GtPGKogPYT4p61R1biicqBXsUzo" /> Google+ I Smell Sheep: southern gothic
Showing posts with label southern gothic. Show all posts
Showing posts with label southern gothic. Show all posts

Friday, February 6, 2026

JuJu Justice by T.E. Lane + giveaway

In the mystical world of voodoo culture, justice is not always black and white

JuJu Justice
by T.E. Lane
February 17, 2026
Genres: Supernatural Thriller
JuJu Justice is a gritty suspsense drama set in the belly of the New Orleans voodoo culture, pitting a juju priestess against her dangerous childhood nemesis in a war between good and evil. This much anticipated new drama is T.E. Lane's second novel, based on their award-winning screenplay. Fans of mystery, crime, paranormal, and action/thrillers will love this book!

Deep in the Louisiana river bottoms, the legendary "swamp witch" Mama Moo must decide who to share her juju with—the white light voodoo priestess or the black magic criminal mastermind. Her seemingly obvious choice is complicated by long-buried secrets that will determine who lives or dies.

June Mae, a white-light practitioner, faces off against her childhood nemesis, Mister—a well-connected criminal who practices the dark side of voodoo. When June’s straight-laced sister April drops into town for an unplanned visit, she quickly understands the dangerous world that June inhabits. As the sisters reconcile past traumas and reconnect, June must overcome her fears to face Mister in a voodoo battle to save their lives. Their mentor, the “swamp witch” Mama Moo, faces a perilous choice which will determine who lives or dies.


The screenplay has won five script awards:
*Semifinalist Your Script Produced 4th Edition 2025
*Semifinalist Los Angeles International Screenplay Awards
*Official Finalist NYISA Best Feature Screenplay Award
*Second Rounder Austin Film Festival Screenplay Competition
*Quarterfinalist Manchester Film Festival
What readers are saying:
“JuJu Justice spins a tale that is both intriguing and culturally rich . . . JuJu Justice enthralls viewers with a combination of magical intrigue and Southern Gothic drama." - NYISA

"JuJu Justice creates a supernatural stage filled with spirits, ghosts,murder, and deception . . . with a skillful blend of supernatural elements with deeper themes of family and responsibility." -Austin Film Festival 
**New Release on February 17!**








About the Author:
FB-FB-X
Instagram-Instagram
Bookbub-Amazon-Goodreads
Every T.E. Lane story begins with family at its core and spirals into mystery, action, and a touch of the supernatural. It’s a place where magic always feels possible, the coincidences may not be so coincidental, and the line between reality and something more is always worth crossing.

T.E. Lane writes screenplays and fiction. A fan of action, thriller, mystery, and literary fiction, the author enjoys blending aspects of many genres into a single work, creating a unique reading experience that will keep you turning the pages. Connect with the author on social media @telane_author.


Follow the tour HERE for special content and a $20 giveaway!
Enter the JuJu Justice Giveaway Here

Monday, October 27, 2025

Death Comes Slow in the Bayou: The Witch, The Bookseller, and The Bride by Nick Mendoza

Welcome to the tour for horror collection, Death Comes Slow in the Bayou by Nick Mendoza!

Death Comes Slow in the Bayou: The Witch, The Bookseller, and The Bride
by Nick Mendoza
March 11, 2025
Genre: Southern Gothic Horror/ Short Stories
Tropes: Southern Gothic horror, witches, folklore curses, haunted brides, psychological unraveling, vampires with a folkloric edge.

Something lingers in the Louisiana night—watching, waiting. Vengeance seeps through the swamps, and the past refuses to stay buried.

In this chilling Southern Gothic horror anthology, author and screenwriter Nick Mendoza weaves three haunting tales of supernatural terror, psychological dread, and creeping folklore. These are stories of the cursed and the desperate—of those who seek answers in the dark, only to find something staring back.
The Witch of Acadiana
When his young son falls gravely ill under unexplainable circumstances, a skeptical father dismisses the whispers of an old woman’s curse. But as the sickness deepens and reason unravels, he’s forced to confront the terrifying possibility that folklore isn’t just legend.

Mirrored Opposition
A distraught young man scours the French Quarter for his missing girlfriend, only to discover her last known whereabouts tied to a reclusive bookseller—rumored to have made a deal with the devil. As he searches for answers, he begins to wonder: what if the rumors are true?

Valeria
In the heart of the South, where secrets fester and grudges never die, a charismatic bachelor offers his quiet coworker advice on how to take control in his relationship. But when the bride-to-be finds out—and a series of catastrophic, almost unnatural events unfold—he begins to wonder if she’s coming for revenge… and if anything can stop her.

 

Mirrored Opposition was a Nashville Film Festival Semifinalist screenplay, and the full collection has earned accolades from over a dozen domestic and international competitions, including Cinequest, Vail Film Festival, ScreenCraft, and the Manchester Film Festival.


Perfect for fans of:
Gothic horror
Psychological thrillers
Supernatural folklore
Dark folklore

Dripping with dread and steeped in Southern mystery, Death Comes Slow in the Bayou is a chilling journey through whispered legends, buried guilt, and inevitable fates.

