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Sunday, September 8, 2019

Book Reviews: The Fireman by: Joe Hill


by: Joe Hill
January 3, 2017
768 pages
From the award-winning, New York Times bestselling author of NOS4A2 and Heart-Shaped Box comes a chilling novel about a worldwide pandemic of spontaneous combustion that threatens to reduce civilization to ashes and a band of improbable heroes who battle to save it, led by one powerful and enigmatic man known as the Fireman.


The fireman is coming. Stay cool.

No one knows exactly when it began or where it originated. A terrifying new plague is spreading like wildfire across the country, striking cities one by one: Boston, Detroit, Seattle. The doctors call it Draco Incendia Trychophyton. To everyone else it’s Dragonscale, a highly contagious, deadly spore that marks its hosts with beautiful black and gold marks across their bodies—before causing them to burst into flames. Millions are infected; blazes erupt everywhere. There is no antidote. No one is safe.

Harper Grayson, a compassionate, dedicated nurse as pragmatic as Mary Poppins, treated hundreds of infected patients before her hospital burned to the ground. Now she’s discovered the telltale gold-flecked marks on her skin. When the outbreak first began, she and her husband, Jakob, had made a pact: they would take matters into their own hands if they became infected. To Jakob’s dismay, Harper wants to live—at least until the fetus she is carrying comes to term. At the hospital, she witnessed infected mothers give birth to healthy babies and believes hers will be fine too. . . if she can live long enough to deliver the child.

Convinced that his do-gooding wife has made him sick, Jakob becomes unhinged, and eventually abandons her as their placid New England community collapses in terror. The chaos gives rise to ruthless Cremation Squads—armed, self-appointed posses roaming the streets and woods to exterminate those who they believe carry the spore. But Harper isn’t as alone as she fears: a mysterious and compelling stranger she briefly met at the hospital, a man in a dirty yellow fire fighter’s jacket, carrying a hooked iron bar, straddles the abyss between insanity and death. Known as The Fireman, he strolls the ruins of New Hampshire, a madman afflicted with Dragonscale who has learned to control the fire within himself, using it as a shield to protect the hunted . . . and as a weapon to avenge the wronged.

In the desperate season to come, as the world burns out of control, Harper must learn the Fireman’s secrets before her life—and that of her unborn child—goes up in smoke.

Despite the fact that a post-apocalyptic premise isn’t exactly the most orginal basis for a book, Hill’s spin on the aftermath of a modern-day armageddon is gloriously unique.

The deadly plague that ravishes mankind in The Fireman is Dragonscale – a highly contagious spore that appears on the bodies of those who have contracted it as black or golden marks. Despite it’s beauty, Dragonscale causes most people to burst into flames.

Having read too many end-of-the-world books to mention, it was refreshing for a story not to concentrate on the origins of Dragonscale, or how the plague wipes out most of humanity. Instead, Hill concentrates his story on a small group of survivors who have embraced their affliction.

The novel’s main protagonest is school nurse Harper Grayson, who contracts Dragonscale whilst selflessly tending to the afflicted at the local hospital. She finds out she’s a host to the spore around the same time she finds out she’s pregnant, so in some respects The Fireman is about one woman’s bid for survival and her efforts to live long enough to have her baby.

Yet, as you would expect from an imagination as rich as Hill’s, this is much much more than a simple tale of survival.

As the world burns and chaos descends, the heart of the story is set in a community of survivors in New England. Forced to flee for her life when her husband Jakob blames her for bringing Dragonscale into their home, Harper meets the enigmatic fireman.

Also known as John, the fireman leads her to Camp Wyndham, which is home to a group of people who have the ‘Scale but who have learned to control it. Life at the camp initially seems ideal, but Harper soon starts to realise that all is not as it seems.

Harper is a truly fantastic character. When we first meet her, it’s all a bit Mary Poppins (one of her favourite songs is A Spoonful of Sugar), but we soon realise she’s made of sterner stuff. She is one of the few who will not bend to the will of the leaders in Camp Wyndham, yet she is forgiving, brave and compassionate. Her relationship with Fireman John could have taken centre stage, but instead is beautifully under-played by Hill.

I’ve read all of Hill’s books, and although for me it’s not as good as NOS4A2, The Fireman marks a more mature direction. Narratives based on bands of beleaguered survivors fighting to stay alive in a post-apocalyptic world is nothing new.

What is new is the wonderfully written version of a world without Google, Facebook and Donald Trump – but, where, if Fireman John and Harper’s pondering are true, a world where Keith Richard survives. When asked by John is she thinks the Rolling Stone is still alive, she replies “Sure. nothing can kill him. He’ll outlast us all.”

