by Dan Weatherer
October 19, 2018
Publisher: Crystal Lake Publishing
“The Dead Stage – the period of time between completing the working draft of a stage play and placing it with an interested party.”- Dan Weatherer
Dan Weatherer, an author turned playwright, learned quickly that there are practices playwrights can implement to dramatically increase the appeal of their work.
Inside, you’ll find advice that will enable you to better tailor your work to the needs of the theatre industry, without having to compromise on style, content or subject matter. Dan discusses his early mistakes, and presents the advice of notable theatre professionals including the award-winning playwright, Deborah McAndrew, noted actor Matthew Spence, and London Horror Festival producer, Kate Danbury (along with many, many more!).
You’ll also be able to read several of Dan’s completed stage plays, which are presented in a preferred industry format, and often contain side-notes detailing the success (and failures) of said pieces.
From budgets to set design, run-time to cast size, if you ever felt the desire to write for the stage, following the advice presented in this book will help improve your chances of pairing your script with an interested party, hopefully making The Dead Stage pass almost unnoticed.
Interview with the author:
Placing a stage play with a theatre company is (in my experience) more difficult than placing a book with a publisher. Open theatre calls are highly competitive, seeing hundreds of entries for a call that can possibly stage only three or four pieces. Quality of work is no longer enough to guarantee consideration for performance.
Tell us more about why you wanted to write this guide.
The tips and advice contained in The Dead Stage allowed me to build an impressive portfolio of theatre work in a relatively short space of time. I believe it is important to share experiences if they may be able to help others achieve success.
Tell us more about why you wanted to write this guide.
Throughout my career, I have worked to create opportunities for others, believing it is better to be a small fish in a thriving ocean, rather than a big fish in a stagnant pond.
This book is about sharing my experiences and mistakes, in the hope that I can help others avoid the pitfalls that I fell into.
Theatre, more than any other medium, is a tough industry to break into. Every piece a playwright will write will always be in competition with work from the greatest playwrights of all time. Theatre is a business: seats need to be sold in order to keep theatres running, and so often established pieces are booked instead of the work of what many might term the ‘New Writing’. This is because they are considered safe bookings, and the theatre will, in most instances, not lose money. New writing is considered a risk. Usually, theatres set aside a budget for new writing, but this is often small and tightly contested.
But theatre needs new voices and there are theatre companies willing to give new writing a chance. This book is my way of saying that yes, it is possible to see your work performed on stage, no matter your previous experience in the theatre industry.
If you have a passing interest in the theatre industry, either as a playwright, director, producer, actor or working behind the scenes, then this book is for you. It includes insights and advice from an array of professionals working at all levels of the industry today. Their advice helped me see my work performed on stage, now it’s their turn to help you.
Theatre, more than any other medium, is a tough industry to break into. Every piece a playwright will write will always be in competition with work from the greatest playwrights of all time. Theatre is a business: seats need to be sold in order to keep theatres running, and so often established pieces are booked instead of the work of what many might term the ‘New Writing’. This is because they are considered safe bookings, and the theatre will, in most instances, not lose money. New writing is considered a risk. Usually, theatres set aside a budget for new writing, but this is often small and tightly contested.
But theatre needs new voices and there are theatre companies willing to give new writing a chance. This book is my way of saying that yes, it is possible to see your work performed on stage, no matter your previous experience in the theatre industry.
If you have a passing interest in the theatre industry, either as a playwright, director, producer, actor or working behind the scenes, then this book is for you. It includes insights and advice from an array of professionals working at all levels of the industry today. Their advice helped me see my work performed on stage, now it’s their turn to help you.
About the Author:
Award-winning author, Dan Weatherer, was first published by Haunted Magazine in Spring, 2013. ‘The Legend of the Chained Oak’ was an immediate success and was made into a short film which won the award for ‘Best Horror’ at the Portobello Independent Film Festival (2014), ‘Best Short’ at The Bram Stoker International Film Festival (2014) and also the ‘Best UK Short Film’ award at the Stoke Your Fires Film Festival 2014. The film featured at numerous film festivals around the world during 2014. The premiere screening took place in his hometown of Cheadle.
In 2015, Dan was shortlisted for the prestigious position of Staffordshire Poet Laureate 2016-2018.
Aside from the publication of numerous short stories with a multitude of presses, his next major project was a solo collection of short stories titled ‘The Soul That Screamed’ (Winner of the Preditors & Editors™ Readers’ Poll ‘Best Anthology 2013’).
A further two collections Only the Good Burn Bright (Spring 2015, James Ward Kirk Fiction) and Neverlight (Spring 2016, Spectral Press) quickly followed. In 2017, Neverlight was shortlisted for the first annual Arnold Bennett Literary Prize. His fourth, Just Eventide, was released in August 2017.
2017 saw the release of Dan’s historical novella, ‘Crippen’, courtesy again of Spectral Press.
His first non-fiction book titled ‘What Dwells Within’ was released in the Autumn of 2015 and details the life’s work of paranormal investigator Jayne Harris.
An accomplished playwright, Dan was a winner of the 2017 Soundwork – UK play completion, a finalist in the Blackshaw Showcase Award 2016 and a two-time finalist of the Congleton Players One Act Festival, 2016. Dan has had several of his plays appear at festivals and fringe events.
Completed novels The Underclass, and English Gothic, are currently with his agent. Expect to see The Dead Stage, a book detailing Dan’s experiences as a novice playwright appear via Crystal Lake Publishing in 2018.
Continuing on from the success of ‘Legend of the Chained Oak’, 2017 has seen Dan’s short film Beige, added to The British Comedy Guide, and it continues to appear at film festivals nationwide.
He has had several of his tales published in a variety of anthologies.
Dan lives in Staffordshire, where is married to his wife Jenni and is a (proud) full-time dad to his daughter Bethany, and his son Nathan.