Triggers: Death, grief, psychological distress, supernatural violence

Amazon

About the Author:
website
Nick Mendoza is a writer and Nashville Film Festival Screenplay Semifinalist who blends a background in software development and technical writing with a deep love for storytelling. After earning his B.S. in Computer Science from California State University, Fullerton, he authored a comprehensive book on PHP development and an in-depth video series on WordPress website management.

His creative journey led him to screenwriting and filmmaking, where he wrote and directed the indie horror feature "Video Tape Terror." His screenplays have earned over 20 domestic and international accolades, including recognition from Cinequest, Vail Film Festival, ScreenCraft, and the Manchester Film Festival. His feature "Operation Wandering Soul" has also been recognized by Stage 32, the Dallas International Film Festival, and the Page Turner Awards.

His debut horror collection, "Death Comes Slow in the Bayou", adapts several of his award-recognized scripts into chilling Southern Gothic short stories.

IG: @rrbooktours
Tags:
#rrbooktours #rrbtDCSITBTour #deathcomesslowinthebayou #nickmendoza #southerngothichorror #gothichorror #pararnormalhorror #horrorbooks #spookyreads #anthology #shortstories #halloweenreads #booktours


Tuesday, October 8, 2024

New Release: This Cursed House by Del Sandeen (Southern Gothic, horror)

“A sinister and beautifully rendered Southern Gothic, This Cursed House explores the real-life horrors of racism and trauma. Del Sandeen’s stunning debut haunted me.”—Alexis Henderson, author of The Year of the Witching

This Cursed House
by Del Sandeen
October 8, 2024
Genre: Black & African American Historical Fiction, Gothic Fiction, horror
In this Southern gothic horror debut, a young Black woman abandons her life in 1960s Chicago for a position with a mysterious family in New Orleans, only to discover the dark truth: They’re under a curse, and they think she can break it.

In the fall of 1962, twenty-seven-year-old Jemma Barker is desperate to escape her life in Chicago—and the spirits she has always been able to see. When she receives an unexpected job offer from the Duchon family in New Orleans, she accepts, thinking it is her chance to start over.

But Jemma discovers that the Duchon family isn’t what it seems. Light enough to pass as white, the Black family members look down on brown-skinned Jemma. Their tenuous hold on reality extends to all the members of their eccentric clan, from haughty grandmother Honorine to beautiful yet inscrutable cousin Fosette. And soon the shocking truth comes out: The Duchons are under a curse. And they think Jemma has the power to break it.

As Jemma wrestles with the gift she’s run from all her life, she unravels deeper and more disturbing secrets about the mysterious Duchons. Secrets that stretch back over a century. Secrets that bind her to their fate if she fails.

Review
"An absolute marvel of a debut from a prodigious talent. This Cursed House is a richly atmospheric, utterly chilling ghost story, an enthralling puzzle box of family scandals and secrets—that's also an unflinching examination of the insidiousness of racism, the horrors of colorism, and how the toxicity of hate is a curse that traps us all with the worst of ourselves. A spellbinding Southern gothic."
—Rachel Harrison, national bestselling author of Black Sheep and Such Sharp Teeth

“A sinister and beautifully rendered Southern Gothic, This Cursed House explores the real-life horrors of racism and trauma. Del Sandeen’s stunning debut haunted me.”
—Alexis Henderson, author of The Year of the Witching

“In this accomplished debut novel exploring topics of racism, slavery, family, and forgiveness, author Del Sandeen has generated a perfect Southern Gothic vibe, both chilling and suspenseful.”
—Mystery & Suspense
 
“Inthis haunting and chilling story, an inglorious remnant of American history is handled so deftly that you won't believe it's Del Sandeen's first novel. It's hard to say which is more disturbing: the otherworldly goings-on in the Duchon mansion or the racism of the South in the 1960s.”
—Alma Katsu, author of The Fervor

“Del Sandeen’s This Cursed House is a richly layered Southern Gothic about the cruelty of family secrets and the many different ways we can be cursed. This house is full of ghosts, but it’s the people who are truly haunting. A wonderful debut!”
—Christopher Golden, New York Times bestselling author of The House of Last Resort

"An enthralling, twisty Southern Gothic historical full of family secrets and century-spanning sins. A remarkable debut."
—Eden Royce, award-winning author of Root Magic

“This Cursed House is a hauntingly beautiful story about how far we would go for family—both the living and the dead. An absolute must-read for fans of gothic horror.”
—Darcy Coates, USA Today bestselling author of The Whispering Dead

"[An] excellent Southern gothic ghost story that confronts the inherent, deep-seated racism found in the South, especially prevalent during the 1960's and before. Del Sandeen is definitely an author to watch for in the future. Highly recommended.”
—Game Vortex

Excerpt. © Reprinted by permission. All rights reserved.
Out of the corner of Jemma Barker's eye, the woman flickered, a shadow of light shimmering at the edges of her vision.

Don't look at 'em, Jemma. That was Mama's voice.