4 out of 5 Sheep




Ash
Ash is a frustrated Nerd living in denial. Only recently has she accepted the fact that when you are passionate about books, especially the work of Stephen King and really especially The Dark Tower, then you are... a Nerd. She's a journalist and a fan-girl. She's right at home with FTN

Review originally posted over on

Wednesday, January 16, 2013

Movie Review: Texas Chainsaw 3D

Texas Chainsaw 3D
Directed by: John Luessenhop
Starring: Alexandra Daddario, Tania Raymonde and Scott Eastwood
Released: 1/4/2013

Running Time: 92mins

A young woman travels to Texas to collect an inheritance; little does she know that an encounter with a chainsaw-wielding killer is part of the reward.


So far, I had not read too many good reviews about Texas Chainsaw 3D even though it is at the top of the US Box Office, so I was looking forward to seeing what I thought of it.

Texas Chainsaw 3D was directed by John Luessenhop (Lock Down, Takers) and this story starts where the original ended. The story is based on a young girl who finds out she has an inheritance from a grandmother she never knew she had. Both her and her friends go on a road trip to collect her inheritance in Texas and so begins their night of terror.

Firstly, the 3D left a lot to be desired. I was expecting much more from it in this particular movie. I thought the plot was good. It was nice to have a continuation of a story rather than a straight out remake. Although, it would have been nice to have a twist in the plot. You pretty much knew where it was going the whole time.

When going to see this movie you cannot compare it to the original. The first Texas Chainsaw Massacre is a cult movie and was extremely shocking and violent for its time so you really need to look at this movie in its own right as the chances of it being equal or better than the original were always unrealistic.

The acting is not going to win anything at the Oscar’s, but hey, when is the acting ever great in these slasher movies? Personally I enjoyed it, I can’t see it making an appearance on my fave movies of 2013 list but it was enjoyable and passes a few hours.

3 Sheep




Guest Reviewer Rita Scott from Following The Nerd



Wednesday, December 5, 2012

Book Review: Cold Days by Jim Butcher


 Cold Days (Dresden Files #14) by Jim Butcher


After being murdered by a mystery assailant, navigating his way through the realm between life and death, and being brought back to the mortal world, Harry realizes that maybe death wasn’t all that bad. Because he is no longer Harry Dresden, Chicago’s only professional wizard.

He is now Harry Dresden, Winter Knight to Mab, the Queen of Air and Darkness. After Harry had no choice but to swear his fealty, Mab wasn’t about to let something as petty as death steal away the prize she had sought for so long. And now, her word is his command, no matter what she wants him to do, no matter where she wants him to go, and no matter who she wants him to kill.

Guess which Mab wants first?

Of course, it won’t be an ordinary, everyday assassination. Mab wants her newest minion to pull off the impossible: kill an immortal. No problem there, right? And to make matters worse, there exists a growing threat to an unfathomable source of magic that could land Harry in the sort of trouble that will make death look like a holiday.

Beset by enemies new and old, Harry must gather his friends and allies, prevent the annihilation of countless innocents, and find a way out of his eternal subservience before his newfound powers claim the only thing he has left to call his own…

His soul.


*spoilers for previous book*
There’s very little you can say about Jim Butcher’s Harry Dresden series that hasn’t been said before.

You could pick any superlative and chances are it would be an apt description of the latest saga in the life of Chicago’s favourite wizard for hire.

Cold Days follows on from the events of Ghost Story, look away now spoiler phobes, that saw Harry back from the dead after agreeing to serve as the Winter Knight.

Long term readers will know that Harry’s new position is something of a poisoned chalice, to say the least, and it isn’t long before he’s once again up to his neck in danger.

Butcher’s biggest skill is giving us this incredibly detailed and awe-inspiring universe and grounding it by focusing on the wise-cracking and long suffering Harry Dresden.

On the surface Butcher would have you believe that Dresden is just like anyone else, but as we continue to follow Harry on his extraordinary path it’s clear that isn’t the case.

The stakes have never been higher for Dresden and his friends as they are thrown headfirst into a plot that threatens the very fabric of existence.

There are plenty of pop-culture references thrown in that will keep the fanboys happy long into the night.

Who couldn’t love a book that has a goblin army going into battle while chanting Queen’s We Will Rock You en masse?

You know what you are getting with The Dresden Files and, once again, that’s a gripping page-turner of a novel that is impossible to put down.


