sole of his shoe. He raised the lit match to his face, orange light lining his young but hard features as he lit the cigarette between his lips. Without turning he spoke.

ARTHUR:
See anything you like? Or you just killin’ time?

ME:
Oh, hi…do you know who I am?

ARTHUR:
Do I look like a dumb bum? I know yous all right. Been followin’ me around for a while now.

ME:
I don’t just follow you… I made you up. I make you talk.

ARTHUR:
Is that what you think? Maybe I make you write. Ever think of that doll face?

ME:
I hadn’t thought of it that way before…

ARTHUR:
Course you ain’t. Swells think they make the world go twirlin’ around. But they don’t, see? It’s us. The masses… the forgettables. We make this good-for-nothing world and yous take all the credit.

ME:
I don’t want any credit for anything that’s good-for-nothing… I assure you.

AUTHOR:
Wisey, eh? Think you’re better than me? Ain’t nobody my puppeteer.

ME:
Well, you certainly have been one of my more… uncooperative characters.

AUTHOR:
Why? Cuz’ I won’t play nice with Princess Hazel?

ME:
Well, that yes, and other things. But why don’t you give Hazel a chance? Your best friend cares for her quite a bit.

AUTHOR:
Stanley’s gone soft with all of that Jesus biz. I ain’t makin’ sweet with any swell for anybody.

ME:
You’ll change your tune in book 2.

AUTHOR:
What’s that you say? Get the marbles outta your gob. Mumblin’s for cowards.

ME:
Nevermind. Look, Arthur… I know you’re full of pain and life has been hard. I just want to see you evolve.

ARTHUR:
What do you know about pain? Stay outta my business.

ME:
Everyone is in pain of some kind. Even the swells you hate so much. It may look different but everyone suffers.

ARTHUR:
Stop. You’re makin’ me wanna bawl like a baby. Please. I ain’t buyin’ that and not because I’m broke. If you’re so in charge why you lettin’ the elite crush us? Just to watch us squirm? This ain’t a motion picture show.

ME:
No, it’s a book. I just want to represent what actually happens and—

ARTHUR:
And another thing why don’t yous make Stanley quit chasin’ after skirts he can’t afford?

ME:
Stanley isn’t chasing Hazel. They have a special connection.

ARTHUR:
Ain’t that sweet as Shirley Temple’s dimples.

ME:
Could you please blow your smoke away from me?

ARTHUR:
Nah. What? Can’t breathe air like the rest of us, swell?

ME:
Well this went about as well as could be expected. I thought I could have some kind of conversation with you.

ARTHUR:
The only gum flappin’ I wanna hear from you is—Who. Is. The. Veiled. Prophet.

ME:
Back up… you’re getting too close.

ARTHUR:
Scared, sweetheart?

ME:
No. I just don’t want to do something we’ll both regret.

ARTHUR:
Yeah… I heard rumors that yous was a fighter.

ME:
Taekwondo.

ARTHUR:
Fancy. Know my style? It’s called Screw You.

ME:
Okay…well, Arthur. Despite your obvious disdain, I’m going to keep fighting for you. I want to steer you right.

ARTHUR:
Ain’t nobody steerin’ me, Shakespeare.

ME:
Wait. Before you go. Arthur… I know what they did to you. And to your mom… and I feel responsible. I’m sorry.

ARTHUR:
You wrote it down. But this stuff isn’t fiction. I was Suffering and Poverty before you gave me a name and a shape. This is the world, doll. I’m the bottom of the pile. The ones who never get a break. I’ve always been here.

ME:
Well, I just want people to know about you. And the others nobody wants. The ones considered useless and broken. Maybe if they knew you… they’d help.

ARTHUR:
Starry-eyed dreamer. That ain’t gonna happen. I got the wrong label. Nobody cares. People wanna see what makes them smile. People like me? They wanna eliminate.


Arthur flicked his smoking cigarette to the ground and stomped on it. Then without another word, he turned away and disappeared into the shadows of an alleyway where I dared not follow.


Stanley and Hazel (Book One)
by Jo Schaffer
May 15, 2018
Genre: Historical Fiction
Publisher: Month9Books
ISBN: 978-1946700650
ASIN: B07982QYX4
Number of pages: 280
Cover Artist: AM Design Studios
A great depression grips the city of St. Louis in 1934. Stanley, an orphaned newsy, lives in a poor part of town hit especially hard by the economic downturn. One night, Stanley runs into Hazel, a restless debutante-in-waiting who has begun to question her posh lifestyle in the midst of the suffering she sees. She’s out and about without an escort and against her father’s wishes.

When they discover the body of a girl with her head bashed in by a baseball bat, the very different and separate realities of the two teens inform their decision. Together they will figure out what happened to her and bring those responsible to justice.

But getting involved with each other and digging into the secrets behind this murder earns them some powerful enemies, including a secret group seeking to rid society of all they deem “undesirable.” They’ve put into motion “The Winnowing,” a plan seeking to take over the city and enforce their will.

As Stanley and Hazel’s forbidden feelings for one another grow, their investigation turns deadly. Now, it is up to Stanley and his gang of street kids to stop Hazel from becoming the next victim.


Excerpt:
Hazel stumbled down the grassy hill of the moonlit park. Stanley glanced at her from several steps ahead. “You with me, Bananas?”

“Yeah.” She swallowed back the urge to be sick. Hazel’s legs moved her forward but nothing seemed real. She was in Forest Park at night with a newsie boy she’d just met and Sandy’s runaway sister was back there, slumped against the statue of St. Louis with her head cracked open.

She couldn’t make her brain take it all in. Evelyn’s face—caved in on one side, her mouth slack, teeth showing like gravestones covered in blood. Gripped with panic, Hazel quickened her step to catch up with Stanley—her only guide in this darkness. He was a part of it. This was his world, not hers.



Book 2 just released

About the Author: 
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Snapchat: jojoschaffer 
Jo Schaffer was born and raised in the California Bay Area in a huge, creative family. She is a YA novelist, speaker and a Taekwondo black belt. She’s a founding member of the nonprofit organization that created Teen Author Boot Camp, one of the nation’s biggest conferences for teens where bestselling authors present writing workshops to nearly a thousand attendees. Jo loves being involved in anything that promotes literacy and family. She is passionate about community, travel, books, music, healthy eating, classic films and martial arts. But her favorite thing is being mom to three strapping sons and a neurotic cat named Hero. They live together in the beautiful mountains of Utah.

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