Ain't nothing but the devil's work if you look. And that was Daddy's.

Taking a slow breath ( five, four, three, two, and one on the exhale), shakier than usual due to the train's rattling, Jemma stared into her light-wool-skirted lap, where twisting fingers worked wrinkles into a white handkerchief. When she glanced over at the empty seat next to her, the woman was gone.

Jemma smoothed the handkerchief, then her already smooth skirt, then her bobbed hair, the hot-combed bangs fluffing in the Southern heat, humidity intent on disarray. The man who'd sat in that seat, who'd boarded with her when she'd left Chicago two days ago, had gotten off somewhere in southern Missouri, right when one of the white-jacketed porters had hung a colored sign in their car. The sign wasn't necessary, as only Black passengers inhabited the car anyway. No white folks would sit in this space, without a luggage rack but with a flattened mouse in one corner.

No one-no living person, anyhow-had sat in the seat since.

The car had steadily emptied as they traveled south. Jemma opened her black patent leather handbag and pulled out an envelope. She'd read the letter inside dozens of times, but she wanted to see it again, to make sure it was real. It was dated less than a week after Marilyn Monroe had died, and even now, the papers were still making much of the actress's death.

The letter read:

August 10, 1962

Dear Miss Jemma Barker,

I am writing to offer you a position with the Duchon family in New Orleans, Louisiana. The Duchons are a prominent family in the city and believe you have the qualities we are seeking. You would have free room and board and be expected to live on the property. The pay is $300 per week. This is nonnegotiable. You must call by August 31 should you wish to accept.

Sincerely,

Honorine Duchon

Of all the details in the letter, Jemma stared at the three-hundred-dollar weekly pay the most. It was more than three times what she'd earned as a teacher in Chicago, before everything had fallen apart. So she had called Honorine Duchon one afternoon in mid-August, a few weeks ago.

"Next stop, New Orleans. New Orleans, next stop!" a porter announced, strolling down the wood-floor aisles. He stopped next to a dozing woman and touched her shoulder, making sure she woke up in time. She, like Jemma, had a single square suitcase between her feet. Jemma put the letter away and smoothed her hair again before slipping white gloves onto her hands and a pillbox hat onto her head.

Half an hour later, she joined a line of passengers who shared her color, disembarking after the white ones had already gotten off. Jemma stood for a minute on the concrete, purse in one hand, suitcase hanging from the other, the clean, modern lines of the Union Passenger Terminal looming ahead of her.

The heat was a womb. She'd thought summers in Chicago were bad, but nothing had prepared her for this.

A white man in stovepipe slacks and a fedora jostled her as he hurried past, and then he turned back, perhaps to excuse himself. The beginnings of a frown set between Jemma's brows, and chiding words formed behind her lips. Before she could say anything, however, his expression upon seeing a lone Black woman in last season's jacket and skirt, the indifference that dulled his eyes, reminded her that she wasn't in Chicago. She remembered the colored sign hanging in the train car as she pressed her lips together, watching the man continue to his destination, the encounter probably already seeping from his mind even as it brought a flush to her burning skin. The man's hurriedness was familiar to her, something that, along with his rudeness, reminded her of home. But when she took in the rest of the place, she was reminded of the differentness.

Early September in Chicago was a wave of cool weather, wool jackets and scarves at the ready. It was unpacking heavy sweaters, thermals and mittens. Gray skies and biting winds settled in for a long haul, and the taste of snow was always in the air.

So Jemma's attire was completely out of place. Women of all colors swirled around in silks and linens (linens!), cottons and organdies. The tones were suitable for fall-light gray, sky blue, deep pink, cream-but she was the only one in navy blue anything. And very few of the women she saw were wearing gloves. Moisture sprouted in her armpits, and not only from the heat. She removed her gloves and tucked them into her purse.

"Get you a cab, miss?"

Jemma looked to her right, where a porter smiled at her.

"No, thank you," she said. "But can you tell me where I can get some coffee?"

"Best for you to bypass the French Quarter. They're still boycotting over there on Canal, and you don't want to get mixed up in that. Make your way to this neighborhood called Tremé. You can catch the bus over there."

"Boycotting?"

He cocked his head. "Yeah. They don't want to hire none of us to work on Dryades 'less we're sweeping out the back room or scrubbing the toilets. We can't eat nowhere on Canal. So it's been some sit-ins and little marches and things."

A smile tugged at Jemma's lips. Although not immune to the oftentimes inexplicable whims of white people in Chicago who didn't want Black people to experience full citizenhood, she'd had more freedom there than the folks who lived across the South. And they were fighting back. Good.

"Can you give me directions to Tremé if I'm walking?"

"It'll take you a minute."

"I got time."