5 Sheep




Guest Reviewer: Paddy from Following the Nerd
Hey there, welcome to the website of Following The Nerd. Here you can stay up to date on all the latest news, reviews, articles & information across all mediums from games to action figures. We've got it covered!

Saturday, October 27, 2012

Movie Review: Skyfall (spoiler free)

Skyfall (12a)
Directed by: Sam Mendes
Starring: Daniel Craig, Helen McCrory and Javier Bardem
Running time: 143mins

In an attempt to avoid any spoilers, all that we’ll mention of the movie’s plot is that it involves MI6 agent James Bond (Daniel Craig) as he attempts to recover a stolen hard drive containing the identities of undercover NATO. With M (Judi Dench) facing judicial review and potential forced retirement by intelligence committee chairman Gareth Mallory (Ralph Fiennes) over the screw up, the pressure is on for Bond to recover the drive from Raoul Silva (Javier Bardem), who has made MI6 his target in a terror campaign.

Without spoiling the plot, I’ll start by saying that Skyfall is a vast improvement over the disastrously bad Quantum of Solace, with it’s heights being as good as Daniel Craig’s first outing as 007, Casino Royale. Craig’s performance is his best in the role, this time given more of a struggle with himself to portray than a struggle with his job which is what Casino Royale focused on. Bond allows people to be killed throughout the movie, when in previous movies he may have maybe stepped in before their being killed, here he doesn’t, and it makes the point that Bond isn’t out there to be the good guy, Bond is a spy, and a damned good one, who is focused on the mission – and if people die to obtain that goal of the mission, then so be it. There’s also an ongoing question of outliving one’s usefulness which applies not only to the character of Bond but also that of Judi Dench’s M, facing the threat of having to step down and make way for someone else.

An attempt has been made with the movie’s script to simplify the story, which leads to each step of Bond’s investigation being less complex than they were in Casino Royale, and the whole thing of gadgets being essentially dropped. A rather odd decision considering this is Craig’s first Bond movie to feature a Quartermaster, with the character of Q played excellently by Ben Whishaw, if a little too stereotypically (in a kind of young sweater wearing Cambridge graduate who, just to make the point of how British he is, loves to drink tea).

The movie is darker and more mature in tone than the previous ones, with the subject of terrorism and a political undertone taking a more central role in the story, with the characters being serious for a great deal but with subtle attempts at humour throughout, including a reference to Live And Let Die which made me laugh. It does add to the characters more, with the interplay between M and Bond gaining greatly from both. Javier Bardem is an interesting Bond Villain, if a little too much over the top even for this type of role. His motives come across successfully, but at times I felt as if he were trying to out-do Heath Ledger’s performance as The Joker from Christopher Nolan’s The Dark Knight, though this may be down to the writing, which at one point has the character make a statement with the use of The Animals cover of song Boom Boom.

Product placement is, as always, an issue – Early on Bond is lying in a bed drinking a Heineken rather than his trademark Vodka Martini, there’s a lingering shot of Bond’s hands as he does something which makes it clear that he’s wearing an Omega Seamaster watch – which you know is a Seamaster because of the numerous adverts shown before the movie. It’s not as in-your-face as the product placement in Casino Royale, but it’s to an extent that is certainly noticeable enough to be a distraction from the movie.

At 2 hours and 23 minutes in length, the movie does have a slight issue with being too long. There is action and there is drama, with an equal focus on both and an intentional decision made to not hit the viewer on the head repeatedly with action sequence after action sequence. But that does mean that early in the second act of the movie there is a slight lull to the pace, and the movie would have perhaps gained from some trimming of the fat. That said, it is an enjoyable 2 hours and 23 minutes, that is most certainly not a disappointing experience.

Skyfall certainly helps to cement Craig as the best Bond since Sean Connery, and Sam Mendes has done a far better job than expected for a director who has rarely tackled a movie featuring this level of action, but should not have been given quite as much free reign with the movie’s length. Overall though, you would be missing out on a great addition to the Bond series if you missed this at the cinemas, especially as it’s the first Bond movie to be given an Imax release. Fans will not be disappointed.

4.5 Sheep out of 5





guest reviewer: from Following the Nerd
Andrew
Co-host of the Monday Movie Show, Andrew is a huge movie fan who is into all sorts of things movie related, as well as a fan of all things nerd. In his spare time he likes to work at script writing, that is when he's not spending it on something movie or nerd related!
gratuitous Daniel Craig photo



Thursday, October 4, 2012

Movie Review: Taken 2


Taken 2 (12a)
Directed by: Olivier Megaton
Starring: Liam Neeson, Famke Janssen and Maggie Grace
Running time: 91mins

In Istanbul, retired CIA operative Bryan Mills and his wife are taken hostage by the father of a kidnapper Mills killed while rescuing his daughter.

Standing over the graves of his family members killed by Bryan Mills (Neeson) in the first Taken movie, Murad Krasniqi (Rade Serbedzija) swears revenge for his family and their loss. He wants Bryan and his family to suffer and sets in motion his plan to kidnap Bryan, his ex-wife Lenore (Famke Janssen) and his daughter Kim (Maggie Grace).

Cut to Bryan and his family, Lenore (Janssen) and Kim (Grace) on holiday in Istanbul, where, without any time wasted, Krasniqi’s plan is put into motion. Caught up in a deadly game of cat-and-mouse, Bryan and Lenore are taken, leaving Kim running for her life. Will she escape or share the same fate as her mother and father?

Taken 2 follows on directly from the events of Taken with athe burial in Albania, then transporting the viewer from LA to Istanbul. The returning actors fall easily back into their roles from the first film. This is not film for fans of interesting and conversing dialogue; this is an action film, pure and simple. All of the cast perform their scenes admirably, but it’s Liam Neeson as ex-CIA Bryan Mills that steals the show.

Much like John McClane in the Die Hard films, the audience has come to expect a certain amount of action, fight scenes and gun play. Fans will be pleased to hear Taken 2 does not disappoint. The fight scenes and car chases are meticulous in their planning and execution and viewers can appreciate the fast cuts in editing for incredibly well staged action pieces.

Sadly though, the film tries on one hand to be intelligent and realistic and yet falls down in simple plot holes and glaringly obvious inconsistencies. At times you have to suspend belief that while the main action is going on, the background may not be correct – for example, where are the police as grenades go off all over the place?

That said, the cinematography is superb as is the editing and soundtrack. Sadly the script is weak, but then again, why speak when bullets and fists can say so much more!

If it’s just a fast paced, edge of your seat thriller with great editing and good action scenes, then this is the film for you.

3 out of 5 Sheep 
Guest Reviewer: Big Phil from Following the Nerd

Tuesday, September 11, 2012

Movie Review: Dredd 3D

DREDD 3D (18)
Directed by: Pete Travis
Starring: Karl Urban, Olivia Thirlby and Lena Headey
Running Time: 95mins

In the wake of a world war, much of the Earth has been left an uninhabitable radioactive wasteland. Near the eastern coast of the United States sits Mega City One, a massive walled off metropolis made up of the remains of the old cities as well as massive tower blocks, 200 stories high that house the remains of humanity. Society has crumbled under the weight of the overcrowded living conditions, gangs and clans battle for superiority through block wars, with the only thing preventing pure chaos on the streets being the Judges – law enforcement officers who are able to carry out the roles of judge, jury and executioner on the spot.

Judge Dredd (Karl Urban), an elite of the Judges is assigned to evaluate Judge Anderson (Olivia Thirlby), a rookie who is under-performing and would have failed the academy if not for the fact that she’s a mutant with exceptionally strong psychic abilities. Reporting to a triple murder in a tower block called Peach Trees, the two discover the tower is the stronghold of the Ma-Ma clan, so called after it’s leader Madelaine “Ma-Ma” Madrigal (Lena Headey), a former prostitute who now deals in a new addictive drug known as slo-mo because it makes the user feel like time has slowed down to a fraction of normal speed. Arresting the suspected killer after a telepathic read by Anderson, the two take their prisoner for interrogation, but are stopped when Ma-Ma puts the block in lockdown, trapping them inside with the gang and putting a bounty on their heads.

To those unaware, Dredd 3D is not the first adaptation of the character from a comic book series called 2000 A.D. A previous attempt was made to bring him to the screen with Sylvester Stallone in the lead role in 1995, but the movie made too many deviations from the comic, and was riddled with problems throughout it’s release including heavy editing of the movie to release it with a lowered rating. It was a travesty, with Stallone playing the part for laughs and a comic sidekick played by comedian Rob Schneider. Worst of all was that because of studio pressures, the character of Dredd removed his helmet within the movie’s first 10 minutes, a gross deviation from the character of the comic, and something that was the biggest of many fan issues with the movie.