He gave her careful directions. Jemma pressed her handkerchief, now bearing blotches of brown powder, to her face and thanked him as she set off, the handle of the suitcase slick in her hand. Rivers of sweat ran freely down her body, and her legs itched in the thick stockings. Cobblestone streets stretched in every direction. There were no skyscrapers or tall housing-project buildings here, only walls of balconied structures and wrought iron railings. Jemma passed yellow, blue and pink stone buildings, with ivy and flowers trailing down from second floors or growing up brick sides like delicate fingers. The smells of soft bread, strong coffee, sweet pastries and thick roux filled the air, a jumble of scents that pulled Jemma's tongue between her lips. She'd eaten nothing since lunch the day before, the last of the roast beef sandwiches she'd packed, as there were no colored dining cars or other places where they were allowed to eat once they'd reached Tennessee. Glancing through the restaurant windows, she saw only white patrons.

As she navigated her way north, the smell of the Mississippi River gradually faded, although not completely. Colorful buildings and storefronts gave way to row houses. On Rampart Street, she turned down an alleyway, her feet in the black heels seeming to grow blisters against the cobblestones with every step. Jemma stopped and leaned against the brick wall between two nondescript buildings, setting her suitcase down and mopping her face again. All her powder had been wiped clean off, the remnants of her carefully made-up face soiling the handkerchief. She glanced around, now sure she was in the wrong alleyway. The porter had told her of a café down a specific backstreet but had also cautioned her, Stay away from dark alleys where you don't see nobody else. She'd wanted to remind him that it was morning, but something in his face kept the words inside. As she slipped one foot out of her shoe and rubbed her toes, a door in the building in front of her opened. Jemma tensed at the sight of the light man in a chef's apron until she took in the crinkled hair, the almost imperceptible wideness in his nose.

"You lost?" he asked her after tossing dirty dishwater out of a huge pot into a nearby grate. Hazel eyes appraised her, lingering over her heavy clothing before coming back to her face.

"I'm looking for Lulu's Café."

"Next alleyway over," he said, jerking his chin to the right. "There's no sign, but you'll see a window with some dolls inside."

Jemma had wanted to rest for a few minutes, maybe even cool off before moving on, but she felt like an intruder here, where the man now pulled a rolled cigarette from his apron pocket and lit it with a match. He didn't offer her one. Clouds of smoke obscured his face, but she felt his eyes on her.

She put her shoe back on, hitched up her suitcase and moved on to the next alley, finding the bright blue-painted café by the collection of brown-skinned dolls sitting inside the window, just as the cook had said. Jemma passed two yellow wrought iron table-and-chair sets as she walked inside, the coolness of the dim space so welcoming she shut her eyes, wanting only to breathe it in for a while. Ceiling fans turned overhead, spreading delicious smells around the room, all hot coffee, pralines, beignets and roux.

"Ooh, baby, I know you burning up." A woman's voice brought Jemma back. She found herself looking into the deep brown face and eyes of a middle-aged woman in a light blue dress and with a white apron around her waist. "Come on in here and sit down."

Jemma happily obeyed, taking a spot in a stiff-backed chair by the window. The table was small, made for two, and as Jemma took in her surroundings, she spied nothing but Black patrons at half a dozen tables, hunched over white cups of coffee or plates of bread and sausage.

"You want some chicory, honey?"

"I'm sorry-what?"

The woman smiled down at her. "It's a coffee. I'll get you one."

Before Jemma could protest, the woman walked off and disappeared through a set of swinging doors that led to the kitchen. Jemma opened her handbag and pulled out her coin purse, the peeling red leather petal-soft beneath her fingers. Snapping it open, she made sure she still had five wrinkled singles, along with a small handful of change. A chalkboard hanging on one wall advertised everything from chicory café au lait, pain perdu, beignets, croissants and calas to gumbo, crawfish etouffee, red beans and rice and croque monsieur. Jemma didn't recognize all the words, but the mix of sweet and spicy smells floating through the air reminded her how hungry she was.

"This is on the house." The woman, her head tilted as she looked down at her, slid a cup of coffee in front of Jemma. "Are you visiting?"

"No. I just moved here. I'm working for the Duchon family." Jemma pronounced it Du-chun, emphasis on the first syllable, unable to keep the breathy pride out of her voice. The woman stared at her for a moment before a look of recognition washed over her face.

"Oh, the Doo-chone family," she enunciated, the soft smile shrinking away. Her back straightened, all the friendly intimacy of their conversation disappearing along with the grandmotherly tone. "You want something to eat?"

Jemma's mouth worked (What just happened here?), but after a moment, she asked for grits and eggs, knowing the breakfast cost just forty cents. She sipped her coffee, and before long, the woman returned, sliding a plate loaded with grits, eggs and toast onto the table. Alongside it, she placed a small plate with a couple of sugary confections.

"Oh, I didn't ask for-" Jemma started.

"It's on me, baby. You're new to New Orleans. You got to try Lulu's beignets." She turned to go but stopped and looked at Jemma again, the softness back in her eyes. "You're working for the Duchons, you say?"

"Yes. I was going to ask how to get to the . . . plantation." That's what Honorine had called the property when Jemma had talked to her a few weeks ago.

"It's not in the parish proper-it's out toward Metairie. You can take the bus, but it's going to let you off before you get there. Cab'll take you straight through, but it'll cost."