Here an effort has been made to be not only faithful but also respectful to the character, meaning that not once (with the exception of a shadowed scene with him suiting up) does Dredd remove his helmet in the movie. As a result of this, it does mean that Karl Urban’s performance is relegated to his chin and mouth for the entirety of the movie, something that some actors would struggle with, but with his gruff voice and grimaced frown, he makes for an interesting and compelling anti-hero. Most surprising in the movie is Olivia Thurlsby as rookie judge Anderson, after her role in dismal science-fiction movie The Darkest Hour there was no way to know how she would handle an almost leading role in this, but she holds her own on screen with Urban and even in a couple scenes of her own, managing to show vulnerabilities of a rookie whilst also stepping up in the situation she finds herself. Both her and Lena Headey as the criminal gang leader Ma-Ma are well written and performed, standing out as much stronger-than-average female characters – a refreshing change from movies as of late.

The movie’s plot does share similarities to another movie released earlier in the year, director Pete Travis must have nearly had a heart attack when Gareth Evans’ Indonesian martial arts movie The Raid (a.k.a. The Raid: Redemption) was released as both have the similar plot device of the main characters being trapped in a tower block whilst having to fight off attacks from all sides. Though it may seem like a straight rip-off of this, this is purely a coincidence. Though the timing couldn’t have been any worse, the two movies were both in production simultaneously for some time, with Dredd 3D being in the works with writer Alex Garland working on the script as far back as 2006.

The movie is rated 18 in the U.K. (R in the U.S), and with good reason – it’s extremely violent and graphic in detail. There are scenes of explicit torture and killing, and in one instance numerous innocent bystanders are seen killed on screen as heavy machine guns blast away killing everything in their path (further specific details can be found in the British Board of Film Classification’s rating site here). This and the movie’s very dark, occasionally humorous, and ambiguous moral tone throughout means this is not a movie for those with a weak stomach. Anyone who has seen any of the original comic should be aware of this tone already, and thankfully it’s another right step in the movie being more faithful to the source material rather than doing it’s own thing – which again is rather refreshing.

With regards to the 3D aspects of the movie, it’s being released with an emphasis on the 3D release with the 2D version getting a very limited release. All advertising features the full title heavily as ‘Dredd 3D’ as opposed to simply ‘Dredd’, and the effect, while nice in a few of the shots (a first person slo-mo shot falling down the centre of Peach Trees being a highlight) make impressive use of it, but the movie easily could have done without. It seems that the 3D has been added to the movie more in an attempt to alter the title and distance it from 1995′s Judge Dredd rather than to add the 3D effect for viewing purposes. The slow motion on the other hand has been used effectively, with the movie making use of that to great effect, giving a momentary moving comic feel to some of the scenes temporarily before snapping back to normal speed, while never dwelling on the effect (like in recent Michael Bay styled action movies). Some audience members were discussing this as they left the theatre, saying they were sick of it’s use, but I had no problem with it’s use here, and it made for a refreshing new look at something old.

Dredd 3D was reportedly made for a modest budget of $45 million, not a small amount but tiny compared to the big budget Hollywood blockbusters it will find itself in competition with. As a result of this, the movie has been made without any apparent ‘studio interference’ that has so many times before ruined such movies. At times the style reminded me of the feel of the 2004 adaptation of the Marvel comic book The Punisher (which was made for a similarly modest $33 million). If this does as well at the box office as it deserves to, a sequel will most likely be forthcoming, and it would be nice to see this world expanded on further but only so long as the budget doesn’t get out of control and the people involved are allowed the free reign they’ve been given here.

As already mentioned, a strong stomach is required to handle certain parts, but overall it’s nothing more extreme than we’ve seen in recent movies, only done with a level of control that seems lacking of late. It’s not a 5 star movie, but is certainly among the better action movies of the year and among the better comic book adaptations in recent years. Gritty, dark, violent, graphic, everything that a Judge Dredd movie should be, Dredd is the law, see this or suffer the penalty of more Adam Sandler/Ben Stiller un-funny comedies.


4 Sheep




Guest Review by: Andrew from Following the Nerd



Friday, August 24, 2012

Book Review: This Book is Full of Spiders

This Book is Full of Spiders: Seriously, Dude, Don't Touch It
By: David Wong

Book Description:
As the sequel opens, we find our heroes, David and John, again embroiled in a series of horrifying yet mind-bogglingly ridiculous events caused primarily by their own gross incompetence. The guys find that books and movies about zombies may have triggered a zombie apocalypse, despite a complete lack of zombies in the world. As they race against the clock to protect humanity from its own paranoia, they must ask themselves, who are the real monsters? Actually, that would be the shape-shifting horrors secretly taking over the world behind the scenes that, in the end, make John and Dave kind of wish it had been zombies after all.

Sequels are always tricky. You can invite criticism if it’s too much of the same, or if it’s entirely different.

Thankfully David Wong has managed to run along that razor edge quite nicely, adding just enough new elements to make it seem fresh, but keeping the same overall feel as John Dies at the End.

Anyone who has read the first book will recognise that as being the creepiest comedy horror ever. His talent for awesome titles doesn’t seem to have faded either. His latest book picks up pretty much where the last one left off, with David and John in [Undisclosed], the town that seems to be a magnet for all kinds of supernatural goings on.

In this one it’s a variation on the zombie myth, but with an incredibly creepy twist. God is it creepy. The feeling of dread this book creates is ridiculous.

In fact, I’d recommend not reading it in bed, but instead in a nice brightly lit room, possibly with a friend close by.

The natural progression of sequels leads to this one being on a much greater scale, with the National Guard, a shadowy government organisation, and the overall evil of the previous book, the shadow men. They’re a damn good bad guy, because I know nothing at all about them. They’re just constantly evil in that pervasive way you want all your bad guys to be.

It’s tricky this one. I want to tell you more about it, but it being a sequel I feel like I might be giving too much away already. Just read them both, that’ll fix it.

Review By: Michael McCaffrey from Following the Nerd



Tuesday, August 7, 2012

Book Review: World War Z by Max Brooks

The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.

Every summer, bookshop shelves explode with a few different types of books. It seems that the second we even consider getting on a plane our brains are hardwired to crave these specific genres. The move tie-in, the Ludlum/Clancy big action books, or if your into that sort of thing, the good old fashioned romance novel.

I was faced with a tough choice, which of these classics would I lean towards? I’m not a romance novel kind of guy, so that was off the table in a second. I decided to go with the scary bogeyman of the 21st century, zombies, and give Max Brooks latest undead offering a read. It also fits neatly into the movie tie-in, with filming still going on in Glasgow.

Max Brooks is one of two things. He is a either a brilliant man, with an amazing gift for making fiction so real you won’t feel fear, you’ll feel proper pants wetting dread. Or he’s full-on batshit insane, and thinks the zombies are actually coming for him. Give either of his Zombie books a read, and you’ll find yourself thinking the same thing, I guarantee it. He creates a realistic model for spread of his zombie virus, creates temporary heroes and villains as he works his way across the globe, “interviewing” those caught up in the hotspots of the zombie war.

The structure of the book works incredibly well here. Written as a kind of half diary / short story compilation, it allows Brooks to temporarily develop briefly meaningful characters, without getting bogged down in details. When we’re hearing about the downed air force pilot fighting her way towards safety we don’t need a complex backstory, we know her motivations. He also has a talent for what I would call pragmatic evil. Try reading about the Redecker plan and not feeling a little bit ill..

All in all I think you’ll like the book. And then you’ll have zombie nightmares for a month.


Guest Review: Michael McCaffrey from Following the Nerd

Max Brooks
website-FB-WWZ site

Max Brooks is the author of the two bestsellers "The Zombie Survival Guide" and "World War Z". He has also written for "Saturday Night Live", for which he won an Emmy. His new graphic novel "The Zombie Survival Guide: Recorded Attacks" will be released in October of 09.




Wednesday, July 25, 2012

Book Review: John Dies in the End by David Wong

It's a drug that promises an out-of-body experience with each hit. On the street they call it Soy Sauce, and users drift across time and dimensions. But some who come back are no longer human. Suddenly a silent otherworldly invasion is underway, and mankind needs a hero. What it gets instead is John and David, a pair of college dropouts who can barely hold down jobs. Can these two stop the oncoming horror in time to save humanity? No. No, they can't.

As a long time devotee of cracked.com, I’ll have to admit to being slightly surprised when I first read that David Wong had written a freakishly surreal horror novel. He’s a brilliant writer, I just pictured him as straight comedy, and damn good writing. I’m so ridiculously happy I was wrong. After about two pages of John Dies at the End though, I was completely hooked. It’s brilliant, weird, funny, and in hindsight, everything I’d expect from the guys at cracked.

I’ll level with you; it’s pretty hard to put into words why the book is so good. At times it’s genuinely frightening. Maybe it’s how relatable David is as a character. Strange stuff happening every three seconds and all I can think is, “yup, I’d probably have done that too.” Possibly it’s John, who’s just a bona fide mental case. Or maybe the buddy cop relationship between the two. I can’t tell. David Wong himself is clearly quite unhinged, and has had the common decency to put pen to paper and document his insanity for our enjoyment.
This being an offering by one of the guys at cracked, there are a lot of penis jokes. For example, On the site they mention the fact that the word bratwurst is referenced 17 times throughout the story. They’re not all phallus references, but you get the idea.