"I can take the bus. If I have to walk a ways, that's okay."

Lulu glanced away for a second before turning back, her deep brown eyes full of something disquieting Jemma couldn't quite place.

"Miss, it's not my business, but if I was you, I'd go the other way. Get back on the train or bus or whatever you came here on and go back to where you from."

About the Author:
website
Del Sandeen lives in northeast Florida, where she works as a copy editor and writes speculative fiction. Her work has appeared in FIYAH: Magazine of Black Speculative Fiction, Nightlight podcast, and Gay Magazine. This Cursed House is her debut novel. She can be found on X @DelSandeen.



Tuesday, February 16, 2021

The Story Behind the Story: Leather and Lace by Magen Cubed + giveaway

A lot of things have happened since Valentine’s Day 2018. That might be a bit of an understatement, given the state of things.

On February 16th, I’ll be releasing my paranormal romance and urban fantasy novel, Leather and Lace: Book One of the Southern Gothic Series. But the path to getting here had some twists along the way. ‘Leather and Lace’ first appeared as a short story in the pages of Twisted Romance from Image Comics. It was a project organized by comics writer, director, and novelist Alex de Campi, with the intended goal of telling off-beat romance stories.

Alex assembled a diverse group of comics artists and prose writers to create a genre-crashing romance anthology that spoke to all our strengths. She sent me a private message on Twitter in September 2017 and was kind enough to tell me (in a caring and supportive way, of course) that I was going to contribute a story.

When she approached me about the project, all I could think of was a monster-hunting romcom. It was an excuse to combine my love of pulpy monster-of-the-week procedurals with good old-fashioned monster romance. Thus, Dorian Villeneuve and Cash Leroy were born: a paranormal buddy hunter couple, consisting of a sarcastic goth vampire with an emotional support Chihuahua and a good-natured country boy who stanned for Stevie Nicks.

With Alex’s blessing, I wrote ‘Leather and Lace,’ my tongue-in-cheek spin on Supernatural through the lens of Dean Winchester and Castiel getting together and hunting a family of murderous weredeer.

(It isn’t find-replace Supernatural fanfiction, for the record. A few jokes were floated on Twitter, but any similarities to the show are purely the product of genre conceit and love of monster-hunting tropes.)

Twisted Romance #1 arrived in February 2018, just in time for Valentine’s Day. The series showcased some of comics’ most innovative and interesting creators. Alex collaborated on comics with artists Katie Skelly Trungles, Alejandra Gutierrez, and Carla Speed McNeil. The prose selection featured me and comics writer Vita Ayala, and there were several comics shorts by Meredith McClaren, Sarah Horrocks, Margaret Trauth, and Sarah Winifred Searle. It was later collected in a trade paperback, with a cool variant cover for Books Kinokuniya.

(As I understood it, we were pretty popular in Japan.)

Our little anthology went on to garner some critical acclaim and a fair bit of commercial success. It even earned a few award nominations, including an Eisner Award nod at San Diego ComicCon. In the end, I felt rather good about what I did for that project. I decided that would be the end of Dorian Villeneuve and Cash Leroy while I went on to work on other paranormal romance projects.

As you can see, that didn’t happen.

After the short story came out, I was surprised to find the characters and their story so well-received. Romance and non-romance readers alike told me how much they enjoyed it and that the characters resonated with them. I was enamored with the quirky little world I made and grateful that so many people had found such enjoyment in it. That so many people liked these characters and want to know more about their relationship, pasts, and future together.

It’s now January 2021 at the time of writing this. Since their first appearance, Dorian and Cash have become the characters I’m best known for and the characters I’ve come to love the most. I’ve written some thirty short stories about their romantic exploits, self-published three themed collections, and completed two novels in a planned series.

Leather and Lace: Book One of the Southern Gothic Series is the full-length adaptation of the story that started it all. It takes the basic premise of the short story—a vampire, a hunter, a pair of man-eaters, and a partnership-turned-romance—and builds it into a sprawling world of monsters and mayhem. The characters have changed considerably during adaptation, becoming deeper, more nuanced versions of themselves with fully developed backstories.

Dorian is still a sarcastic goth who feels uneasy about hunting monsters, but the anxieties he compensates for are rooted in a lifetime of misfortune on the streets of the vampire slum. Cash is still a good-natured boy from East Texas, but his quirks are grounded in complicated family history as the heir of a prominent hunting dynasty. They each fill a need for trust and friendship in each other’s lives and provide a foundation of earnest care that their romantic relationship will continue to build upon. The monsters they hunt are also far more complex than their short story counterparts and help develop a morally gray world where monsters and hunters operate in the margins of polite society.

The book is a monster-hunting romcom, a paranormal procedural adventure, a campy horror-fantasy romp, and a romance about two friends who shouldn’t have fallen in love but did. It’s also a labor of love, which wouldn’t exist without Alex and the small but vocal readership I’ve found believing in me and in these characters. From drafting a story for a friend to putting out a novel about two characters I deeply love, the road that brought me to this point has been long.