You should read this book. It’s a perfect storm of humour, gory horror, messed up psychology and brilliant storytelling, a perfect addition to my new favourite genre of new weird


5 Sheep





Guest Reviewer: Michael McCaffrey from Following the Nerd

David Wong
I am the Senior Editor of Cracked.com. Hi.
My real name is Jason Pargin, I wrote a horror novel called John Dies at the End. Available now in hardcover!
http://www.johndiesattheend.com
Before this I spent eight years as the creator and editor and webmaster and head writer for pointlesswasteoftime.com.
Read more: David Wong | Cracked.com http://www.cracked.com/members/David+Wong/#ixzz21b4z8vPn

Wednesday, July 18, 2012

Movie Review: The Dark Knight Rises

I Smell Sheep is lucky enough to know Marc Savage of Following The Nerd, who got to see The Dark Knight and he shares his thoughts with you!

The Dark Knight Rises (12a)
Directed By: Christopher Nolan
Starring: Christian Bale, Anne Hathaway, Tom Hardy, Michael Caine and Gary Oldman
Running time: 164mins

After the events of The Dark Knight, Gotham has been living is a state of relative peace, with crime at an all-time low there is a sense of foreboding, as everyone remembers the anniversary of Harvey Dent’s death and the dawn of peace, a new threat is planning to make its move in the form of muscular crime-genius Bane…

Oh my. There’s so much riding on this one. The end of the Dark Knight trilogy. The pressure on Christopher Nolan and the crew is immense. Can they avoid the curse of the trilogy (Jedi, Godfather, Matrix) and build on what has gone before? Or, more realistically, can they top The Dark Knight?

The Dark Knight Rises is, let’s get it out of the way quickly, the weakest of the trilogy. But, given the first two chapters, this is not necessarily a disaster.

With all the principals returning to their now familiar roles, it’s a quick jump into the story. And for the sake of spoilers, I’m loathe to go into much detail. All I will say is the story is a natural progression from The Dark Knight, that said it’s a very different beast right out of the stables. Oh and the movie you think you’ve already mapped in your head based on trailers and rumours? It’s unlikely you’ve worked this all out.
Gotham’s peace is very quickly pulled back to reveal a Bruce Wayne (Bale), Alfred (Caine) and Commissioner Gordon (Oldman) who are all haunted in different ways by the events of the last movie. A dark passenger rests in all the principal characters that is fighting to get out and tell the truth about past events.
The death of Harvey and the sacrifice of Batman weighs heavily on everyone. Instead of leaving them in peace it tears them apart and right away we know that things are going to be much, much darker than before. From the fresh enthusiam and idealism of Batman Begins through the confidence of The Dark Knight, we now reach the dark, unforgiving and relentless third act and we are left in no doubt that there is suffering to come.
And come it does as Gotham plays host to two new – but very different – villains: Hathaway’s Selina Kyle (never called Catwoman), a cat burglar who is in deep with ‘the wrong crowd’ and Hardy’s Bane, a pumped-up monster of a man who is not only blessed with the strength to kill with one blow, but the brains to bring down governments. A lethal combination.

And while both actors are great, Hathaway is very solid in the role but never feels quite right and Hardy does the best he can behind a mask that sadly allows little expression of character and while his Bane has a great presence and certainly comes across as the terrifying man he should be, the role could really have been played by anyone. And that’s a big part of the problem with The Dark Knight Rises. Eveyone does solid work but the movie really lacks a performance like Ledger’s Joker and sadly no-one comes close and although we knew this going in, the movie feels the void.

Another problem is plot holes – remember the scene in The Dark Knight where Batman dives out the window and rescues Rachel after Joker drops her? Well, remember the way no-one mentioned how Batman actually left the Joker and his henchmen in the penthouse full of prisoners? Well, this movie have many similar plotholes that are never resolved. And while The Dark Knight was so good we let them slide, The Dark Knight Rises is slowly paced (and could have been easily fifteen minutes shorter) and these things stick in the memory.

Joseph Gordon Levitts’ character, John Blake, is the new addition to the side of the angels but sadly feels very much like a wasted opportunity, with little development. And Batman has shockingly little screen time, which is very disappointing.

Ok, enough of the negative. What are the pluses? Well the performances are all great, and you know that scene in the trailer where Bane blows up the football field? Well there’s a lot more to that whole sequence than the trailer shows and it’s superb. As the tension builds as Bane makes his move on Gotham it’s pulse-racing stuff and Nolan, as we come to expect, handles it with aplomb. And there are several set pieces throughout the movie that are stunning – the opening sequence is incredible, especially when you realise it was all done practically.