I can only hope that I do them justice.

Leather and Lace 
(Southern Gothic Series, #1)
by Magen Cubed
February 16th 2021
Genres: Adult, LGBTQ+, Paranormal, Urban Fantasy
Falling in love with a vampire bites—and sometimes loving a human bites back.

Dorian Villeneuve is an unlucky vampire from the slums of Devil’s Row. He makes ends meet for himself and his emotional support Chihuahua by working sleazy bars and nightclubs, doing what it takes to get by. Cash Leroy is a monster hunter from East Texas with a golden voice and an unrivaled devotion to Stevie Nicks. Hunting does not leave time for friends, let alone love.

When their paths cross during a bloody run-in with the vampire mob, Cash upends Dorian’s life—and takes Dorian under his wing to teach how to hunt monsters.

The unlikely pair become partners, and soon, best friends. However, their deepening bond grows complicated when Dorian falls in love with Cash. Their friendship is too important to throw away over an interspecies attraction, especially in a career that is already nasty, brutish, and short.

And things become even more complicated when Cash finds himself returning the vampire’s affections.

When an unusually deadly case lands in the hunters’ laps, their ill-fated affair takes a backseat. A pair of man-eating weredeer are on the loose taking victims’ hearts. With the pressure on to end the killing spree, Dorian and Cash must set aside their feelings and hunt down the blood-thirsty deer.

Can Dorian and Cash’s friendship survive this monstrous romance, or will they lose their hearts in the process?

Excerpt 1
Cash Leroy could have been a singer but killing paid the bills. He stood at the karaoke machine and bathed in the pink neon spotlight, every inch of him painted in a dusky glow. Mic in hand, he commanded his favorite booth with lowered eyes, splinters of light catching in his fallen lashes as they fluttered against his stubbled cheeks. His voice hit the high notes of 'Outside the Rain' in a velvety dither that belied his smoky drawl and taste for Pall Mall cigarettes. In a depth of sound so full, it overshadowed the shrill karaoke track.

Here, on most nights and nearly every weekend, Cash sang Stevie Nicks songs and only Stevie Nicks songs. This was his ritual for the eight months that Dorian knew Cash, but it went well beyond their partnership. Cash was a man of singular interest, and no one else loved Stevie Nicks like he did.

The hunter cradled the mic between strong hands, his booted foot keeping time as he swayed to the music. Onstage, he seemed like a different man from the one Dorian knew the rest of the day. Singing straightened his slouched posture as his voice overtook the room. The stage broke Cash's even temperament and replaced it with a showman's presence as he performed for his preferred audience of one. Even the flecks of blood on the collar of his shirt disappeared into the neon. Everything else about Cash seemed to fall away whenever he opened his mouth to sing.

And Dorian, despite his best efforts, was in love with Cash.

Dorian nursed his second beer of the night on the modular pink loveseat across from the karaoke machine. He tried not to watch Cash as closely as he did. It was hard not to watch Cash in all things, both on the stage and off it. Dorian fought to keep his gaze from wandering over Cash's strong legs in his beat-up blue jeans. The vampire fought harder to avoid staring at Cash's neck, mouth, and sweep of his dark lashes as he sang.

Because Cash was Dorian's best friend, roommate, and partner. He didn't want to be in love with Cash. Loving Cash made Dorian's life complicated and scary. It put an ache deep inside the vampire's rib cage, choking on glass whenever the feeling threatened to claw its way out of his throat. Choking it down because they could never be together.

But sitting in a karaoke booth, watching Cash sing, Dorian loved Cash anyway.

About the Author:
Magen Cubed is an Eisner-nominated writer, essayist, and occasional critic, best known for her queer monster-hunting urban fantasy/paranormal romance series SOUTHERN GOTHIC. She has appeared in the critically acclaimed TWISTED ROMANCE comics anthology from Image Comics and has bylines on the award-winning Women Write About Comics. Magen lives in Florida with her girlfriend Melissa and a little dog named Cecil.

GIVEAWAY
Blitz-wide giveaway (INT)
$50 Amazon gift card
a Rafflecopter giveaway

Saturday, November 19, 2016

Comic Reviews: Harrow County issue #18 from Dark Horse Comics

Harrow County Issue #18
Writer: Cullen Bunn
Artist: Carla Speed McNeil
Cover Artist: Tyler Crook
Genre: Fantasy, Horror
November 23, 2016
Dark Horse Comics
Format: FC, 32 pages; Ongoing
Price: $3.99
UPC: 7 61568 26606 1 01811
Emmy has just learned about the mysterious group of powerful beings that call themselves her family. But they’ve been around since before Harrow County ever existed. Through the eyes of a haint, masterfully illustrated by guest artists Carla Speed McNeil and Jenn Manley Lee, this issue explains the Abandoned’s past and reveals his connection with the family, including the enigmatic Amaryllis.
* Featuring special backup stories exclusive to the single issues!
* The second in a two-part story about the Abandoned.
“This is illustrated horror at its best. The world of Harrow County is dark, dense and deserves its status as a modern horror classic.”—Big Comic Page

In this issue, Emmy is told what happened when Malachi made Hester, thinking she would be as close to human and able to lead the family. Except she learns much more about who the beast haunt in the woods is and who she really is.

The Tales of Harrow County is Priscilla. And Priscilla isn’t human, but something much, much creepier, plus, this is obviously a first part of a continuing story for the next issue.

Delightfully eerie as always, Harrow County has never disappointed in being what a good Southern Gothic supernatural dark fantasy should be—nightmares and haints!

5 spooky Southern Gothic sheep.






Pamela Kinney

Wednesday, October 26, 2016

Comic Review: Harrow County #17 from Dark Horse Comics


HARROW COUNTY #17
Writer: Cullen Bunn
Artist: Carla Speed McNeil
Colorist: Jenn Manley Lee
Cover Artist: Tyler Crook
Genre: Fantasy, Horror
October 19, 2016
Format: FC, 32 pages; Ongoing
Price: $3.99
The Abandoned, that hulking figure with haunting yellow eyes, rarely leaves his ramshackle cabin deep in the woods of Harrow County. But it wasn’t always so. Illustrated by guest artists Carla Speed McNeil and Jenn Manley Lee, this issue is the first of a two-part story that explores the Abandoned’s past and reveals secrets about the very foundations of Harrow County.

* Guest art by Carla Speed McNeil and Jenn Manley Lee!

* Featuring special backup stories exclusive to the single issues!

The haint, Old Buck, tells Emmy a story about Malachi who made the laws for beings such as the others, and Old Buck, to protect them. But Buck has run away to the Outer Banks, living off the wild horses. Malachi appears with Amaryllis, to try and convince Buck to come back with them, where he can keep him safe. But Buck does not. Not long after the others led by Levi kill a human fisherman. Then they head off to town where a festival is going on.

In the “Tales id Harrow County,” a hunter, Zeb shoots a deer dead, but finds a strange creature hovering over the carcass, claiming the woods are his hunting grounds, as well as the deer. It tells Zeb if he pays a tithe, it’ll let Zeb take the deer. Zeb just shoots at the thing and takes the deer home to his family. But in Harrow County, things have a way of getting their due, as Zeb finds out.

Harrow County might be the love child of Ray Bradbury and Edgar Allan Poe, if they had one. Unsettling, dark, and fantastical, with a down home Southern Gothic twist.


5 “Southern Gothic” sheep




Pamela Kinney

Saturday, August 6, 2016

Comic Review: Blood and Dust: The Life and Undeath of Judd Glenny #1 from Action Lab: Danger Zone

Blood and Dust: The Life and Undeath of Judd Glenny #1
Writer(s): Michael R. Martin, Adam J. Orndorf
Artist Name(s): Roy Allen Martinez, Raymund Lee (colors), Kel Nuttall (letters)
Cover Artist(s):) Brett Weldele (cover A), Roy Allen Martinez (cover B variant - limited to 1500)

Aug 3rd, 2016
32 pages/ Rated M / FC $3.99 (reg)/ $4.99(var)
Action Lab: Danger Zone
Judd Glenny is the first American vampire, once he terrorized the West as its most fearsome predator, but for more than 40 years now he’s spent his days in peace, reduced to little more than babysitter for his own vampire offspring. But when the evil that lives in the swamp surrounding the small backwater town he calls home gets ahold of one of Judd’s great grandkids, everything changes.

Blood & Dust mixes gothic horror with lush monstrous imagery that is sure to appeal to fans of vampires, swamp creatures and the macabre!


This one has my attention! Starts off with Paw Paw pinning one of his great grandkids to the wall with knife through the shoulder...he shouldn't have been bothering his little sister...He told them to settle down. But then you find out Paw Paw (Judd Glenny) is a very old vampire and he has been taking care of his vampire great grandkids in the swamp for the last 40 years.

Issue #1 introduces us to Judd and his fang family. When a father from town comes to thank him for saving his boy from the swamp. We learn what Judd is and a little about why he saves lost kids from the swamp. He might save kids, but isn't a very nice guy and doesn't have a lot of patience. This issue ends with Judd heading into the swamp, sickle in hand, to save one of his great grand kids from a new threat.

The artwork is a perfect fit and the writing, as with all Action Lab comics, is top notch.


4.5 "I told you to settle down" Sheep




SharonS

Thursday, March 10, 2016

Book Review: Beneath Ash and Bone by D. Alexander Ward

Beneath Ash and Bone
by D. Alexander Ward
Publisher: Necro Publications
April , 2016
Selburn, Virginia: a quiet backwater town nestled among the Blue Ridge Mountains. In the days before the Civil War, Sam Lock keeps the peace of the town, like his father before him.

That peace is shattered during a raging winter storm when a young boy goes missing at Evermore, the sprawling estate of Horace Crownhill and his family. Racing against time and the elements, Sam must mount a desperate search for the child—but what he finds in the snow, and the dark halls of Evermore, are madness and. . .murder.