And what of THAT scene? The breaking of the bat? Well, I’m not going to spoil it but I personally felt a little underwhelmed by it. As a fan of the Knightfall story arc (where Bane is introduced and breaks Batman’s back) I expected to be rocked to my core by it, but sadly it just didn’t have the impact (no pun intended) that I hoped for.
Nolan shows the confidence we expect and his direction is mostly solid here, but his pacing, especially in the mid-section is too slow and some of the movie feels disjointed.

This all said it is still a good movie and I feel that expectation was a big part of the problem, with my hopes raised unachievably high. I also think that it suffers from Revenge of the Sith syndrome where there’s just too much to wrap up, but it’s clear that Nolan did have a vision for the whole trilogy whereby there are threads from the last two movies picked up and given a satisfactory finish. But there are a few left open-ended too. Deliberately? Perhaps. But I felt that the scale was just a little too epic in places as odd as it sounds with Nolan a little lost with just how to handle it; Batman Begins and Dark Knight both worked so well because they were blockbusters that had a small, personal movie at heart, and it feels like this movie tries too hard to be massive.
So all in all, solid performances and confident direction but there are loose ends and it’s poorly paced. However, the thing I’m most interested in seeing is fan reaction to the end, I have a feeling it’s going to split audiences right down the middle.

Much like Prometheus, I loved a lot of it but there were many little things that niggle at the back of my mind that leave me coming away feeling it is something of a missed opportunity.
But it certainly isn’t a disaster. After coming out of the Dark Knight I remember commenting that there was no way it would be topped and sadly I was right.
A good if deeply flawed ending to the trilogy. But not the barn-storming finale I hoped for…


3 out of 5 Sheep 

Marc Savage (find more of Marc's reviews and all things nerdy at Following The Nerd)



Wednesday, May 2, 2012

Sheep Movie Review: Battleship directed by Peter Berg

We have guest reviewer and Nerd, Paddy, sharing his thoughts on Battleship. Stay tuned for Katie's (man-candy) review once it opens in the States.


Battleship (12a)
Directed by: Peter Berg
Starring: Alexander Skarsgård, Brooklyn Decker and Liam Neeson
Running time: 131mins
Plot:
Peter Berg ('Hancock') produces and directs 'Battleship,' an epic action-adventure that unfolds across the seas, in the skies and over land as our planet fights for survival against a superior force. Based on Hasbro's classic naval combat game, 'Battleship' stars Taylor Kitsch as Lt. Alex Hopper, a Naval officer assigned to the USS John Paul Jones; Brooklyn Decker as Sam Shane, a physical therapist and Hopper's fiancee; Alexander Skarsgard as Hopper's older brother, Stone, Commanding Officer of the USS Sampson; Rihanna as Petty Officer Raikes, Hopper's crewmate and a weapons specialist on the USS John Paul Jones; and international superstar Liam Neeson as Hopper and Stone's superior (and Sam's father), Admiral Shane.



IT’S been a disappointing start to the blockbuster season this year. John Carter, while not necessarily a bad film, underperformed and Wrath Of The Titans was somehow even more wretched than the first.

It’s fair to say that expectations are not exactly high for Battleship, a blockbuster based on a board game was never going to set the bar highly, but even that doesn’t excuse what we’re presented with here.

Playing like Battle: Los Angeles mixed with Transformers at sea, there’s nothing in here this is anything but a complete cliche.

The story, if you could call it that, centres on an alien fleet that intercepts a satellite message from Earth and decides to come here and throw their weight about. They obviously didn’t count on the sheer bravery and slow motion heroics of the brave boys and girls of the US Navy.
Anyone who has ever had a thought in their head will see through this mess of a film that feels like it has been made by committee.

While it’s never as bad as Michael Bay’s appalling Transformers films, it runs it fairly close at times. If there is any enjoyment to be had it’s in the action scenes that are admittedly impressive. Unfortunately they aren’t enough when you’re presented with one dimensional characters and a storyline that feels like it’s been written on the back of a beermat.

The cast are all perfunctory to say the least, with Liam Neeson continuing his run of dire movies that began with Taken and continued with low brow fare like The A-Team and Unknown.

Battleship fails to hit the target and sadly sinks without trace.

1 1/2 Sheep





Paddy Ryan-head over to http://www.followingthenerd.com/ for more Nerd-tastic reviews from Paddy and the rest of the Nerds.