As Sam searches for truth in a house poisoned by mysteries and haunted by ghosts, he hopes to weather the storm, but the harrowing secrets he uncovers may prove too terrible to bear. Will he escape with his sanity intact or will the dark presence rumored to hold sway over Evermore claim him as another sacrifice.


Sheriff Sam Lock is called out in a roaring blizzard at night to Evermore, a mansion in Virginia’s Blue Ridge Mountains, to find a missing fourteen year old boy, William. It is 1860, and the boy had gone missing from the Crownhill estate after his birthday celebration. In the mansion lives the widow Miss Charlotte, daughter of the owner, Horace Crownhill, Charlotte’s fourteen year old daughter, Lucy, freed African-American, Colvin, his mother, Seena, his niece, Mary and a pair of nephews. Using volunteers from the locals who live in Selburn, he has them split into two groups. It is Sam though who finds the boy, dead and buried beneath the snow. At first, he thinks it’s an accidental death until he finds William naked and with mangled genitals. But it is more than an ordinary murder, Sam uncovers more frightening reasons, supernatural in nature. And secrets, that all are not what it seems among the Crownhills and the land their mansion sits upon. Secrets that if don't drive Sam over the edge, may kill him before he figures them out.

Beneath Ash and Bone returns the down home promise of Southern Gothic horror, where dark secrets of madness and the supernatural hit the readers with a genteel punch in the gut.

I give Beneath Ash and Bone 5 sheep






Pamela Kinney
About the Author:
website-FB-twitter
D. Alexander Ward is an author and editor of horror and dark fiction. As a volunteer and member of the Horror Writers Association he is an involved participant in the independent horror community. In addition to Beneath Ash and Bone, he is the author of Blood Savages: A Blackguards Novel (Book 1), A Feast of Buzzards, and After the Fire & Other Tales.

As an editor, he co-edited the Lovecraftian horror anthologies, Shadows Over Main Street, Volumes 1 and 2 from Cutting Block Books and also, GUTTED: Beautiful Horror Stories from Crystal Lake Publishing.

Along with his family and the haints in the woods, he lives near the farm where he grew up in what used to be rural Virginia, where his love for the people, passions and folklore of the South was nurtured. There, he spends his nights penning tales of the dark, strange and fantastic.

He is active on social media and you can find out more on his website: www.dalexward.com



Wednesday, March 9, 2016

Comic Review: Harrow County #10 from Dark Horse Comics

Harrow County #10
Writer: Cullen Bunn
Artist: Tyler Crook
Cover Artist: Tyler Crook
Genre: Horror, Fantasy
March 09, 2016
Dark Horse Comics
Format: FC, 32 pages; Ongoing
Price: $3.99
UPC: 7 61568 26606 1 01011
PREVIEW

A malevolent serpent sows madness and malice into the town’s residents, and there’s only one way to stop it. But the shadowy Lovely Belfont’s motivations are far from pure, and an alliance could spell doom for Bernice and the entirety of the town.

* The first issue of a terrifying two-parter!

“Genuinely creepy and engaging, plus delicious art.”—Mark Millar (Huck)


A malevolent serpent sows madness and malice into the town’s residents, and there’s only one way to stop it. But the shadowy Lovely Belfont’s motivations are far from pure, and an alliance could spell doom for Bernice and the entirety of the town.

This first comic issue of a two-parter begins with a man, Early, picking blackberries with his nephew, Clinton. The boy spies a cottonmouth snake hidden in the blackberries bushes and when Uncle Early takes a shovel to kill it before it strikes with a poisonous bite, the snake wraps itself around the shovel and slithers up face to face with Uncle Early. The snake vanishes, but the man hides the fact that he is hurt and bleeding from his ear as he and the boy pack up and leave. 

The story switches to Emmy and Bernice singing and then parting ways as Bernice’s part of Harrow still would not forget Emmy, nor about the witch, not letting Emmy into their area. Bernice finds Early standing still and staring down a path into the woods. She calls out, but Early gives her a strange look, then goes back to staring. She gets home and asks her grandfather about a Lady Lovey who lives at the end of that path, And he tells her a tale about what happened to him as a youth down at the swimming hole, when from a felled tree some moccasins swam past him without attacking and toward a African American woman who picked them up out of the water and whispered something to them. But Bernice knew the truth. That he had never been a boy, but was a full grown man raised from the mud by the witch Hester. So who is Lovey, and is there a connection to the witch?

Once again, we get another tale of Harrow County along with the main story. This one is about the best butcher in Harrow County, Mr. Morrell. No matter where his meat comes from, he always made them the tastiest ever. But one day he closed and people busted down his door to discover the horrible truth. Only in Harrow County…

I cannot wait for part two and see who Lady Lovey is. Sadly, still a month to go.

Harrow County #10 like its predecessors delivers what it promises: a dark, weird, and unsettling Southern Gothic fairytale for modern man.

Reviews: Harrow County #1-9

I give Harrow Country #10 five spooky Southern Gothic sheep. (Counting these sheep won’t lull you to sleep, but bring on nightmares.)